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Since its emergence in the nineteenth century, the Theosophical Society has wielded enormous influence across diverse fields, none more so than the study of religion. This volume explores this legacy in North America, Europe, and India, demonstrating its impact on the conceptualization of “religion” and its influence on methods of comparison. Unveiling overlooked entanglements, the volume challenges standard narratives in the history of religious studies and interrogates the deliberate neglect of theosophy’s influence in the “secular” academy. In doing so, the work confronts lingering ghosts, urging a reappraisal that enriches the study of religion and offers prescriptions for its future.
Zur ästhetischen Maschinerie der Religion
Religiös zu glauben ist nicht nur ein Fürwahrhalten, sondern bedeutet auch existenziell einzutauchen in einen Imaginationskomplex und bisweilen an einer „ästhetischen Maschinerie“ (Kant) zu partizipieren, um so mit dem eigenen Unbewussten und möglicherweise auch mit etwas den Menschen Übersteigendem in Kontakt zu treten. Dieser evolutionären Strategie auf die Spur zu kommen und sie wissenschaftlich zu beleuchten, ist Aufgabe der vorliegenden religionsphilosophischen Studie, die den Brückenschlag zwischen Hermeneutik des Imaginären, analytischer Annäherung an religiöse „Wahrheiten“ und einer Theorie der religiösen Erfahrung versucht.
The Martensen Period: 1837-1841, 2nd Revised and Augmented Edition
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This is the second volume in a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of the Golden Age culture.
This second tome treats the most intensive period in the history of the Danish Hegel reception, namely, the years from 1837 to 1841. The main figure in this period is the theologian Hans Martensen who made Hegel’s philosophy a sensation among the students at the University of Copenhagen in the late 1830s. This period also includes the publication of Johan Ludvig Heiberg’s Hegelian journal, Perseus, and Frederik Christian Sibbern’s monumental review of it, which represented the most extensive treatment of Hegel’s philosophy in the Danish language at the time. During this period Hegel’s philosophy flourished in unlikely genres such as drama and lyric poetry. During these years Hegelianism enjoyed an unprecedented success in Denmark until it gradually began to be perceived as a dangerous trend.
The Tradition of Segnature, Indigenous and Trans-cultural Shamanic Traditions in Italy
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Shamanism is thriving as an exotic import and a hidden native tradition in Italy today. This ethnographical work uncovers two faces of Italian shamanism. The first is trans-cultural shamans who creatively adapt rituals and beliefs from indigenous cultures worldwide. Second, extensive fieldwork shows how regional folk magic practices of segnatoriand segnatrici constitute a little-known but enduring form of native Italian shamanism. By documenting these parallel worlds, contemporary magic workers appear to be the heirs of ancient local healing traditions. Offering rare insights into vernacular religion, this book vividly portrays shamans' past and present on the Italian peninsula.
Philosophy and Religion is dedicated to a critical study of religious attitudes, values, and beliefs. PAR welcomes a wide variety of philosophical approaches to general and specific topics arising from the whole spectrum of religious traditions.

Philosophy and Religion is a special series in the Value Inquiry Book Series.
Philosophy and Religion is cosponsored by The Centre for the Study of Philosophy and Religion, Cape Breton University, Nova Scotia, Canada.
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Does God Doubt? shows that Rabbi Gershon Henoch Leiner of Radzin considered God to be revealed as doubt. Thus, according to this profound and important nineteenth-century Hasidic leader, doubt is an essential aspect of the human condition, and especially of religious life. His position is shown to be remarkably bold and unique compared to kabbalistic writing, and especially to the Hasidic worlds to which he belonged. At the same time, the roots of his thought are located in earlier discussions of doubt as one of the highest parts of the divine world. Doubt about, in, and of God is part of the Hasidic contribution to modernity.
Volume Editors: and
Much of the most recent research on Jewish scepticism was inspired by the work of the early modern Venetian rabbi Simone Luzzatto, the first thinker in the history of Jewish thought to declare himself a sceptic and a follower of the New Academy. This collected volume shines new light on the intimate relationship between Luzzatto’s sceptical thinking and an era marked by paradoxes and contrasts between religious devotion and scientific rationalism, as well as between the rabbinic-biblical Jewish tradition and the open tendency towards engagement with non-Jewish philosophical, literary, scientific, and theological cultures. It plots out an original path along which to understand Luzzatto’s scepticism by pointing to the various facets of being a Jewish sceptic in seventeenth-century Italy.