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Spirit-Writing in Chinese History and Society
Few religious innovations have shaped Chinese history like the emergence of spirit-writing during the Song dynasty.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
Spirit-Writing in Chinese History and Society
Few religious innovations have shaped Chinese history like the emergence of spirit-writing during the Song dynasty.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
Who are you? Where do you come from?
These two simple questions have so many answers and are sometimes even difficult to answer.
This book tells the story of a Buddhist-Muslim community from Padum, in the Zangskar Valley - Indian Greater Himalayas. The author has gained a unique insight into this community during twenty years of research while the people shared doubts and joys with her.
These experiences showed her that the meaning of “belonging” to a homeland or a confessional group, and therefore the transformation of the process of identity building in our modern world, is bridging the gap between tradition and modernity.
These two simple questions have so many answers and are sometimes even difficult to answer.
This book tells the story of a Buddhist-Muslim community from Padum, in the Zangskar Valley - Indian Greater Himalayas. The author has gained a unique insight into this community during twenty years of research while the people shared doubts and joys with her.
These experiences showed her that the meaning of “belonging” to a homeland or a confessional group, and therefore the transformation of the process of identity building in our modern world, is bridging the gap between tradition and modernity.
Who are you? Where do you come from?
These two simple questions have so many answers and are sometimes even difficult to answer.
This book tells the story of a Buddhist-Muslim community from Padum, in the Zangskar Valley - Indian Greater Himalayas. The author has gained a unique insight into this community during twenty years of research while the people shared doubts and joys with her.
These experiences showed her that the meaning of “belonging” to a homeland or a confessional group, and therefore the transformation of the process of identity building in our modern world, is bridging the gap between tradition and modernity.
These two simple questions have so many answers and are sometimes even difficult to answer.
This book tells the story of a Buddhist-Muslim community from Padum, in the Zangskar Valley - Indian Greater Himalayas. The author has gained a unique insight into this community during twenty years of research while the people shared doubts and joys with her.
These experiences showed her that the meaning of “belonging” to a homeland or a confessional group, and therefore the transformation of the process of identity building in our modern world, is bridging the gap between tradition and modernity.
Theological Encounters from Hong Kong to Beijing
In this volume, Lam and Thurston present a series of important theological debates between Jürgen Moltmann, the contemporary German Reformed theologian, and humanities scholars based in Chinese metropolises from Hong Kong to Beijing between 2014 and 2018. Featured, along with original essays and newly edited contributions by Moltmann, are the voices of such renowned Chinese scholars of religion as He Guanghu, Lai Pan-chiu, Zhuo Xinping and the contemporary comparativist Yang Huilin. These debates matter because they shed light on themes rarely explored in cross-cultural theological dialogue as it unfolds, showcasing the ongoing relevance of theological critique in and with the contemporary humanities. Contributors to the volume are: Hong Liang, Kwok Wai-luen, Lai Pan-chiu, Jason Lam, Jürgen Moltmann, Naomi Thurston, Yang Huaming, Yang Huilin.
Theological Encounters from Hong Kong to Beijing
In this volume, Lam and Thurston present a series of important theological debates between Jürgen Moltmann, the contemporary German Reformed theologian, and humanities scholars based in Chinese metropolises from Hong Kong to Beijing between 2014 and 2018. Featured, along with original essays and newly edited contributions by Moltmann, are the voices of such renowned Chinese scholars of religion as He Guanghu, Lai Pan-chiu, Zhuo Xinping and the contemporary comparativist Yang Huilin. These debates matter because they shed light on themes rarely explored in cross-cultural theological dialogue as it unfolds, showcasing the ongoing relevance of theological critique in and with the contemporary humanities. Contributors to the volume are: Hong Liang, Kwok Wai-luen, Lai Pan-chiu, Jason Lam, Jürgen Moltmann, Naomi Thurston, Yang Huaming, Yang Huilin.
The Buddhist Thought and Practice of Sheng’an Shixian (1686–1734) and Other Patriarchs
Series:
Numen Book Series, Volume: 175
This vigorously-researched publication for advanced graduate students and fellow scholars of the Chinese Pure Land tradition (Jingtu famen) in the wider context of Chinese Buddhism extends the horizon opened up by recent leading scholars to reconstruct a more insightful understanding of the Jingtu famen and the notion of zong. Focusing on previously unstudied writings of Shixian and other patriarchs, the findings support the argument that the Jingtu famen is an advanced form of Mahāyānist meditation rooted in the Mādhyamika and Yogācāra traditions. The original English translation of Master Shixian’s writings provided also paves the way for other researchers to conduct new and extended studies.
