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Picturing Astronomical Miracles from the Bible in the Early Modern Era
Volume Editors: and
This volume puts two biblical miracles - the Sun reversing its course in II Kings 20:8-11/Isaiah 38:8 (Horologium Ahaz) and the Sun standing still in Joshua 10:12 -, in the early modern period centre stage. We pay special attention to the development of related imagery, their role as anti-Copernican arguments (in text and image), their reception, their treatment in the mathematical sciences, and their various cultural layers, with a focus on the history of art and the history of science in the sixteenth and seventeenth centuries. The material discussed spreads from rather prosaic mathematical reflections to highly appealing visual representations of the two miracles.
Author:
Two allegorical ancient Greek stories about a young hero’s career- defining choice are shown in this book to have later been appropriated to radically differing effects. E.g. a male’s choice between female personifications can morph into a female’s choice between the same, or between various male personifications. Never before have so many instances of this process from art, literature, music, even landscape gardening, been culled. Illustrations, mainly colour, many brought into this context for the first time, are conveniently incorporated into the text, thus mimetically mirroring a central theme of the book, the process of ‘visualising the verbal, verbalising the visual.’
Volume Editors: and
The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? Performing the Sacred: Christian Representation and the Arts explores both the meaning of re-presentation and the role of performance within the Christian tradition between arts and drama. The essays in this book demonstrate that the idea of performance was central to Christian theology and that—from the Middle Ages to the Early Modern era—it became a device through which people saw, prayed, preached, wrote, imagined, officiated rites, celebrated cults, and practiced devotions. Seen that performance is a habitus within Christianity, performing the sacred does not just mean representing it, but rather enacting it in a tangible, visible and involved way.
Sources de la transmission manuscrite en Islam : livres, écrits, images is a Festschrift offered to Marie-Geneviève Guesdon, curator of Arabic manuscripts at the BNF, codicologist and specialist in Arabic manuscript books, on the occasion of her retirement.
It brings together fourteen original contributions for which the collections of the BNF provided an essential source. Handwritten transmission in Islam over the long period is the central axis of the volume. New hypotheses are emerging, both on questions of transmission by shaykhs or scribe-painters and the circulation of ideas, texts and knowledge, as well as on the status and attribution of writings, the making of books, and the history of libraries.

Sources de la transmission manuscrite en Islam : livres, écrits, images sont des mélanges offerts à Marie-Geneviève Guesdon, conservatrice des manuscrits arabes à la BNF, codicologue et spécialiste du livre manuscrit arabe, à l’occasion de son départ à la retraite. Il réunit quatorze contributions originales dont les collections de la BnF forment une source essentielle. La transmission écrite en Islam sur la longue période est l’axe central du volume. De nouvelles hypothèses emergent, aussi bien sur les questions de transmission par les shaykhs ou les scribes-peintres, de circulation des idées, des textes et des savoirs que de statut et d’attribution des écrits, de fabrication du livre et d’histoire des bibliothèques.

Avec: Annie Berthier, Zouhour Chaabane, Khalid Chakor-Alami, François Déroche, Alain J. Desreumaux, Anne-Marie Eddé, Abdelouahad Jahdani, Khaled Kchir, Françoise Micheau, Anne Regourd, Francis Richard, Muriel Roiland, Jacqueline Sublet, Tal Tamari, Saadou Traoré, Annie Vernay-Nouri Annie Berthier, Zouhour Chaabane, Khalid Chakor-Alami, François Déroche, Alain J. Desreumaux, Anne-Marie Eddé, Abdelouahad Jahdani, Khaled Kchir, Françoise Micheau, Anne Regourd, Francis Richard, Muriel Roiland, Jacqueline Sublet, Tal Tamari, Saadou Traoré, Annie Vernay-Nouri
Volume Editors: and
Premodern architecture and built environments were fluid spaces whose configurations and meanings were constantly adapting and changing. The production of transitory meaning transpired whenever a body or object moved through these dynamic spaces. Whether spanning the short duration of a procession or the centuries of a building’s longue durée, a body or object in motion created in-the-moment narratives that unfolded through time and space. The authors in this volume forge new approaches to architectural studies by focusing on the interaction between monuments, artworks, and their viewers at different points in space and time.

Contributors are Christopher A. Born, Elizabeth Carson Pastan, Nicole Corrigan, Gillian B. Elliott, Barbara Franzé, Anne Heath, Philip Jacks, Divya Kumar-Dumas, Brigitte Kurmann-Schwarz, Ashley J. Laverock, Susan Leibacher Ward, Elodie Leschot, Meghan Mattsson McGinnis, Michael Sizer, Kelly Thor, and Laura J. Whatley.
Author:
The medieval Latin poem Speculum Humanae Salvationis (known in English as The Mirror of Human Salvation) was one of the most popular works of the fourteenth and fifteenth centuries with preachers and laity alike. Utilizing a typological approach to interpretation, it combines Old Testament and New Testament events and figures to depict an integrated narrative of redemption. As such, the Speculum is not only an outstanding model of medieval biblical interpretation, but also a fascinating case study in allegorical reading habits and the interplay between text and image. This Scholars Initiative project comprises the first modern transcription and English translation of the full Latin Speculum, accompanied by annotations tracing the biblical references and detailed notes explaining the visual iconography.
This volume sheds light on the historical background and political circumstances that encouraged the dialogue between Eastern-European Christians and Arabic-speaking Christians of the Middle East in Ottoman times, as well as the means employed in pursuing this dialogue for several centuries. The ties that connected Eastern European Christianity with Arabic-speaking Christians in the 16th-19th centuries are the focus of this book. Contributors address the Arabic-speaking hierarchs’ and scholars’ connections with patriarchs and rulers of Constantinople, the Romanian Principalities, Kyiv, and the Tsardom of Moscow, the circulation of literature, models, iconography, and knowhow between the Middle East and Eastern Europe, and research dedicated to them by Eastern European scholars.

Contributors are Stefano Di Pietrantonio, Ioana Feodorov, Serge Frantsouzoff, Bernard Heyberger, Elena Korovtchenko, Sofia Melikyan, Charbel Nassif, Constantin A. Panchenko, Yulia Petrova, Vera Tchentsova, Mihai Ţipău and Carsten Walbiner.
From Jerusalem to Rome—and Back
Editor:
The Arch of Titus: From Jerusalem to Rome—and Back explores the shifting meanings and significance of the Arch of Titus from the Jewish War of 66–74 CE to the present—for Romans, Christians and especially for Jews. Built by triumphant Romans, this triumphal monument was preserved by medieval Christians, lauded by modern visitors and dictators and imitated around the world. The Arch of Titus has special significance for the once-defeated Jews. Its menorah is now the national symbol of modern Israel.

The Arch of Titus: From Jerusalem to Rome—and Back assembles an international array of scholars to explore the Arch in all of its complexity. This volume celebrates an exhibition mounted at Yeshiva University Museum and is the final statement of the Yeshiva University Arch of Titus Project.