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At the Crossroads of Iranian, Hellenistic, and Central Asian History
In his new monograph
Early Arsakid Parthia (ca. 250-165 B.C.): At the Crossroads of Iranian, Hellenistic, and Central Asian History, Marek Jan Olbrycht explores the early history of the Arsakid Parthian state. Making use of literary and epigraphic evidence as well numismatic and archaeological sources, Olbrycht convincingly depicts how the Arsakid dynasty created a kingdom (248 B.C.-A.D. 226), small at first, which, within a century after its founding, came to dominate the Iranian Plateau and portions of Central Asia as well as Mesopotamia. The “Parthian genius” lay in the Arsakids’ ability to have blended their steppe legacy with that of sedentary Iranians, and to have absorbed post-Achaemenid Iranian and Seleukid socio-economic, political, and cultural traditions.
At the Crossroads of Iranian, Hellenistic, and Central Asian History
In his new monograph
Early Arsakid Parthia (ca. 250-165 B.C.): At the Crossroads of Iranian, Hellenistic, and Central Asian History, Marek Jan Olbrycht explores the early history of the Arsakid Parthian state. Making use of literary and epigraphic evidence as well numismatic and archaeological sources, Olbrycht convincingly depicts how the Arsakid dynasty created a kingdom (248 B.C.-A.D. 226), small at first, which, within a century after its founding, came to dominate the Iranian Plateau and portions of Central Asia as well as Mesopotamia. The “Parthian genius” lay in the Arsakids’ ability to have blended their steppe legacy with that of sedentary Iranians, and to have absorbed post-Achaemenid Iranian and Seleukid socio-economic, political, and cultural traditions.
The Eastern Samaria Shoulder, from Nahal Tirzah (Wadi Far'ah) to Ma’ale Ephraim Junction
The book presents the results of a complete detailed survey of the eastern region of Samaria, mainly the Eastern Samaria Shoulder, from Nahal Tirzah (Wadi Far'ah) to Ma’ale Ephraim Junction within the territory of Israel/Palestine. It is Volume 6 of the Manasseh Hill Country Survey publications. This project, in progress since 1978, and covering 2500 sq. km, is a thorough, metre-by-metre mapping of the archaeological-historical area between the River Jordan and the Sharon Plain, and between Nahal 'Iron and the north-eastern point of the Dead Sea. This territory is one of the most important in the country from the Biblical and archaeological view; and the survey is a valuable tool for scholars of the Bible, archaeology, Near Eastern history and other aspects of the Holy Land.
The Eastern Samaria Shoulder, from Nahal Tirzah (Wadi Far'ah) to Ma’ale Ephraim Junction
The book presents the results of a complete detailed survey of the eastern region of Samaria, mainly the Eastern Samaria Shoulder, from Nahal Tirzah (Wadi Far'ah) to Ma’ale Ephraim Junction within the territory of Israel/Palestine. It is Volume 6 of the Manasseh Hill Country Survey publications. This project, in progress since 1978, and covering 2500 sq. km, is a thorough, metre-by-metre mapping of the archaeological-historical area between the River Jordan and the Sharon Plain, and between Nahal 'Iron and the north-eastern point of the Dead Sea. This territory is one of the most important in the country from the Biblical and archaeological view; and the survey is a valuable tool for scholars of the Bible, archaeology, Near Eastern history and other aspects of the Holy Land.
In
Ostraca from the Temple of Millions of Years of Thutmose III, Fredrik Hagen publishes a range of texts from recent excavations at Thebes. Although fragmentary, it is one of the richest corpora that have come to light for a generation, in terms of both the number of ostraca and the different types of texts represented, and provides essential new data for anyone interested in ancient Egyptian temples, religion, priests, and social history.
The texts shed light on many aspects of life in an Egyptian temple, including the building of the temple, the daily operations of its cult, the organisation and size of the priesthood, types and quantities of offerings, as well as the broader cultural issues of literacy and the transmission of literature.
The texts shed light on many aspects of life in an Egyptian temple, including the building of the temple, the daily operations of its cult, the organisation and size of the priesthood, types and quantities of offerings, as well as the broader cultural issues of literacy and the transmission of literature.
In
Ostraca from the Temple of Millions of Years of Thutmose III, Fredrik Hagen publishes a range of texts from recent excavations at Thebes. Although fragmentary, it is one of the richest corpora that have come to light for a generation, in terms of both the number of ostraca and the different types of texts represented, and provides essential new data for anyone interested in ancient Egyptian temples, religion, priests, and social history.
