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This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
[Ancient Architecture in Syria: The ͑Alā and Ḳaṣr Ibn Wardân]
Editor / Translator:
العلا وقصر ابن وردان من تأليف باتلر وترجمة عائشة موسى يسلط الضوء على (19) موقعًا أثريًا في المنطقة الشمالية من وسط سوريا. ويعد قصر ابن وردان تحفة عمرانية منقطعة النظير تنفرد بين جميع المواقع الأثرية في شمال سوريا بجمالها الأخَّاذ وتنوعها المذهل. وقد بدت مساقطه الأفقية وطرز عمارته ومواد بنائه مماثلة إلى حدٍ كبير لتلك المتَّبعة في تشييد الصروح الإمبراطورية التي اشتهرت في القسطنطينية خلال عهد الإمبراطور جاستينيان.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
The ͑Alā and Ḳaṣr Ibn Wardân, written by Butler and translated by Aisha Moussa, covers (19) ancient sites in Northern Central Syria. Ḳaṣr Ibn Wardân is the most prominent architectural masterpiece which is unmatched in beauty and diversity of style among all ancient ruins in Northern Syria. It was built on a ground plan, in a style, and of material similar to those employed in the imperial edifices of Constantinople during the reign of Justinian.
The whole area boasts its great body of buildings representing every variety of architecture, in a style which is peculiar to the country. No where else are there such abundant remains of the religious, military, domestic and funerary architecture open for study and research activities.
[Ancient Architecture in Syria: The ͑Alā and Ḳaṣr Ibn Wardân]
العلا وقصر ابن وردان من تأليف باتلر وترجمة عائشة موسى يسلط الضوء على (19) موقعًا أثريًا في المنطقة الشمالية من وسط سوريا. ويعد قصر ابن وردان تحفة عمرانية منقطعة النظير تنفرد بين جميع المواقع الأثرية في شمال سوريا بجمالها الأخَّاذ وتنوعها المذهل. وقد بدت مساقطه الأفقية وطرز عمارته ومواد بنائه مماثلة إلى حدٍ كبير لتلك المتَّبعة في تشييد الصروح الإمبراطورية التي اشتهرت في القسطنطينية خلال عهد الإمبراطور جاستينيان.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
The ͑Alā and Ḳaṣr Ibn Wardân, written by Butler and translated by Aisha Moussa, covers (19) ancient sites in Northern Central Syria. Ḳaṣr Ibn Wardân is the most prominent architectural masterpiece which is unmatched in beauty and diversity of style among all ancient ruins in Northern Syria. It was built on a ground plan, in a style, and of material similar to those employed in the imperial edifices of Constantinople during the reign of Justinian.
The whole area boasts its great body of buildings representing every variety of architecture, in a style which is peculiar to the country. No where else are there such abundant remains of the religious, military, domestic and funerary architecture open for study and research activities.
While we sometimes think about the past as distant and dusty, portals that can shoot through centuries exist. The estate inventory of Chicart Bailly is one of those gateways, and through its many pages we are transported back into an entirely different material culture – Paris at the turn of the 16th century.
Chicart, whose death in June 1533 led to the creation of the document, was part of a legacy of working with ivory, bone, and precious woods as a tabletier. This transcription and annotated translation of the inventory provides a key for new insights into this previously understudied profession -- the objects made, the varied media used, and the world of the Paris’ tabletiers.
Chicart, whose death in June 1533 led to the creation of the document, was part of a legacy of working with ivory, bone, and precious woods as a tabletier. This transcription and annotated translation of the inventory provides a key for new insights into this previously understudied profession -- the objects made, the varied media used, and the world of the Paris’ tabletiers.
While we sometimes think about the past as distant and dusty, portals that can shoot through centuries exist. The estate inventory of Chicart Bailly is one of those gateways, and through its many pages we are transported back into an entirely different material culture – Paris at the turn of the 16th century.
Chicart, whose death in June 1533 led to the creation of the document, was part of a legacy of working with ivory, bone, and precious woods as a tabletier. This transcription and annotated translation of the inventory provides a key for new insights into this previously understudied profession -- the objects made, the varied media used, and the world of the Paris’ tabletiers.
Chicart, whose death in June 1533 led to the creation of the document, was part of a legacy of working with ivory, bone, and precious woods as a tabletier. This transcription and annotated translation of the inventory provides a key for new insights into this previously understudied profession -- the objects made, the varied media used, and the world of the Paris’ tabletiers.