The Buddhist Thought and Practice of Sheng’an Shixian (1686–1734) and Other Patriarchs
Series:
Numen Book Series, Volume: 175
This vigorously-researched publication for advanced graduate students and fellow scholars of the Chinese Pure Land tradition (Jingtu famen) in the wider context of Chinese Buddhism extends the horizon opened up by recent leading scholars to reconstruct a more insightful understanding of the Jingtu famen and the notion of zong. Focusing on previously unstudied writings of Shixian and other patriarchs, the findings support the argument that the Jingtu famen is an advanced form of Mahāyānist meditation rooted in the Mādhyamika and Yogācāra traditions. The original English translation of Master Shixian’s writings provided also paves the way for other researchers to conduct new and extended studies.
Zen and the Tantric Teachings in Premodern Japan
When a Zen teacher tells you to point at your mind, which part of your body do you point at?
According to the Japanese master Chikotsu Daie (1229–1312), you should point at the fistful of meat that is your heart. Esoteric Zen demonstrates that far from an outlier, Daie's understanding reflects the medieval Buddhist mainstream, in which tantric teachings and Zen were closely entwined movements that often developed within the same circles of thinkers and texts. ,br/> Drawing on newly discovered manuscript materials, it shows how medieval practitioners constructed a unique form of Zen by drawing on tantric doctrinal discourses.
According to the Japanese master Chikotsu Daie (1229–1312), you should point at the fistful of meat that is your heart. Esoteric Zen demonstrates that far from an outlier, Daie's understanding reflects the medieval Buddhist mainstream, in which tantric teachings and Zen were closely entwined movements that often developed within the same circles of thinkers and texts. ,br/> Drawing on newly discovered manuscript materials, it shows how medieval practitioners constructed a unique form of Zen by drawing on tantric doctrinal discourses.
Zen and the Tantric Teachings in Premodern Japan
When a Zen teacher tells you to point at your mind, which part of your body do you point at?
According to the Japanese master Chikotsu Daie (1229–1312), you should point at the fistful of meat that is your heart. Esoteric Zen demonstrates that far from an outlier, Daie's understanding reflects the medieval Buddhist mainstream, in which tantric teachings and Zen were closely entwined movements that often developed within the same circles of thinkers and texts. ,br/> Drawing on newly discovered manuscript materials, it shows how medieval practitioners constructed a unique form of Zen by drawing on tantric doctrinal discourses.
According to the Japanese master Chikotsu Daie (1229–1312), you should point at the fistful of meat that is your heart. Esoteric Zen demonstrates that far from an outlier, Daie's understanding reflects the medieval Buddhist mainstream, in which tantric teachings and Zen were closely entwined movements that often developed within the same circles of thinkers and texts. ,br/> Drawing on newly discovered manuscript materials, it shows how medieval practitioners constructed a unique form of Zen by drawing on tantric doctrinal discourses.
"Origins", Transmissions, and Metamorphoses of Adab literature
The notion of adab is at the very heart of the Islamicate cultures. Born in the crucible of the Arabic and Persian civilisations of the Late Antiquity period, nourished by Greek, Syriac and Indian influences, this polysemic notion could cover a variegated range of meanings, ranging from good behaviour, good manners, etiquette, proper knowledge of the rules, to belles-lettres, and finally, literature. This volume addresses the notion of adab through four perspectives, which correspond to the four parts into which it is divided: “Origins”; “Transmissions”; “Metamorphosis” of the “Origins” and finally “Origins” through the lens of modernity.
"Origins", Transmissions, and Metamorphoses of Adab literature
The notion of adab is at the very heart of the Islamicate cultures. Born in the crucible of the Arabic and Persian civilisations of the Late Antiquity period, nourished by Greek, Syriac and Indian influences, this polysemic notion could cover a variegated range of meanings, ranging from good behaviour, good manners, etiquette, proper knowledge of the rules, to belles-lettres, and finally, literature. This volume addresses the notion of adab through four perspectives, which correspond to the four parts into which it is divided: “Origins”; “Transmissions”; “Metamorphosis” of the “Origins” and finally “Origins” through the lens of modernity.