The texts shed light on many aspects of life in an Egyptian temple, including the building of the temple, the daily operations of its cult, the organisation and size of the priesthood, types and quantities of offerings, as well as the broader cultural issues of literacy and the transmission of literature.
The texts shed light on many aspects of life in an Egyptian temple, including the building of the temple, the daily operations of its cult, the organisation and size of the priesthood, types and quantities of offerings, as well as the broader cultural issues of literacy and the transmission of literature.
Regional Perspectives and Realities
Middle Kingdom Palace Culture and Its Echoes in the Provinces addresses the significant gaps that remain in scholarly understanding about the origins and development of Egypt’s “Classical Age”. The essays in this volume are the end result of a conference held at the University of Jaén in Spain to study the history, archaeology, art, and language of the Middle Kingdom. Special attention is paid to provincial culture, perspectives, and historical realities. The distinguished group of Egyptologists from around the world gathered to consider the degree of influence that provincial developments played in reshaping the Egyptian state and its culture during the period. This volume aims to take a step towards a better understanding of the cultural renaissance, including the ideological transformations and social reorganization, that produced the Middle Kingdom.
Regional Perspectives and Realities
Middle Kingdom Palace Culture and Its Echoes in the Provinces addresses the significant gaps that remain in scholarly understanding about the origins and development of Egypt’s “Classical Age”. The essays in this volume are the end result of a conference held at the University of Jaén in Spain to study the history, archaeology, art, and language of the Middle Kingdom. Special attention is paid to provincial culture, perspectives, and historical realities. The distinguished group of Egyptologists from around the world gathered to consider the degree of influence that provincial developments played in reshaping the Egyptian state and its culture during the period. This volume aims to take a step towards a better understanding of the cultural renaissance, including the ideological transformations and social reorganization, that produced the Middle Kingdom.
Editor:
John Malcolm Russell
Geoffrey Turner has written the definitive study of the mid-19th century excavations sponsored by the British Museum at the ancient Assyrian site of Nineveh in Iraq. Based on exhaustive analysis of unpublished archives combined with his own extensive knowledge of Assyrian architecture, Turner’s work documents the complete history of these excavations. Turner also draws on the archives and numerous additional sources to provide a detailed reconstruction of the architecture and relief sculpture in the building that was the primary focus of these excavations, the Southwest Palace of Sennacherib (ruled 705-681 BC). The result constitutes the final report both on the results of these excavations and on the original appearance of one of the ancient world’s most famous buildings.
Editor:
John Malcolm Russell
Geoffrey Turner has written the definitive study of the mid-19th century excavations sponsored by the British Museum at the ancient Assyrian site of Nineveh in Iraq. Based on exhaustive analysis of unpublished archives combined with his own extensive knowledge of Assyrian architecture, Turner’s work documents the complete history of these excavations. Turner also draws on the archives and numerous additional sources to provide a detailed reconstruction of the architecture and relief sculpture in the building that was the primary focus of these excavations, the Southwest Palace of Sennacherib (ruled 705-681 BC). The result constitutes the final report both on the results of these excavations and on the original appearance of one of the ancient world’s most famous buildings.
Volume Editors:
Pieter B. Hartog, Shulamit Laderman, Vered Tohar, and Archibald L.H.M. van Wieringen
Jerusalem and Other Holy Places as Foci of Multireligious and Ideological Confrontation brings together the papers that were read at an international conference at the Schechter Institute in Jerusalem in May 2018. The contributions to this volume develop a multi-disciplinary perspective on holy places and their development, rhetorical force, and oft-contested nature. Through a particular focus on Jerusalem, this volume demonstrates the variety in the study of holy places, as well as the flexibility of geographic and historical aspects of holiness.
Volume Editors:
Pieter B. Hartog, Shulamit Laderman, Vered Tohar, and Archibald L.H.M. van Wieringen
Jerusalem and Other Holy Places as Foci of Multireligious and Ideological Confrontation brings together the papers that were read at an international conference at the Schechter Institute in Jerusalem in May 2018. The contributions to this volume develop a multi-disciplinary perspective on holy places and their development, rhetorical force, and oft-contested nature. Through a particular focus on Jerusalem, this volume demonstrates the variety in the study of holy places, as well as the flexibility of geographic and historical aspects of holiness.
Editor:
Vanessa Davies
The Phoebe A. Hearst Expedition to Naga ed-Deir, Cemeteries N 2000 and N 2500 presents the results of excavations directed by George A. Reisner and led by Arthur C. Mace. The site of Naga ed-Deir, Egypt, is unusual for its continued use over a long period of time (c. 3500 BCE–650 CE). Burials in N 2000 and N 2500 date to the First Intermediate Period/Middle Kingdom and the Coptic era. In keeping with Reisner’s earlier publications of Naga ed-Deir, this volume presents artifacts in chapter-length studies devoted to a particular object type and includes a burial-by-burial description. The excavators’ original drawings, notes, and photographs are complemented by a contemporary analysis of the objects by experts in their subfields.
