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Editor:
Unlike classical, medieval, Buddhist or post-Tang Confucian philosophy, Modern Chinese philosophy has been largely ignored in Western studies of Chinese philosophy. This series aims to redress this imbalance by publishing authoritative, innovative and informative studies in Chinese philosophy from the late Qing period to contemporary times. It aims to become the series of choice for prospective authors of studies on Modern Chinese philosophy writing on topics in New Confucian philosophy, modern Buddhist philosophy, Chinese Marxist philosophy, modern Daoist philosophy, as well as works of a comparative nature. It will be “catholic” in its judgment of what constitutes Chinese philosophy, adopting the norms favoured by Chinese scholars and intellectuals, as well as those adopted in the Western academy.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Stephanie Carta and Masja Horn.
Please see our Guidelines for a Book Proposal. All submissions are subject to a double-anonymous peer review process prior to publication.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Stephanie Carta and Masja Horn.
Please see our Guidelines for a Book Proposal. All submissions are subject to a double-anonymous peer review process prior to publication.
Editor / Translator:
From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician’s musician, the scholar’s scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place.
From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician’s musician, the scholar’s scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place.
The Zhou Changes, better known in the West as I Ching, is one of the masterpieces of world literature.
This book, the climax of more than forty years of research in Chinese archaeology, explores the text’s origins in the oracle-bone and milfoil divinations of Bronze Age China and how it transformed over the course of the Zhou dynasty into the first of the Chinese classics.
The book provides an in-depth survey of the theory and practice of divination to demonstrate how the hexagram and line statements of the text were produced and how they were understood at the time.
This book, the climax of more than forty years of research in Chinese archaeology, explores the text’s origins in the oracle-bone and milfoil divinations of Bronze Age China and how it transformed over the course of the Zhou dynasty into the first of the Chinese classics.
The book provides an in-depth survey of the theory and practice of divination to demonstrate how the hexagram and line statements of the text were produced and how they were understood at the time.
The Zhou Changes, better known in the West as I Ching, is one of the masterpieces of world literature.
This book, the climax of more than forty years of research in Chinese archaeology, explores the text’s origins in the oracle-bone and milfoil divinations of Bronze Age China and how it transformed over the course of the Zhou dynasty into the first of the Chinese classics.
The book provides an in-depth survey of the theory and practice of divination to demonstrate how the hexagram and line statements of the text were produced and how they were understood at the time.
This book, the climax of more than forty years of research in Chinese archaeology, explores the text’s origins in the oracle-bone and milfoil divinations of Bronze Age China and how it transformed over the course of the Zhou dynasty into the first of the Chinese classics.
The book provides an in-depth survey of the theory and practice of divination to demonstrate how the hexagram and line statements of the text were produced and how they were understood at the time.
Part One: Introduction to the Field
This is the first comprehensive book that presents the manifold aspects of divination and prognostication in traditional and modern China, from the early period of oracle bones to present-day fortune-tellers. It introduces what is out there in the field of Chinese divination and prognostication, and how we can further explore it especially through different disciplines. Eminent specialists outline the classifications of divination, recently excavated texts, the relationship between practitioners and clients, the place of the “occult” arts in cosmology, literature and religion, and the bureaucratic system.
Contributors are: Constance Cook, Richard J. Smith, Marc Kalinowski, Stephen R. Bokenkamp, Lü Lingfeng, Liao Hsien-huei, Philip Clart, Fabrizio Pregadio, Esther-Maria Guggenmos, Andrew Schonebaum, and Stéphanie Homola.
Contributors are: Constance Cook, Richard J. Smith, Marc Kalinowski, Stephen R. Bokenkamp, Lü Lingfeng, Liao Hsien-huei, Philip Clart, Fabrizio Pregadio, Esther-Maria Guggenmos, Andrew Schonebaum, and Stéphanie Homola.
Part One: Introduction to the Field
This is the first comprehensive book that presents the manifold aspects of divination and prognostication in traditional and modern China, from the early period of oracle bones to present-day fortune-tellers. It introduces what is out there in the field of Chinese divination and prognostication, and how we can further explore it especially through different disciplines. Eminent specialists outline the classifications of divination, recently excavated texts, the relationship between practitioners and clients, the place of the “occult” arts in cosmology, literature and religion, and the bureaucratic system.
Contributors are: Constance Cook, Richard J. Smith, Marc Kalinowski, Stephen R. Bokenkamp, Lü Lingfeng, Liao Hsien-huei, Philip Clart, Fabrizio Pregadio, Esther-Maria Guggenmos, Andrew Schonebaum, and Stéphanie Homola.
Contributors are: Constance Cook, Richard J. Smith, Marc Kalinowski, Stephen R. Bokenkamp, Lü Lingfeng, Liao Hsien-huei, Philip Clart, Fabrizio Pregadio, Esther-Maria Guggenmos, Andrew Schonebaum, and Stéphanie Homola.
