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Abolitionist Cosmopolitanism redefines the potential of American antislavery literature as a cultural and political imaginary by situating antislavery literature in specific transnational contexts and highlighting the role of women as producers, subjects, and audiences of antislavery literature. Pia Wiegmink draws attention to locales, authors, and webs of entanglement between texts, ideas, and people. Perceived through the lens of gender and transnationalism, American antislavery literature emerges as a body of writing that presents profoundly reconfigured literary imaginations of freedom and equality in the United States prior to the Civil War.
Abolitionist Cosmopolitanism redefines the potential of American antislavery literature as a cultural and political imaginary by situating antislavery literature in specific transnational contexts and highlighting the role of women as producers, subjects, and audiences of antislavery literature. Pia Wiegmink draws attention to locales, authors, and webs of entanglement between texts, ideas, and people. Perceived through the lens of gender and transnationalism, American antislavery literature emerges as a body of writing that presents profoundly reconfigured literary imaginations of freedom and equality in the United States prior to the Civil War.
Already in 1854, Henry David Thoreau had declared in Walden that “Most men appear never to have considered what a house is” (225). Like Thoreau, many other renowned American writers have considered what houses are and, particularly, what houses do, and they have created fictional dwellings that function not only as settings, but as actual central characters in their works. The volume is specifically concerned with the structure, the organization, and the objects inside houses, and argues that the space defined by rooms and their contents influences the consciousness, the imaginations, and the experiences of the humans who inhabit them.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
Already in 1854, Henry David Thoreau had declared in Walden that “Most men appear never to have considered what a house is” (225). Like Thoreau, many other renowned American writers have considered what houses are and, particularly, what houses do, and they have created fictional dwellings that function not only as settings, but as actual central characters in their works. The volume is specifically concerned with the structure, the organization, and the objects inside houses, and argues that the space defined by rooms and their contents influences the consciousness, the imaginations, and the experiences of the humans who inhabit them.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
The European Association for American Studies Series
Series Editor:
Marek Paryż
European Perspectives on the United States: The European Association for American Studies Series is published under the auspices and with the editorial involvement of the European Association for American Studies. This peer-reviewed series provides a broad reflection of the state of American Studies in Europe. While the series prioritizes academic works that accentuate the importance of transnationality and interdisciplinarity in the study of the United States, it aims to properly recognize the diverse and relevant European achievements in the main disciplines of American Studies, to include but not limited to literary studies, cultural studies, film and media studies, history, and the social sciences. Benefiting from the varied professional alignments of European Americanists, European Perspectives on the United States will initiate new directions of dialogue in American Studies by opening the field to voices from across nations and continents.
European Perspectives on the United States has value for a wide and diverse range of academics and postdoctoral and postgraduate research students representing an array of disciplines within the humanities and social sciences. The series is intended to serve as an inclusive resource for researchers and readers with a multi-/interdisciplinary focus in American Studies. Given the central importance of American Studies in relation to key questions of global import relating to climate, migration, borders, Black Lives Matter, #MeToo, terrorism, and many other topics, the series serves as a much-needed forum to foster dialogue and cooperation within and between spheres of inquiry and activity.
Manuscripts should be at least 80,000 words in length (including footnotes and bibliography). Manuscripts may also include illustrations and other visual material. The editors will consider proposals for original monographs, edited collections, translations, and critical primary source editions.
Authors are cordially invited to submit proposals and/or full manuscripts by email to the publisher Jason Prevost. Please direct all other correspondence to Associate Editor Debbie de Wit.
Authors will find general proposal guidelines at the Brill Author Gateway.
European Perspectives on the United States has value for a wide and diverse range of academics and postdoctoral and postgraduate research students representing an array of disciplines within the humanities and social sciences. The series is intended to serve as an inclusive resource for researchers and readers with a multi-/interdisciplinary focus in American Studies. Given the central importance of American Studies in relation to key questions of global import relating to climate, migration, borders, Black Lives Matter, #MeToo, terrorism, and many other topics, the series serves as a much-needed forum to foster dialogue and cooperation within and between spheres of inquiry and activity.