Editor:
Vanessa Davies
The Phoebe A. Hearst Expedition to Naga ed-Deir, Cemeteries N 2000 and N 2500 presents the results of excavations directed by George A. Reisner and led by Arthur C. Mace. The site of Naga ed-Deir, Egypt, is unusual for its continued use over a long period of time (c. 3500 BCE–650 CE). Burials in N 2000 and N 2500 date to the First Intermediate Period/Middle Kingdom and the Coptic era. In keeping with Reisner’s earlier publications of Naga ed-Deir, this volume presents artifacts in chapter-length studies devoted to a particular object type and includes a burial-by-burial description. The excavators’ original drawings, notes, and photographs are complemented by a contemporary analysis of the objects by experts in their subfields.
Akhenaten and Family in the Amarna Tombs
In
Renewing Royal Imagery: Akhenaten and Family in the Amarna Tombs, Arlette David offers a systematic, in-depth analysis of the visual presentation of ancient Egyptian kingship during Akhenaten's reign (circa 1350 B.C.) in the elite tombs of his new capital, domain of his god Aten, and attempts to answer two basic questions: how can Amarna imagery look so blatantly Egyptian and yet be intrinsically different? And why did it need to be so?
Akhenaten and Family in the Amarna Tombs
In
Renewing Royal Imagery: Akhenaten and Family in the Amarna Tombs, Arlette David offers a systematic, in-depth analysis of the visual presentation of ancient Egyptian kingship during Akhenaten's reign (circa 1350 B.C.) in the elite tombs of his new capital, domain of his god Aten, and attempts to answer two basic questions: how can Amarna imagery look so blatantly Egyptian and yet be intrinsically different? And why did it need to be so?
Arabian Identity and Material Culture
By employing the innovative lenses of ‘thing theory’ and material culture studies, this collection brings together essays focused on the role played by Arabia’s things - from cultural objects to commodities to historical and ethnographic artifacts to imaginary things - in creating an Arabian identity over time. The Arabian identity that we convey here comprises both a fabulous Arabia that has haunted the European imagination for the past three hundred years and a real Arabia that has had its unique history, culture, and traditions outside the Orientalized narratives of the West.
All Things Arabia aims to dispel existing stereotypes and to stimulate new thinking about an area whose patterns of trade and cosmopolitanism have pollinated the world with lasting myths, knowledge, and things of beauty.
Contributors include: Ileana Baird, Marie-Claire Bakker, Joseph Donica, Holly Edwards, Yannis Hadjinicolaou, Victoria Hightower, Jennie MacDonald, Kara McKeown, Rana Al-Ogayyel, Ceyda Oskay, Chrysavgi Papagianni, James Redman, Eran Segal, Hülya Yağcıoğlu, and William Gerard Zimmerle.
Contributors include: Ileana Baird, Marie-Claire Bakker, Joseph Donica, Holly Edwards, Yannis Hadjinicolaou, Victoria Hightower, Jennie MacDonald, Kara McKeown, Rana Al-Ogayyel, Ceyda Oskay, Chrysavgi Papagianni, James Redman, Eran Segal, Hülya Yağcıoğlu, and William Gerard Zimmerle.
Arabian Identity and Material Culture
By employing the innovative lenses of ‘thing theory’ and material culture studies, this collection brings together essays focused on the role played by Arabia’s things - from cultural objects to commodities to historical and ethnographic artifacts to imaginary things - in creating an Arabian identity over time. The Arabian identity that we convey here comprises both a fabulous Arabia that has haunted the European imagination for the past three hundred years and a real Arabia that has had its unique history, culture, and traditions outside the Orientalized narratives of the West.
All Things Arabia aims to dispel existing stereotypes and to stimulate new thinking about an area whose patterns of trade and cosmopolitanism have pollinated the world with lasting myths, knowledge, and things of beauty.
Contributors include: Ileana Baird, Marie-Claire Bakker, Joseph Donica, Holly Edwards, Yannis Hadjinicolaou, Victoria Hightower, Jennie MacDonald, Kara McKeown, Rana Al-Ogayyel, Ceyda Oskay, Chrysavgi Papagianni, James Redman, Eran Segal, Hülya Yağcıoğlu, and William Gerard Zimmerle.
