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According to the Japanese master Chikotsu Daie (1229–1312), you should point at the fistful of meat that is your heart. Esoteric Zen demonstrates that far from an outlier, Daie's understanding reflects the medieval Buddhist mainstream, in which tantric teachings and Zen were closely entwined movements that often developed within the same circles of thinkers and texts. ,br/> Drawing on newly discovered manuscript materials, it shows how medieval practitioners constructed a unique form of Zen by drawing on tantric doctrinal discourses.
According to the Japanese master Chikotsu Daie (1229–1312), you should point at the fistful of meat that is your heart. Esoteric Zen demonstrates that far from an outlier, Daie's understanding reflects the medieval Buddhist mainstream, in which tantric teachings and Zen were closely entwined movements that often developed within the same circles of thinkers and texts. ,br/> Drawing on newly discovered manuscript materials, it shows how medieval practitioners constructed a unique form of Zen by drawing on tantric doctrinal discourses.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
The series is attractively designed and allows for copious illustrative material, using the latest technology for high-quality colour reproduction. The books rely on Brill’s well-established distribution networks to research libraries in Europe, North America, and East Asia, especially Japan. While the primary readership will be specialists and students of Japanese art history and related fields, we expect the attractively designed format will attract wider audiences.
Understanding the SEALDs' experience from the perspective of John Dewey's philosophy allows us to highlight once again the dangers that digital technology poses to individuals, the collective and their values.
Understanding the SEALDs' experience from the perspective of John Dewey's philosophy allows us to highlight once again the dangers that digital technology poses to individuals, the collective and their values.
Across decades and oceans, these fractured narratives seem disparate, but show how mobility is central to the history of Japan’s Tōhoku region, a place often stereotyped as a site of rural stasis and traditional immobility, thereby collapsing boundaries between local, national, and global studies of Japan.
This book examines how multiple mobilities converge in Japan’s supposed hinterland. Drawing on research from three continents, this monograph demonstrates that Tohoku’s regional identity is inextricably intertwined with Pacific migrations.
Across decades and oceans, these fractured narratives seem disparate, but show how mobility is central to the history of Japan’s Tōhoku region, a place often stereotyped as a site of rural stasis and traditional immobility, thereby collapsing boundaries between local, national, and global studies of Japan.
This book examines how multiple mobilities converge in Japan’s supposed hinterland. Drawing on research from three continents, this monograph demonstrates that Tohoku’s regional identity is inextricably intertwined with Pacific migrations.
By analyzing works songs and oral testimonies of former silk-reeling operatives about their lives in the factory and in their native countryside, it challenges the long-standing assumption describing their history as merely exploitative, convincingly showing that factory life could appear as a window of opportunity or at least a lesser evil to workers born in rural underprivileged families.