Migration is no longer a movement from the rural to the urban, but rather from city to city or from the city to the metropolis in this swiftly urbanising world. This book uses new paradigms to explain why urban movements rise from the development of cities and are gradually increasing. It urges new Urban Studies to recognise that the rate of urbanisation occurring in developing regions is higher than that of developed regions and that the change is profound. A multidisciplinary approach is a prerequisite for Urban Studies to understand urban movements and the struggle for urban space in the nearby future of cities worldwide.
Migration is no longer a movement from the rural to the urban, but rather from city to city or from the city to the metropolis in this swiftly urbanising world. This book uses new paradigms to explain why urban movements rise from the development of cities and are gradually increasing. It urges new Urban Studies to recognise that the rate of urbanisation occurring in developing regions is higher than that of developed regions and that the change is profound. A multidisciplinary approach is a prerequisite for Urban Studies to understand urban movements and the struggle for urban space in the nearby future of cities worldwide.
Editor:
This new book series investigates innovative ways to think about and design our built environment. The premise of Architectural Intelligences is that theories of design can generate innovative design methods and novel design projects. Architectural Intelligences seeks synthesis, hybridity, or tensions between architectural theory with other knowledge disciplines, to produce new insights, new speculations, and new design protocols. Architectural thought and production becomes thereby active and uniquely transformative. Books in this series will unfold new forms of order, organization, innovation, and experimentation that can shape and redirect current architectural thought, in dialogue with other disciplines, as game-changers.
Prospective authors in the disciplines of architecture, interiors, and urban spaces are encouraged to submit truly trans-disciplinary proposals (for single authored, co-authored, or edited volumes). Brill welcomes scholarly works that examine the area of applied architectural theory, drawing expertise in another knowledge discipline, such as:
• Architecture + Game Theory
• Architecture + Hypermodernity
• Architecture + New Ecologies
• Architecture + New Materiality
• Architecture + New Forms of Pleasure
• Architecture + Media-Philosophy
• Architecture + New Subjectivities
• Architecture + New Networks
• Architecture + Posthumanism
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.
Prospective authors in the disciplines of architecture, interiors, and urban spaces are encouraged to submit truly trans-disciplinary proposals (for single authored, co-authored, or edited volumes). Brill welcomes scholarly works that examine the area of applied architectural theory, drawing expertise in another knowledge discipline, such as:
• Architecture + Game Theory
• Architecture + Hypermodernity
• Architecture + New Ecologies
• Architecture + New Materiality
• Architecture + New Forms of Pleasure
• Architecture + Media-Philosophy
• Architecture + New Subjectivities
• Architecture + New Networks
• Architecture + Posthumanism
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.
Editor:
Series Editor:
Bereits ein flüchtiger Blick auf die Architekturgeschichte zeigt: Gebäude sind ebenso im Kontext kultureller (nationaler, regionaler etc.) Differenzen wie im Kontext von Transmissionsprozessen zu sehen. Sie sind Resultate kultureller Evolution, die sich zumeist kaum auf distinkte Einzelfiguren (Heroen der Architekturgeschichte etc.) zurückführen lassen – und verdanken sich einer komplexen Gemengelage aus ökonomischen, politischen, materiellen und stilistischen Faktoren, aus Traditionen, Handwerkerregeln, Software- Rahmenbedingungen etc. Dies alles steht einer als Kulturtheorie verstandenen Architekturtheorie, die sich nicht subjektivistischen Illusionen hingeben will, als analytische, mithin evolutionstheoretische Aufgabe ins Haus. Gleichzeitig hat sich Architekturtheorie – als durchaus auch Subjekt-orientierte Designtheorie – nicht nur dafür zu interessieren, was war und was ist, sondern auch, was sein soll; und dies nicht nur im engeren Sinne von wünschbaren Artefakten, sondern auch im Sinne einer wünschbaren Gesellschaft.
The studies in this volume go beyond the question of the authenticity of Prophetic narrations, which has occupied the field of Hadith Studies for over a century. By approaching hadith narrations and literature from various perspectives, the authors seek to uncover the potential that hadith material has to better understand the intellectual and social history of Muslim societies. Applying concepts and methods from other disciplines, the authors study the materiality of hadith collections, the places they were read, and the ways they were incorporated in architecture. Additionally, they explore understudied genres such as the forty-hadith, the faḍāʾil, aḥādīth al-aḥkām, and ʿawālī collections. As such, they set a new course to push the field of Hadith Studies in a new direction.
