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This is the first-time publication of long-lost letters by a crucial figure in modernist publishing. Carefully edited and extensively contextualised, they document Beach’s unwavering, all-embracing support for Joyce’s art by publishing his controversial
Ulysses in Paris in 1922 and other efforts such as getting fragments of
Work in Progress published. They also reveal her difficulties with his uncompromising and demanding personality, as it is vividly illustrated in the
Frankfurter Zeitung affair. The edition moreover includes all extant letters to Paul Léon, her successor after their break-up following severe disagreements over the American edition of
Ulysses. Joyceans and scholars of modernism will find this an indispensable resource for further research.
This is the first-time publication of long-lost letters by a crucial figure in modernist publishing. Carefully edited and extensively contextualised, they document Beach’s unwavering, all-embracing support for Joyce’s art by publishing his controversial
Ulysses in Paris in 1922 and other efforts such as getting fragments of
Work in Progress published. They also reveal her difficulties with his uncompromising and demanding personality, as it is vividly illustrated in the
Frankfurter Zeitung affair. The edition moreover includes all extant letters to Paul Léon, her successor after their break-up following severe disagreements over the American edition of
Ulysses. Joyceans and scholars of modernism will find this an indispensable resource for further research.
Teaching English Literature, Sudan, 1951-1965
Series:
Postcolonial Lives, Volume: 1
Letters from Khartoum is a partial biography of Scottish educator, D.R. Ewen, who taught English Literature at the University of Khartoum from the time of the Anglo-Egyptian Condominium through to Independence and the October 1964 Revolution. The administrative history of the then unified nation – North (Middle Eastern) and South (African) – makes the Sudan a unique setting to explore the workings of colonial education. The purpose of teaching English literature there was to remake the Muslim Sudanese of the North as the proxy agents of British culture who would administrate the first independent nation in Africa. But Ewen also was remade in the process – by his relationships with his students and colleagues, and by his own teaching innovations.
Teaching English Literature, Sudan, 1951-1965
Series:
Postcolonial Lives, Volume: 1
Letters from Khartoum is a partial biography of Scottish educator, D.R. Ewen, who taught English Literature at the University of Khartoum from the time of the Anglo-Egyptian Condominium through to Independence and the October 1964 Revolution. The administrative history of the then unified nation – North (Middle Eastern) and South (African) – makes the Sudan a unique setting to explore the workings of colonial education. The purpose of teaching English literature there was to remake the Muslim Sudanese of the North as the proxy agents of British culture who would administrate the first independent nation in Africa. But Ewen also was remade in the process – by his relationships with his students and colleagues, and by his own teaching innovations.
This book offers a survey of the constitution of the French memoir tradition, and explores in detail the works of four representative authors: Philippe de Commynes, Louise de Savoie, Philippe de Cheverny, and François de Bassompierre. Works of self-writing were usually printed under the title of “memoirs” and have been often considered a uniform genre. These early forms of self-writing were in fact highly heterogenous works at the crossroads of multiple genres, from the account book to the astrological diary. Their writing, printing, and circulation challenge modern notions of autobiographical genres: their authorship is often questionable and collective, and they tended to be compiled in large collections for political ends, without regard to the authors’ intention.
This book offers a survey of the constitution of the French memoir tradition, and explores in detail the works of four representative authors: Philippe de Commynes, Louise de Savoie, Philippe de Cheverny, and François de Bassompierre. Works of self-writing were usually printed under the title of “memoirs” and have been often considered a uniform genre. These early forms of self-writing were in fact highly heterogenous works at the crossroads of multiple genres, from the account book to the astrological diary. Their writing, printing, and circulation challenge modern notions of autobiographical genres: their authorship is often questionable and collective, and they tended to be compiled in large collections for political ends, without regard to the authors’ intention.
Reimagining the Story of Dementia
Do I Look at You with Love? were the words uttered by Mark Freeman’s mother when she learned, once again, that he was her son. This book explores the experience of dementia as it transpired during the course of the final twelve years of her life, from the time of her diagnosis until her death in 2016 at age 93. As a longtime student of memory, identity, and narrative, as well as the son of a woman with dementia, he had a remarkable opportunity to try to understand and tell her story. Much of the story is tragic. But there were other periods and other dimensions of relationship that were beautiful and that could not have emerged without her very affliction. In the midst of affliction there were gifts, arriving unbidden, that served to alert Freeman and his family to what is most precious and real. These are part of the story too. Part narrative psychology, part memoir, part meditation on the beauty and light that might be found amidst the ravages of time and memory, Freeman’s moving story is emblematic of nothing less than the bittersweet reality of life itself.
