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This book looks at the interactions between Ayurveda and Persian medical culture in South Asia. It presents, for the first time, a study of the translation movement of Ayurvedic sources into Persian, which took place from the 14th century onwards. The image of Ayurvedic culture emerging from Persian texts provides a new insight into the history of Ayurveda under Muslim political hegemony in South Asia. Persian treatises apply new categories to the analysis of translated materials and transform the way Ayurvedic knowledge is presented. At the same time, Fabrizio Speziale's book deals with the symmetric phenomenon of Persanization of the Hindu physicians who, through the learning of Persian language, appropriated medical knowledge of Muslim culture.
This book looks at the interactions between Ayurveda and Persian medical culture in South Asia. It presents, for the first time, a study of the translation movement of Ayurvedic sources into Persian, which took place from the 14th century onwards. The image of Ayurvedic culture emerging from Persian texts provides a new insight into the history of Ayurveda under Muslim political hegemony in South Asia. Persian treatises apply new categories to the analysis of translated materials and transform the way Ayurvedic knowledge is presented. At the same time, Fabrizio Speziale's book deals with the symmetric phenomenon of Persanization of the Hindu physicians who, through the learning of Persian language, appropriated medical knowledge of Muslim culture.
Funkes Argument fußt auf Interviews und intensiver Feldforschung und umfasst ein breites Themenfeld von Farben über Banknoten bis hin zu städtischer Raumordnung. Funke bietet einen neuen Ansatz zur Theorie und Methodologie von Religionsästhetik und wirft ein neues Licht auf die › Grüne Bewegung‹ , indem er die islamischen Ressourcen freilegt, mittels derer sich ihr Protest artikulierte.
In Aesthetics, Politics, and Shiʿi Representation in Contemporary Iran Christian Funke explores the entangled relationship between politics, protest and Shiʿi materiality in the Islamic Republic. He shows how the post-election protests of 2009 and the ‘Green Movement’ were part of larger discourses on democracy, identity, the present and the past, and religion and politics.
Funke’s argument is based on extensive fieldwork and interviews. He covers a broad array of topics, ranging from the interpretation of colours to the use of banknotes to the emergence of an urban spatial order. Funke offers a novel approach to the methodology and theory of material religion and by revealing the Islamic undercurrents in the ‘Green Movement’, his book provides a new and more appropriate picture of protest and religion in Iran.
Funkes Argument fußt auf Interviews und intensiver Feldforschung und umfasst ein breites Themenfeld von Farben über Banknoten bis hin zu städtischer Raumordnung. Funke bietet einen neuen Ansatz zur Theorie und Methodologie von Religionsästhetik und wirft ein neues Licht auf die › Grüne Bewegung‹ , indem er die islamischen Ressourcen freilegt, mittels derer sich ihr Protest artikulierte.
In Aesthetics, Politics, and Shiʿi Representation in Contemporary Iran Christian Funke explores the entangled relationship between politics, protest and Shiʿi materiality in the Islamic Republic. He shows how the post-election protests of 2009 and the ‘Green Movement’ were part of larger discourses on democracy, identity, the present and the past, and religion and politics.
Funke’s argument is based on extensive fieldwork and interviews. He covers a broad array of topics, ranging from the interpretation of colours to the use of banknotes to the emergence of an urban spatial order. Funke offers a novel approach to the methodology and theory of material religion and by revealing the Islamic undercurrents in the ‘Green Movement’, his book provides a new and more appropriate picture of protest and religion in Iran.
Writing forty years before the Islamic revolution, Khomeini shows a formidable level of insight into the spiritual aspects of Islamic prayer. Through discussions on topics such as spiritual purity, the presence of the heart before God, and the stations of the spiritual wayfarer, Khomeini elucidates upon the nature of reality as the countenance of the divine. Drawing upon scriptural sources and the Shīʿah intellectual and mystical tradition, the subtlety of the work has led to it being appreciated as one of Khomeini’s most original works in the field of gnosis.
Writing forty years before the Islamic revolution, Khomeini shows a formidable level of insight into the spiritual aspects of Islamic prayer. Through discussions on topics such as spiritual purity, the presence of the heart before God, and the stations of the spiritual wayfarer, Khomeini elucidates upon the nature of reality as the countenance of the divine. Drawing upon scriptural sources and the Shīʿah intellectual and mystical tradition, the subtlety of the work has led to it being appreciated as one of Khomeini’s most original works in the field of gnosis.
Winner of the I. R. Iran World Award for the Book of the Year 2014
Winner of the I. R. Iran World Award for the Book of the Year 2014