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The return of Jews to their ancestral land can be seen as an act of imagination. A new country, citizenship, language, and institutions needed to be imagined in order to be created. The arts, too, have contributed to this act of envisioning and shaping the Jewish state. By examining artistic representations of Israel, Imagined Israel(s): Representations of the Jewish State in the Arts explores the ways in which the Israel imagined abroad and the one conjured within the country intersect, offering a space for the co-existence of sociopolitical, cultural, and ideological differences and tensions.
The return of Jews to their ancestral land can be seen as an act of imagination. A new country, citizenship, language, and institutions needed to be imagined in order to be created. The arts, too, have contributed to this act of envisioning and shaping the Jewish state. By examining artistic representations of Israel, Imagined Israel(s): Representations of the Jewish State in the Arts explores the ways in which the Israel imagined abroad and the one conjured within the country intersect, offering a space for the co-existence of sociopolitical, cultural, and ideological differences and tensions.
Portrayals of Judith, Esther and the Shulamite in Early Twentieth-Century Jewish Art
Author:
Although recently more studies have been devoted to the representations of Biblical heroines in modern European art, less is known about the contribution to the portrayals of Biblical women by modern Jewish artists. This monograph explores why and how heroines of the Scripture: Judith, Esther and the Shulamite received a particular meaning for acculturated Jewish artists originating from the Polish lands in the last decades of the nineteenth century and the first two decades of the twentieth century. It convincingly proves that artworks by Maurycy Gottlieb, Wilhem Wachtel, Ephraim Moses Lilien, Maurycy Minkowski, Samuel Hirszenberg and Boris Schatz significantly differed from renderings of contemporary non-Jewish artists, adopting a “Jewish perspective”, creating complex and psychological portrayals of the heroines inspired by Jewish literature and as well as by historical and cultural phenomena of Jewish revival and the cultural Zionism movement.
Portrayals of Judith, Esther and the Shulamite in Early Twentieth-Century Jewish Art
Author:
Although recently more studies have been devoted to the representations of Biblical heroines in modern European art, less is known about the contribution to the portrayals of Biblical women by modern Jewish artists. This monograph explores why and how heroines of the Scripture: Judith, Esther and the Shulamite received a particular meaning for acculturated Jewish artists originating from the Polish lands in the last decades of the nineteenth century and the first two decades of the twentieth century. It convincingly proves that artworks by Maurycy Gottlieb, Wilhem Wachtel, Ephraim Moses Lilien, Maurycy Minkowski, Samuel Hirszenberg and Boris Schatz significantly differed from renderings of contemporary non-Jewish artists, adopting a “Jewish perspective”, creating complex and psychological portrayals of the heroines inspired by Jewish literature and as well as by historical and cultural phenomena of Jewish revival and the cultural Zionism movement.
Author:
A legend that captures the imagination of audiences and shapes representations of the Holocaust is that in Nazi concentration camps Jewish musicians were forced to play a Tango of Death as men, women and children made their way to the gas chambers. This book traces the origins of this legend to a little known concentration camp in Ukraine where musicians were forced to perform a Jewish tango at executions before they themselves were murdered. By reconstructing the creation of this legend, the book shows how the actual history is hidden, distorted, or even lost altogether.
Author:
A legend that captures the imagination of audiences and shapes representations of the Holocaust is that in Nazi concentration camps Jewish musicians were forced to play a Tango of Death as men, women and children made their way to the gas chambers. This book traces the origins of this legend to a little known concentration camp in Ukraine where musicians were forced to perform a Jewish tango at executions before they themselves were murdered. By reconstructing the creation of this legend, the book shows how the actual history is hidden, distorted, or even lost altogether.
Michail Grobman and the Leviathan Group
Series:
Studia Judaeoslavica, Volume: 15
Author:
Can studying an artist’s migration enable the reconfiguration of art history in a new and “global” mode? Michail Grobman’s odyssey in search of a contemporary idiom of Jewish art led him to cross the borders of political blocs and to observe, absorb, and confront different patterns of modernism in his work. His provocative art, his rich archives and collections, his essays and personal diaries all reveal this complexity and open up a new perspective on post-World War II twentieth-century modernism – and on the interconnected functioning of its local models.
Michail Grobman and the Leviathan Group
Series:
Studia Judaeoslavica, Volume: 15
Author:
Can studying an artist’s migration enable the reconfiguration of art history in a new and “global” mode? Michail Grobman’s odyssey in search of a contemporary idiom of Jewish art led him to cross the borders of political blocs and to observe, absorb, and confront different patterns of modernism in his work. His provocative art, his rich archives and collections, his essays and personal diaries all reveal this complexity and open up a new perspective on post-World War II twentieth-century modernism – and on the interconnected functioning of its local models.
The Early Modern Synagogue Painter and His World
Author:
Eliezer-Zusman of Brody: The Early Modern Synagogue Painter and His World discusses Jewish cultural and artistic migration from Eastern Europe to German lands in the first half of the eighteenth century. Focusing on Eliezer-Zusman of Brody, who painted synagogues in the Franconia area, hitherto neglected biographical aspects and work methods of religious artisans in Eastern and Central Europe during the early modern period are revealed. What begins as a study of synagogue paintings in Franconia presents an unexpectedly intensive glimpse into the lives and sacred products of painters at the periphery of Jewish Ashkenazi existence.