Reimagining the Story of Dementia
Do I Look at You with Love? were the words uttered by Mark Freeman’s mother when she learned, once again, that he was her son. This book explores the experience of dementia as it transpired during the course of the final twelve years of her life, from the time of her diagnosis until her death in 2016 at age 93. As a longtime student of memory, identity, and narrative, as well as the son of a woman with dementia, he had a remarkable opportunity to try to understand and tell her story. Much of the story is tragic. But there were other periods and other dimensions of relationship that were beautiful and that could not have emerged without her very affliction. In the midst of affliction there were gifts, arriving unbidden, that served to alert Freeman and his family to what is most precious and real. These are part of the story too. Part narrative psychology, part memoir, part meditation on the beauty and light that might be found amidst the ravages of time and memory, Freeman’s moving story is emblematic of nothing less than the bittersweet reality of life itself.
The turbulent and unpredictable presidency of Donald Trump has intensified public and scholarly attention to the personalities of presidents.
Profiles in Power approaches the presidency as a personal affair that is shaped, in part, by the character of the occupants of the Oval Office and their attempts to craft public personas. In ten biographical essays that focus on individual presidents and on one First Lady, the authors in this volume build on a renewed interest in presidential studies that emphasizes individual agency. As such, the book seeks to bring the personal aspect of the presidency back into U.S. political history.
Personality, Persona, and the U.S. President
Series:
Biography Studies, Volume: 2
The turbulent and unpredictable presidency of Donald Trump has intensified public and scholarly attention to the personalities of presidents.
Profiles in Power approaches the presidency as a personal affair that is shaped, in part, by the character of the occupants of the Oval Office and their attempts to craft public personas. In ten biographical essays that focus on individual presidents and on one First Lady, the authors in this volume build on a renewed interest in presidential studies that emphasizes individual agency. As such, the book seeks to bring the personal aspect of the presidency back into U.S. political history.
Transgression(s) in Twenty-First-Century Women's Writing in French analyses the literary transgressions of women’s writing in French since the turn of the twenty-first century in the works of major figures, such as Annie Ernaux and Véronique Tadjo, of the now established writers of the
‘nouvelle génération’, such as Marie Darrieussecq and Virginie Despentes, and in some of the most exciting and innovative authors from across the
francosphère, from Nine Antico to Maïssa Bey and Chloé Delaume.
Pushing the boundaries of current thinking about normative and queer identities, local and global communities, family and kinship structures, bodies and sexualities, creativity and the literary canon, these authors pose the potential of reading and writing to also effectuate change in the world beyond the text.
Transgression(s) in Twenty-First-Century Women's Writing in French étudie les transgressions littéraires dans l’écriture des femmes en français depuis le début du XXIe siècle. L’analyse porte sur les oeuvres de figures majeures, telles qu’Annie Ernaux et Véronique Tadjo, d’auteures bien établies de la ‘nouvelle génération’, parmi lesquelles Marie Darrieussecq et Virginie Despentes, et de certaines des auteures les plus innovantes de la francosphère, de Nine Antico à Maïssa Bey en passant par Chloé Delaume. Repoussant les frontières de la pensée dominante sur les identités normatives ou queer, les communautés locales ou globales, les structures familiales ou de parenté, les corps ou les sexualités, la créativité ou le canon littéraire, ces auteures développent un potentiel de lecture et d’écriture porteur de changements au-delà du texte. Contributors /avec des contributions de: Ounissa Ait Benali, Jean Anderson, Kate Averis, Marzia Caporale, Dawn M. Cornelio, Sandra Daroczi, Sophie Guignard, Élise Hugueny-Léger, Irène Le Roy Ladurie, Siobhán McIlvanney, Michèle A. Schaal, Marta Segarra, Marinella Termite, Lyn Thomas, Antonia Wimbush
Pushing the boundaries of current thinking about normative and queer identities, local and global communities, family and kinship structures, bodies and sexualities, creativity and the literary canon, these authors pose the potential of reading and writing to also effectuate change in the world beyond the text.
