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Mit Beiträgen von: Damir Barbarić, Artur Reginald Boelderl, Beate Fränzle, Jutta Georg, Ludwig Jaskolla, Rolf Kühn, Salvatore Lavecchia, Claudia Luchetti, Renate Müller-Buck, Heinz-Gerd Schmitz, Harald Seubert und Philipp Zimmermann.
Mit Beiträgen von: Damir Barbarić, Artur Reginald Boelderl, Beate Fränzle, Jutta Georg, Ludwig Jaskolla, Rolf Kühn, Salvatore Lavecchia, Claudia Luchetti, Renate Müller-Buck, Heinz-Gerd Schmitz, Harald Seubert und Philipp Zimmermann.
In Plato’s Sophist, a mysterious Eleatic Stranger, the main character of the dialogue, undertakes a systematic definition of the philosopher’s fiercest rival, the sophist. His hunt for a definition of the sophist, however, is interrupted by an attempt to refute the ontology of Parmenides. The philosophical significance of this refutation and its exact relationship to the sought-after definition remains a matter of great scholarly dispute. This book, by means of a running commentary on the dialogue, argues that the oft-neglected distinction between dialectic and appearances is not only the key to solving this and other exegetical conundrums, but also reveals the unity and originality of Plato’s argument in the Sophist.
In Plato’s Sophist, a mysterious Eleatic Stranger, the main character of the dialogue, undertakes a systematic definition of the philosopher’s fiercest rival, the sophist. His hunt for a definition of the sophist, however, is interrupted by an attempt to refute the ontology of Parmenides. The philosophical significance of this refutation and its exact relationship to the sought-after definition remains a matter of great scholarly dispute. This book, by means of a running commentary on the dialogue, argues that the oft-neglected distinction between dialectic and appearances is not only the key to solving this and other exegetical conundrums, but also reveals the unity and originality of Plato’s argument in the Sophist.
Zhang makes use of Plato’s cave allegory to explain Suhrawardī’s Illuminationist project. Focusing on three areas—the theory of presential knowledge, the ontological discussion of mental considerations, and Light Metaphysics—Zhang convincingly reveals the Nominalist and Existential nature of Illuminationism and thereby proposes a new way of understanding how Suhrawardī’s central philosophical ideas cohere.
Zhang makes use of Plato’s cave allegory to explain Suhrawardī’s Illuminationist project. Focusing on three areas—the theory of presential knowledge, the ontological discussion of mental considerations, and Light Metaphysics—Zhang convincingly reveals the Nominalist and Existential nature of Illuminationism and thereby proposes a new way of understanding how Suhrawardī’s central philosophical ideas cohere.