Browse results
Third man of négritude, Léon Damas aligned himself with the Harlem Renaissance (Langston Hughes, Claude McKay), and Richard Wright, as well as with the surrealists like Apollinaire and G. Luca to transmit his urgent message: “a ti pa”, France is little by little undergoing its decolonial transformation. Damas is the “antillectuel transfuge” who crosses boundaries of color, “race”, class and gender. Hereby he announces the “City of tomorrow” where differences of all kind are tolerated and respected.
Third man of négritude, Léon Damas aligned himself with the Harlem Renaissance (Langston Hughes, Claude McKay), and Richard Wright, as well as with the surrealists like Apollinaire and G. Luca to transmit his urgent message: “a ti pa”, France is little by little undergoing its decolonial transformation. Damas is the “antillectuel transfuge” who crosses boundaries of color, “race”, class and gender. Hereby he announces the “City of tomorrow” where differences of all kind are tolerated and respected.
ASNEL Papers is a subseries of Cross/Cultures.
Cross/Cultures covers the whole range of the colonial and post-colonial experience across the English-speaking world as well as the literatures and cultures of non-anglophone countries. The series accommodates both studies by single authors and edited critical collections.
The broad spectrum of Cross/Cultures can be illustrated by book topics as diverse as black South African autobiography, Kenyan settler writing, the African-Jamaican aesthetic, Australian and New Zealand poetry, Southeast Asian art after 1990, diasporic trauma in Caribbean writing and women’s fiction of the Sri Lankan diaspora. Cross/Cultures has also published monograph treatments of such writers as Chinua Achebe, J.M. Coetzee, Kate Grenville, Caryl Phillips, Raja Rao, Derek Walcott, and Patrick White.
Included in Cross/Cultures are collections of selected and revised papers from important conferences (ASNEL Papers = GAPS; ACLALS; EACLALS).
Cohabiter l’espace postcolonial focuses on the importance of ecological issues in African fiction. The book highlights the complex and diverse strategies deployed in French speaking Africa to incorporate environmental subjects in literary productions. Using ecocriticism, postcolonial and posthumanist theories to analyse a wide variety of novels, it brings to the fore, through the diversity of the issues it addresses, some contextual inflections of the relationship between the human and the non-human. From its discussion of animal otherness, cultural significance of plants, environmental racism, environmental justice, the fragility of the rural world and the survival in urban environments, the book demonstrates how ecological issues translate into socio-cultural and political challenges for local communities in Africa.
Cohabiter l’espace postcolonial focuses on the importance of ecological issues in African fiction. The book highlights the complex and diverse strategies deployed in French speaking Africa to incorporate environmental subjects in literary productions. Using ecocriticism, postcolonial and posthumanist theories to analyse a wide variety of novels, it brings to the fore, through the diversity of the issues it addresses, some contextual inflections of the relationship between the human and the non-human. From its discussion of animal otherness, cultural significance of plants, environmental racism, environmental justice, the fragility of the rural world and the survival in urban environments, the book demonstrates how ecological issues translate into socio-cultural and political challenges for local communities in Africa.