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Making Sense through Artistic Practices
Author:
Various forms of control play a central role in our lives. However, the nature of control is a difficult conundrum to probe. Believing we "control" ourselves, nature or others may seem like a sign of autonomy, power and self-determination, but it is often an illusion and not always desirable. Art practices help us make sense of the questions and paradoxes related to the enhancing interplay between control and non-control by putting them on display. What happens if this interplay between the two poles collapses? What are the consequences for our forms of life?
Making Sense through Artistic Practices
Author:
Various forms of control play a central role in our lives. However, the nature of control is a difficult conundrum to probe. Believing we "control" ourselves, nature or others may seem like a sign of autonomy, power and self-determination, but it is often an illusion and not always desirable. Art practices help us make sense of the questions and paradoxes related to the enhancing interplay between control and non-control by putting them on display. What happens if this interplay between the two poles collapses? What are the consequences for our forms of life?
Literary, Cultural and Political Essays, 2009–2021
Author:
Crisis and Criticism is a series of interventions from 2009 to 2021 engaging with the literary, cultural and political responses to the capitalist crisis of 2007–8. Challenging the tendency to treat crisis as natural and beyond human control, this book interrogates our cultural understanding of crisis and suggests the necessity of ruthless criticism of the existing world. While responses to crisis have retreated from the critical, choosing to inhabit apocalyptic fantasies instead, only a critical understanding of the causes of crisis within capitalism itself can promise their eventual overcoming.
Literary, Cultural and Political Essays, 2009–2021
Author:
Crisis and Criticism is a series of interventions from 2009 to 2021 engaging with the literary, cultural and political responses to the capitalist crisis of 2007–8. Challenging the tendency to treat crisis as natural and beyond human control, this book interrogates our cultural understanding of crisis and suggests the necessity of ruthless criticism of the existing world. While responses to crisis have retreated from the critical, choosing to inhabit apocalyptic fantasies instead, only a critical understanding of the causes of crisis within capitalism itself can promise their eventual overcoming.
Volume Editor:
The title of this book, The European Avant-Garde – A Hundred Years Later, implies the European avant-garde took place a century ago, that it is a thing of the past. However, it does not aim to consolidate this position, but to question it. It addresses temporality as the central dimension related to the notion of the avant-garde. The book brings forth original revisions of the theories of the avant-garde, the works of the avant-garde, the idea of the avant-garde as being the vanguard, the leading force of change. It addresses the returning of the avant-garde during the twentieth century and today.
Volume Editor:
The title of this book, The European Avant-Garde – A Hundred Years Later, implies the European avant-garde took place a century ago, that it is a thing of the past. However, it does not aim to consolidate this position, but to question it. It addresses temporality as the central dimension related to the notion of the avant-garde. The book brings forth original revisions of the theories of the avant-garde, the works of the avant-garde, the idea of the avant-garde as being the vanguard, the leading force of change. It addresses the returning of the avant-garde during the twentieth century and today.
Author:
Event and Subjectivity presents a rich phenomenological analysis of the event in contemporary phenomenology by focussing on the work of Claude Romano and Jean-Luc Marion. Although the event is a major topic of contemporary philosophy, its centrality has not been acknowledged enough in the phenomenological movement. The book starts with the idea that the event cannot find a proper place in Husserl’s transcendental phenomenology and Heidegger’s existential phenomenology.
It proposes a phenomenological version of the event that transforms the definition of phenomenon, subjectivity and phenomenology itself in order to do justice to the phenomenality of the event.
At the same time, Event and Subjectivity is the first book on Claude Romano’s understanding of phenomenology in English. It also offers a fresh reading of the phenomenology of Jean-Luc Marion by highlighting the phenomenon of the event.
It proposes a phenomenological version of the event that transforms the definition of phenomenon, subjectivity and phenomenology itself in order to do justice to the phenomenality of the event.
At the same time, Event and Subjectivity is the first book on Claude Romano’s understanding of phenomenology in English. It also offers a fresh reading of the phenomenology of Jean-Luc Marion by highlighting the phenomenon of the event.
Author:
Event and Subjectivity presents a rich phenomenological analysis of the event in contemporary phenomenology by focussing on the work of Claude Romano and Jean-Luc Marion. Although the event is a major topic of contemporary philosophy, its centrality has not been acknowledged enough in the phenomenological movement. The book starts with the idea that the event cannot find a proper place in Husserl’s transcendental phenomenology and Heidegger’s existential phenomenology.
It proposes a phenomenological version of the event that transforms the definition of phenomenon, subjectivity and phenomenology itself in order to do justice to the phenomenality of the event.
At the same time, Event and Subjectivity is the first book on Claude Romano’s understanding of phenomenology in English. It also offers a fresh reading of the phenomenology of Jean-Luc Marion by highlighting the phenomenon of the event.
It proposes a phenomenological version of the event that transforms the definition of phenomenon, subjectivity and phenomenology itself in order to do justice to the phenomenality of the event.
At the same time, Event and Subjectivity is the first book on Claude Romano’s understanding of phenomenology in English. It also offers a fresh reading of the phenomenology of Jean-Luc Marion by highlighting the phenomenon of the event.
Neurocentrism, Cognition and the Challenge of the Arts and Humanities
Moving beyond the neurohype of recent decades, this book introduces the concept of worlding as a new way to understand the inherent entanglement of brains/minds with their worldly environments, cultural practices, and social contexts. Case studies ranging from film, literature, music, and dance to pedagogy, historical trauma, and present-day discourses of mindfulness investigate how brains are worlded in an active interplay of biological, cognitive, and socio-discursive factors. Combining scholarly work with personal accounts of neurodiversity and essays by artists reflecting on their practical engagement with cognition, Worlding the Brain makes a case for the distinctive role of the humanities and arts in the study of brains and cognition and explores novel forms interdisciplinarity.
Neurocentrism, Cognition and the Challenge of the Arts and Humanities
Moving beyond the neurohype of recent decades, this book introduces the concept of worlding as a new way to understand the inherent entanglement of brains/minds with their worldly environments, cultural practices, and social contexts. Case studies ranging from film, literature, music, and dance to pedagogy, historical trauma, and present-day discourses of mindfulness investigate how brains are worlded in an active interplay of biological, cognitive, and socio-discursive factors. Combining scholarly work with personal accounts of neurodiversity and essays by artists reflecting on their practical engagement with cognition, Worlding the Brain makes a case for the distinctive role of the humanities and arts in the study of brains and cognition and explores novel forms interdisciplinarity.