An Ethnography of the Classics-reading Movement in Contemporary China
Series:
China Studies, Volume: 46
Sandra Gilgan’s Utopia in the Revival of Confucian Education examines the classics-reading movement in contemporary China as not only driven by attraction to certain elements of tradition, but even more by caesuras in the past that caused people to detach from their cultural roots. The author argues that activism in the classics-reading movement arises from an entanglement of past, present, and future. Social and political upheaval in the near past of the twentieth century caused people to disconnect from their traditional culture and ways of living, resulting in the present need to reconnect with perceived “original” culture and tradition from the more distant past. Through peoples’ imaginaries of a better future that are informed by past traditions, new ways of the past find entrance into life and education in study halls and academies. This new study draws on multi-sited ethnographic field research in ten Chinese cities, with the broadest database currently available. It combines theoretical elements from anthropology, history, sociology and sinology in a grounded theory approach. As an interdisciplinary study, the book is of interest for academics in Asian and Chinese studies, heritage and memory studies, religious studies, educational sciences, history, and cultural anthropology, as well as social and political sciences.
An Ethnography of the Classics-reading Movement in Contemporary China
Series:
China Studies, Volume: 46
Sandra Gilgan’s Utopia in the Revival of Confucian Education examines the classics-reading movement in contemporary China as not only driven by attraction to certain elements of tradition, but even more by caesuras in the past that caused people to detach from their cultural roots. The author argues that activism in the classics-reading movement arises from an entanglement of past, present, and future. Social and political upheaval in the near past of the twentieth century caused people to disconnect from their traditional culture and ways of living, resulting in the present need to reconnect with perceived “original” culture and tradition from the more distant past. Through peoples’ imaginaries of a better future that are informed by past traditions, new ways of the past find entrance into life and education in study halls and academies. This new study draws on multi-sited ethnographic field research in ten Chinese cities, with the broadest database currently available. It combines theoretical elements from anthropology, history, sociology and sinology in a grounded theory approach. As an interdisciplinary study, the book is of interest for academics in Asian and Chinese studies, heritage and memory studies, religious studies, educational sciences, history, and cultural anthropology, as well as social and political sciences.
In The Metaphysics of Chinese Moral Principles, author Mingjun Lu seeks to construct and establish the metaphysics of Chinese morals as a formal and independent branch of learning by abstracting and systemizing the universal principles presupposed by the primal virtues and key imperatives in Daoist and Confucian ethics. Lu proposes that the metaphysical foundation of Chinese moral principles, as reinstated in this book, brings to light not only the universality of its core values and ideals but also a pivotal though hitherto neglected key to the enduring vibrancy of a civilization that has lasted several millennia.
In The Metaphysics of Chinese Moral Principles, author Mingjun Lu seeks to construct and establish the metaphysics of Chinese morals as a formal and independent branch of learning by abstracting and systemizing the universal principles presupposed by the primal virtues and key imperatives in Daoist and Confucian ethics. Lu proposes that the metaphysical foundation of Chinese moral principles, as reinstated in this book, brings to light not only the universality of its core values and ideals but also a pivotal though hitherto neglected key to the enduring vibrancy of a civilization that has lasted several millennia.
An Exploration of Feeling, Value and Virtue
Critically developing the Contemporary New Confucianism, this book opens a new horizon for the study of emotions and philosophy of heart-mind and [human] nature by focusing on the communication between phenomenology, particularly Schelerian phenomenology, and Chinese philosophy, especially Mencius and Wang Yangming. Such communication demonstrates how ethics based on factual experience is possible, revealing the original spirit and fresh meaning of Confucian learning of the heart-mind. In clarifying crucial feelings and values, this work undertakes a detailed description of the heart’s concrete activities for the idea that “the heart has its own order,” allowing us to see the order of the heart and its deviated form clearly and comprehensively.
An Exploration of Feeling, Value and Virtue
Critically developing the Contemporary New Confucianism, this book opens a new horizon for the study of emotions and philosophy of heart-mind and [human] nature by focusing on the communication between phenomenology, particularly Schelerian phenomenology, and Chinese philosophy, especially Mencius and Wang Yangming. Such communication demonstrates how ethics based on factual experience is possible, revealing the original spirit and fresh meaning of Confucian learning of the heart-mind. In clarifying crucial feelings and values, this work undertakes a detailed description of the heart’s concrete activities for the idea that “the heart has its own order,” allowing us to see the order of the heart and its deviated form clearly and comprehensively.