The Early Modern Synagogue Painter and His World
Author:
Eliezer-Zusman of Brody: The Early Modern Synagogue Painter and His World discusses Jewish cultural and artistic migration from Eastern Europe to German lands in the first half of the eighteenth century. Focusing on Eliezer-Zusman of Brody, who painted synagogues in the Franconia area, hitherto neglected biographical aspects and work methods of religious artisans in Eastern and Central Europe during the early modern period are revealed. What begins as a study of synagogue paintings in Franconia presents an unexpectedly intensive glimpse into the lives and sacred products of painters at the periphery of Jewish Ashkenazi existence.
The State of Research in Ancient Jewish Art
Author:
Antique Jewish art visualized the idea that the essence of God is beyond the world of forms. In the Bible, the Israelites were commanded to build sanctuaries without cult statues. Following the destruction of the Second Temple, Jews turned to literary and visual aids to fill the void. In this accessible survey, Shulamit Laderman traces the visualizations of the Tabernacle implements, including the seven-branch menorah, the Torah ark, the shofar, the four species, and other motifs associated with the Hebrew Bible and the Jewish calendar. These motifs evolved into iconographic symbols visualized in a range of media, including coins, funerary art, and synagogue decorations in both Israel and the Diaspora. Particular attention is given to important discoveries such as the frescoes of the third-century CE synagogue in Dura-Europos, mosaic floors in synagogues in Galilee, and architectural and carved motifs that decorated burial places.
The State of Research in Ancient Jewish Art
Author:
Antique Jewish art visualized the idea that the essence of God is beyond the world of forms. In the Bible, the Israelites were commanded to build sanctuaries without cult statues. Following the destruction of the Second Temple, Jews turned to literary and visual aids to fill the void. In this accessible survey, Shulamit Laderman traces the visualizations of the Tabernacle implements, including the seven-branch menorah, the Torah ark, the shofar, the four species, and other motifs associated with the Hebrew Bible and the Jewish calendar. These motifs evolved into iconographic symbols visualized in a range of media, including coins, funerary art, and synagogue decorations in both Israel and the Diaspora. Particular attention is given to important discoveries such as the frescoes of the third-century CE synagogue in Dura-Europos, mosaic floors in synagogues in Galilee, and architectural and carved motifs that decorated burial places.
Author:
In this volume, the relationship between Jews and media is not only vividly illustrated, but it is consciously drawn into the formation of modern Jewish history and modern media. Maya Balakirsky Katz addresses key Jewish-media intersections in which Jews and mass media implicated (or were implicated by) one another. In this study, Katz discusses the relationship that Jews have had with mass media forms of print, film, photography, advertising, and postcards within the periods that these media have gained cultural ascendancy. These historical moments are tethered to a broader conversation addressing the major theoretical issues at the center of the discourse on Jews and media. Bearing this mutually constructive relationship in mind, Intersections between Jews and Media offers both a tangible demographic portrait of the real Jews who entered mass media and lays a theoretical and methodological framework for more qualitative analyses.
Author:
In this volume, the relationship between Jews and media is not only vividly illustrated, but it is consciously drawn into the formation of modern Jewish history and modern media. Maya Balakirsky Katz addresses key Jewish-media intersections in which Jews and mass media implicated (or were implicated by) one another. In this study, Katz discusses the relationship that Jews have had with mass media forms of print, film, photography, advertising, and postcards within the periods that these media have gained cultural ascendancy. These historical moments are tethered to a broader conversation addressing the major theoretical issues at the center of the discourse on Jews and media. Bearing this mutually constructive relationship in mind, Intersections between Jews and Media offers both a tangible demographic portrait of the real Jews who entered mass media and lays a theoretical and methodological framework for more qualitative analyses.
Author:
In Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable identities: nationalist and universalist, Zionist and Sephardic, communist and cosmopolitan.
These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath.
interview with the author
These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath.
interview with the author
Jews and Art in Yugoslavia, 1918-1945
Author:
In Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable identities: nationalist and universalist, Zionist and Sephardic, communist and cosmopolitan.
These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath.
interview with the author
These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath.
interview with the author
Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history.
Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history.
Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
Aspects of Israeli Visual Culture
Author:
As historical analyses of Diaspora Jewish visual culture blossom in quantity and sophistication, this book analyzes 19th-20th-century developments in Jewish Palestine and later the State of Israel. In the course of these approximately one hundred years, Zionist Israelis developed a visual corpus and artistic lexicon of Jewish-Israeli icons as an anchor for the emerging “civil religion.” Bridging internal tensions and even paradoxes, artists dynamically adopted, responded to, and adapted significant Diaspora influences for Jewish-Israeli purposes, as well as Jewish religious themes for secular goals, all in the name of creating a new state with its own paradoxes, simultaneously styled on the Enlightenment nation-state and Jewish peoplehood.
Aspects of Israeli Visual Culture
Author:
As historical analyses of Diaspora Jewish visual culture blossom in quantity and sophistication, this book analyzes 19th-20th-century developments in Jewish Palestine and later the State of Israel. In the course of these approximately one hundred years, Zionist Israelis developed a visual corpus and artistic lexicon of Jewish-Israeli icons as an anchor for the emerging “civil religion.” Bridging internal tensions and even paradoxes, artists dynamically adopted, responded to, and adapted significant Diaspora influences for Jewish-Israeli purposes, as well as Jewish religious themes for secular goals, all in the name of creating a new state with its own paradoxes, simultaneously styled on the Enlightenment nation-state and Jewish peoplehood.