Manuscripts should be at least 80,000 words in length (including footnotes and bibliography). Manuscripts may also include illustrations and other visual material. The editors will consider proposals for original monographs, edited collections, translations, and critical primary source editions.
Authors are cordially invited to submit proposals and/or full manuscripts by email to the publisher Jason Prevost. Please direct all other correspondence to Associate Editor Debbie de Wit.
Authors will find general proposal guidelines at the Brill Author Gateway.
F. Scott Fitzgerald on Silent Film recalibrates the celebrated author’s early career and brings fresh understanding to the life of one of America’s truly great literary figures. Scholars have previously focused on Fitzgerald’s connection with Hollywood when he worked in Tinseltown as a screenwriter in the 1930s. However, this ground-breaking research reveals the key role that Silent Hollywood played in establishing Fitzgerald’s burgeoning reputation in the early to mid-1920s. Vividly written and drawing on a wealth of new sources, this book documents Martina Mastandrea’s exciting discovery of the first film ever adapted from a work by Fitzgerald.
F. Scott Fitzgerald on Silent Film recalibrates the celebrated author’s early career and brings fresh understanding to the life of one of America’s truly great literary figures. Scholars have previously focused on Fitzgerald’s connection with Hollywood when he worked in Tinseltown as a screenwriter in the 1930s. However, this ground-breaking research reveals the key role that Silent Hollywood played in establishing Fitzgerald’s burgeoning reputation in the early to mid-1920s. Vividly written and drawing on a wealth of new sources, this book documents Martina Mastandrea’s exciting discovery of the first film ever adapted from a work by Fitzgerald.
Schöningh and Fink Social Sciences E-Books Online, is the electronic version of the book publication program of Verlag Ferdinand Schöningh and Wilhelm Fink Verlag Social Sciences E-Books Online in the field of Social Sciences.
Coverage:
Sociology, Social Anthropology, Political Science, Economics, Critical Sociology, Comparative Studies, African Studies
Coverage:
Sociology, Social Anthropology, Political Science, Economics, Critical Sociology, Comparative Studies, African Studies
Editor-in-Chief:
Zhi CHEN
This is a peer-reviewed, inclusive, non-Eurocentric, multi-disciplinary book series devoted to the interdisciplinary study of ancient civilizations from all continents.
- ALAC is fully-funded by the Research Centre For History and Culture (RCHC). All volumes are published under a CC BY-NC-ND license.
- Proposals must present original work and must have been submitted exclusively to ALAC. Both monographs and edited volumes are welcome.
- Submissions may regard any civilizations from any continents, developed between prehistory and the 15th century AD, that is, the fall of the Eastern Roman Empire.
- Submissions may regard any aspects of Antiquity: history, archaeology, art and architecture, philology, linguistics, literature, philosophy, religion studies, sociology, anthropology, etc.
- ALAC also considers studies of oral literature, such as proverbs and folklore, as well as field work on endangered languages, which represent the legacy of ancient traditions verbally transmitted from generation to generation.
Authors are cordially invited to submit proposals and full manuscripts by email to the Series Editors: Professor CHEN Zhi , Professor Carlotta Viti , and Dr WANG Xiang (Shawn Wang) .
- ALAC is fully-funded by the Research Centre For History and Culture (RCHC). All volumes are published under a CC BY-NC-ND license.
- Proposals must present original work and must have been submitted exclusively to ALAC. Both monographs and edited volumes are welcome.
- Submissions may regard any civilizations from any continents, developed between prehistory and the 15th century AD, that is, the fall of the Eastern Roman Empire.
- Submissions may regard any aspects of Antiquity: history, archaeology, art and architecture, philology, linguistics, literature, philosophy, religion studies, sociology, anthropology, etc.
- ALAC also considers studies of oral literature, such as proverbs and folklore, as well as field work on endangered languages, which represent the legacy of ancient traditions verbally transmitted from generation to generation.
Authors are cordially invited to submit proposals and full manuscripts by email to the Series Editors: Professor CHEN Zhi , Professor Carlotta Viti , and Dr WANG Xiang (Shawn Wang) .
An Ethnographic and Socio-semiotic Analysis of Tourism and Ocean Cruising