Contributors include: Ileana Baird, Marie-Claire Bakker, Joseph Donica, Holly Edwards, Yannis Hadjinicolaou, Victoria Hightower, Jennie MacDonald, Kara McKeown, Rana Al-Ogayyel, Ceyda Oskay, Chrysavgi Papagianni, James Redman, Eran Segal, Hülya Yağcıoğlu, and William Gerard Zimmerle.
Que viennent faire les rayons solaires du dieu grec Hélios sur le front d’un dieu crocodile égyptien ? Cette question est au point de départ d’une enquête au cœur de la plasticité du système polythéiste de l’Égypte gréco-romaine. Parcourant le labyrinthe des diverses communautés et croyances grecques et égyptiennes, Gaëlle Tallet utilise le fil d’Ariane de la production des images religieuses, réponses à de nouveaux besoins et de nouvelles perceptions du divin, et ouvre les portes des ateliers où elles ont été conçues, commandées et façonnées.
La Splendeur des dieux propose une réévaluation du rôle des clergés et des artistes indigènes dans l’élaboration d’un hellénisme proprement égyptien, qui leur a permis de promouvoir et préserver des traditions millénaires.
Why are the rays of the Greek god Helios on the forehead of a crocodile-headed Egyptian deity? Navigating the maze of Greek and Egyptian communities and creeds, Gaëlle Tallet investigates the plasticity of material culture in the polytheistic context of Graeco-Roman Egypt. Using the Ariadne’s thread of the manufacturing of new images, suitable to new needs and new understandings of the divine, La Splendeur des dieux opens the doors of the workshops where these images were designed, ordered and crafted. Tallet offers a full re-appraisal of the cultural balance of powers in Graeco-Roman Egypt, depicting the indigenous clergies and artists as integratedactors of an Egyptian Hellenicity that helped promote and preserve their millenaries-old traditions.
Why are the rays of the Greek god Helios on the forehead of a crocodile-headed Egyptian deity? Navigating the maze of Greek and Egyptian communities and creeds, Gaëlle Tallet investigates the plasticity of material culture in the polytheistic context of Graeco-Roman Egypt. Using the Ariadne’s thread of the manufacturing of new images, suitable to new needs and new understandings of the divine, La Splendeur des dieux opens the doors of the workshops where these images were designed, ordered and crafted. Tallet offers a full re-appraisal of the cultural balance of powers in Graeco-Roman Egypt, depicting the indigenous clergies and artists as integratedactors of an Egyptian Hellenicity that helped promote and preserve their millenaries-old traditions.
Que viennent faire les rayons solaires du dieu grec Hélios sur le front d’un dieu crocodile égyptien ? Cette question est au point de départ d’une enquête au cœur de la plasticité du système polythéiste de l’Égypte gréco-romaine. Parcourant le labyrinthe des diverses communautés et croyances grecques et égyptiennes, Gaëlle Tallet utilise le fil d’Ariane de la production des images religieuses, réponses à de nouveaux besoins et de nouvelles perceptions du divin, et ouvre les portes des ateliers où elles ont été conçues, commandées et façonnées.
La Splendeur des dieux propose une réévaluation du rôle des clergés et des artistes indigènes dans l’élaboration d’un hellénisme proprement égyptien, qui leur a permis de promouvoir et préserver des traditions millénaires.
Why are the rays of the Greek god Helios on the forehead of a crocodile-headed Egyptian deity? Navigating the maze of Greek and Egyptian communities and creeds, Gaëlle Tallet investigates the plasticity of material culture in the polytheistic context of Graeco-Roman Egypt. Using the Ariadne’s thread of the manufacturing of new images, suitable to new needs and new understandings of the divine, La Splendeur des dieux opens the doors of the workshops where these images were designed, ordered and crafted. Tallet offers a full re-appraisal of the cultural balance of powers in Graeco-Roman Egypt, depicting the indigenous clergies and artists as integratedactors of an Egyptian Hellenicity that helped promote and preserve their millenaries-old traditions.
Why are the rays of the Greek god Helios on the forehead of a crocodile-headed Egyptian deity? Navigating the maze of Greek and Egyptian communities and creeds, Gaëlle Tallet investigates the plasticity of material culture in the polytheistic context of Graeco-Roman Egypt. Using the Ariadne’s thread of the manufacturing of new images, suitable to new needs and new understandings of the divine, La Splendeur des dieux opens the doors of the workshops where these images were designed, ordered and crafted. Tallet offers a full re-appraisal of the cultural balance of powers in Graeco-Roman Egypt, depicting the indigenous clergies and artists as integratedactors of an Egyptian Hellenicity that helped promote and preserve their millenaries-old traditions.