The Book of Changes in Chinese History, Politics, and Everyday Life
Editor:
In imperial China, the Yijing (Book of Changes) was not just read as a Confucian classic for moral cultivation, but also put into practice to solve problems of everyday life. To explain why the Yijing was so widely used in China, this volume examines its multiple textual layers, its divinatory practices, its medical uses, and its role in Chinese modernity. Together, the ten chapters demonstrate that the Yijing is indeed a living text used by both the educated elite and the populace to alleviate their fear and anxiety. Contributors are: Andrea Bréard, Chang Chia-Feng, Constance A. Cook, Stéphane Feuillas, Tze-ki Hon, Liao Hsien-huei, William Matthews, Tao Yingna, Xing Wang, and Zhao Lu.
The Book of Changes in Chinese History, Politics, and Everyday Life
Editor:
In imperial China, the Yijing (Book of Changes) was not just read as a Confucian classic for moral cultivation, but also put into practice to solve problems of everyday life. To explain why the Yijing was so widely used in China, this volume examines its multiple textual layers, its divinatory practices, its medical uses, and its role in Chinese modernity. Together, the ten chapters demonstrate that the Yijing is indeed a living text used by both the educated elite and the populace to alleviate their fear and anxiety. Contributors are: Andrea Bréard, Chang Chia-Feng, Constance A. Cook, Stéphane Feuillas, Tze-ki Hon, Liao Hsien-huei, William Matthews, Tao Yingna, Xing Wang, and Zhao Lu.
The Chinese Imprint
This book discusses how Chinese religion and philosophy were represented in printed works produced in the Dutch Republic between 1595 and 1700. By focusing on books, newspapers, learned journals, and pamphlets, Trude Dijkstra sheds new light on the cultural encounter between China and western Europe in the early modern period. Form, content, and material-technical aspects of different media in Dutch and French are analysed, providing novel insights into the ways in which readers could take note of Chinese religion and philosophy. This study thereby demonstrates that there was no singular image of China and its religion and philosophy, but rather a varied array of notions on the subject.
The Chinese Imprint
This book discusses how Chinese religion and philosophy were represented in printed works produced in the Dutch Republic between 1595 and 1700. By focusing on books, newspapers, learned journals, and pamphlets, Trude Dijkstra sheds new light on the cultural encounter between China and western Europe in the early modern period. Form, content, and material-technical aspects of different media in Dutch and French are analysed, providing novel insights into the ways in which readers could take note of Chinese religion and philosophy. This study thereby demonstrates that there was no singular image of China and its religion and philosophy, but rather a varied array of notions on the subject.
Series:
Sinica Leidensia, Volume: 153
After piloting an emperor the age of a college student through China’s most drastic government reforms before the modern era, Wang Anshi retreated to his Halfway Hill villa at Nanjing, where in late middle age he became one of the Northern Song dynasty’s three or four most innovative poets.
He redirected the craft of composing high-stakes policy papers into lighter-than-air evocations of clear-eyed grief, sensuous Buddhism, and intricate reactions to rain on the river or donkey-riding up Bell Mountain. Acrimony over his redesigned government, which he lived just long enough to see totally dismantled, remains relevant to Chinese politics and economics. Published during his thousand-year jubilee, this first full English biography since 1937 draws on Wang’s essays, poems, and his vivid, seldom-explored throne-room diary.
He redirected the craft of composing high-stakes policy papers into lighter-than-air evocations of clear-eyed grief, sensuous Buddhism, and intricate reactions to rain on the river or donkey-riding up Bell Mountain. Acrimony over his redesigned government, which he lived just long enough to see totally dismantled, remains relevant to Chinese politics and economics. Published during his thousand-year jubilee, this first full English biography since 1937 draws on Wang’s essays, poems, and his vivid, seldom-explored throne-room diary.
Series:
Sinica Leidensia, Volume: 153
After piloting an emperor the age of a college student through China’s most drastic government reforms before the modern era, Wang Anshi retreated to his Halfway Hill villa at Nanjing, where in late middle age he became one of the Northern Song dynasty’s three or four most innovative poets.
He redirected the craft of composing high-stakes policy papers into lighter-than-air evocations of clear-eyed grief, sensuous Buddhism, and intricate reactions to rain on the river or donkey-riding up Bell Mountain. Acrimony over his redesigned government, which he lived just long enough to see totally dismantled, remains relevant to Chinese politics and economics. Published during his thousand-year jubilee, this first full English biography since 1937 draws on Wang’s essays, poems, and his vivid, seldom-explored throne-room diary.
He redirected the craft of composing high-stakes policy papers into lighter-than-air evocations of clear-eyed grief, sensuous Buddhism, and intricate reactions to rain on the river or donkey-riding up Bell Mountain. Acrimony over his redesigned government, which he lived just long enough to see totally dismantled, remains relevant to Chinese politics and economics. Published during his thousand-year jubilee, this first full English biography since 1937 draws on Wang’s essays, poems, and his vivid, seldom-explored throne-room diary.