The studies in this volume go beyond the question of the authenticity of Prophetic narrations, which has occupied the field of Hadith Studies for over a century. By approaching hadith narrations and literature from various perspectives, the authors seek to uncover the potential that hadith material has to better understand the intellectual and social history of Muslim societies. Applying concepts and methods from other disciplines, the authors study the materiality of hadith collections, the places they were read, and the ways they were incorporated in architecture. Additionally, they explore understudied genres such as the forty-hadith, the faḍāʾil, aḥādīth al-aḥkām, and ʿawālī collections. As such, they set a new course to push the field of Hadith Studies in a new direction.
This book addresses typology of Late Antique and Byzantine art and architecture in eight wide-ranging contributions from an international group of scholars. A dialogue between type and its ultimate source, archetype, surpasses issues of formalism and conventional chronological narratives to suggest a more nuanced approach to typology as a systematic and systemic classification of types in the visual landscape of the pagans, Jews, and Christians.
Set against the contemporaneous cultural context, select examples of Mediterranean material culture confirm the great importance of type-and-archetype constructs for theoretical discourse on architecture and visual arts. Contributors are Anna Adashinskaya, Jelena Anđelković Grašar, Jelena Bogdanović, Čedomila Marinković, Marina Mihaljević, Ljubomir Milanović, Cecilia Olovsdotter, and Ida Sinkević.
Set against the contemporaneous cultural context, select examples of Mediterranean material culture confirm the great importance of type-and-archetype constructs for theoretical discourse on architecture and visual arts. Contributors are Anna Adashinskaya, Jelena Anđelković Grašar, Jelena Bogdanović, Čedomila Marinković, Marina Mihaljević, Ljubomir Milanović, Cecilia Olovsdotter, and Ida Sinkević.
This book addresses typology of Late Antique and Byzantine art and architecture in eight wide-ranging contributions from an international group of scholars. A dialogue between type and its ultimate source, archetype, surpasses issues of formalism and conventional chronological narratives to suggest a more nuanced approach to typology as a systematic and systemic classification of types in the visual landscape of the pagans, Jews, and Christians.
Set against the contemporaneous cultural context, select examples of Mediterranean material culture confirm the great importance of type-and-archetype constructs for theoretical discourse on architecture and visual arts. Contributors are Anna Adashinskaya, Jelena Anđelković Grašar, Jelena Bogdanović, Čedomila Marinković, Marina Mihaljević, Ljubomir Milanović, Cecilia Olovsdotter, and Ida Sinkević.
Set against the contemporaneous cultural context, select examples of Mediterranean material culture confirm the great importance of type-and-archetype constructs for theoretical discourse on architecture and visual arts. Contributors are Anna Adashinskaya, Jelena Anđelković Grašar, Jelena Bogdanović, Čedomila Marinković, Marina Mihaljević, Ljubomir Milanović, Cecilia Olovsdotter, and Ida Sinkević.
How have the concepts of “lateness” and “modernity” inflected the study of medieval and early modern architecture? This volume seeks to (re)situate monuments from the 14th—16th centuries that are indebted to medieval building practices and designs within the more established narratives of art and architectural history.
Drawing on case studies from Cyprus to the Dominican Republic, the book explores historiographical, methodological, and theoretical concerns related to the study of medieval architecture, bringing to the fore the meanings and functions of the Gothic in specific contexts of use and display. The development of local styles relative to competing traditions, and instances of coexistence and hybridization, are considered in relation to workshop practices and design theory, the role of ornament, the circulation of people and knowledge, spatial experiences, as well as notions of old and new.
Contributors are: Jakub Adamski, Flaminia Bardati, Costanza Beltrami, Robert Bork, Jana Gajdošová, Maile S. Hutterer, Jacqueline Jung, Alice Klima, Abby McGehee, Paul Niell, Michalis Olympios, Zachary Stewart, Alice Isabella Sullivan, Kyle G. Sweeney, and Marek Walczak.
Drawing on case studies from Cyprus to the Dominican Republic, the book explores historiographical, methodological, and theoretical concerns related to the study of medieval architecture, bringing to the fore the meanings and functions of the Gothic in specific contexts of use and display. The development of local styles relative to competing traditions, and instances of coexistence and hybridization, are considered in relation to workshop practices and design theory, the role of ornament, the circulation of people and knowledge, spatial experiences, as well as notions of old and new.
Contributors are: Jakub Adamski, Flaminia Bardati, Costanza Beltrami, Robert Bork, Jana Gajdošová, Maile S. Hutterer, Jacqueline Jung, Alice Klima, Abby McGehee, Paul Niell, Michalis Olympios, Zachary Stewart, Alice Isabella Sullivan, Kyle G. Sweeney, and Marek Walczak.