Transgression(s) in Twenty-First-Century Women's Writing in French étudie les transgressions littéraires dans l’écriture des femmes en français depuis le début du XXIe siècle. L’analyse porte sur les oeuvres de figures majeures, telles qu’Annie Ernaux et Véronique Tadjo, d’auteures bien établies de la ‘nouvelle génération’, parmi lesquelles Marie Darrieussecq et Virginie Despentes, et de certaines des auteures les plus innovantes de la francosphère, de Nine Antico à Maïssa Bey en passant par Chloé Delaume. Repoussant les frontières de la pensée dominante sur les identités normatives ou queer, les communautés locales ou globales, les structures familiales ou de parenté, les corps ou les sexualités, la créativité ou le canon littéraire, ces auteures développent un potentiel de lecture et d’écriture porteur de changements au-delà du texte. Contributors /avec des contributions de: Ounissa Ait Benali, Jean Anderson, Kate Averis, Marzia Caporale, Dawn M. Cornelio, Sandra Daroczi, Sophie Guignard, Élise Hugueny-Léger, Irène Le Roy Ladurie, Siobhán McIlvanney, Michèle A. Schaal, Marta Segarra, Marinella Termite, Lyn Thomas, Antonia Wimbush
Series:
Faux Titre, Volume: 444
Transgression(s) in Twenty-First-Century Women's Writing in French analyses the literary transgressions of women’s writing in French since the turn of the twenty-first century in the works of major figures, such as Annie Ernaux and Véronique Tadjo, of the now established writers of the
‘nouvelle génération’, such as Marie Darrieussecq and Virginie Despentes, and in some of the most exciting and innovative authors from across the
francosphère, from Nine Antico to Maïssa Bey and Chloé Delaume.
Pushing the boundaries of current thinking about normative and queer identities, local and global communities, family and kinship structures, bodies and sexualities, creativity and the literary canon, these authors pose the potential of reading and writing to also effectuate change in the world beyond the text.
Transgression(s) in Twenty-First-Century Women's Writing in French étudie les transgressions littéraires dans l’écriture des femmes en français depuis le début du XXIe siècle. L’analyse porte sur les oeuvres de figures majeures, telles qu’Annie Ernaux et Véronique Tadjo, d’auteures bien établies de la ‘nouvelle génération’, parmi lesquelles Marie Darrieussecq et Virginie Despentes, et de certaines des auteures les plus innovantes de la francosphère, de Nine Antico à Maïssa Bey en passant par Chloé Delaume. Repoussant les frontières de la pensée dominante sur les identités normatives ou queer, les communautés locales ou globales, les structures familiales ou de parenté, les corps ou les sexualités, la créativité ou le canon littéraire, ces auteures développent un potentiel de lecture et d’écriture porteur de changements au-delà du texte. Contributors /avec des contributions de: Ounissa Ait Benali, Jean Anderson, Kate Averis, Marzia Caporale, Dawn M. Cornelio, Sandra Daroczi, Sophie Guignard, Élise Hugueny-Léger, Irène Le Roy Ladurie, Siobhán McIlvanney, Michèle A. Schaal, Marta Segarra, Marinella Termite, Lyn Thomas, Antonia Wimbush
Pushing the boundaries of current thinking about normative and queer identities, local and global communities, family and kinship structures, bodies and sexualities, creativity and the literary canon, these authors pose the potential of reading and writing to also effectuate change in the world beyond the text.
Transgression(s) in Twenty-First-Century Women's Writing in French étudie les transgressions littéraires dans l’écriture des femmes en français depuis le début du XXIe siècle. L’analyse porte sur les oeuvres de figures majeures, telles qu’Annie Ernaux et Véronique Tadjo, d’auteures bien établies de la ‘nouvelle génération’, parmi lesquelles Marie Darrieussecq et Virginie Despentes, et de certaines des auteures les plus innovantes de la francosphère, de Nine Antico à Maïssa Bey en passant par Chloé Delaume. Repoussant les frontières de la pensée dominante sur les identités normatives ou queer, les communautés locales ou globales, les structures familiales ou de parenté, les corps ou les sexualités, la créativité ou le canon littéraire, ces auteures développent un potentiel de lecture et d’écriture porteur de changements au-delà du texte. Contributors /avec des contributions de: Ounissa Ait Benali, Jean Anderson, Kate Averis, Marzia Caporale, Dawn M. Cornelio, Sandra Daroczi, Sophie Guignard, Élise Hugueny-Léger, Irène Le Roy Ladurie, Siobhán McIlvanney, Michèle A. Schaal, Marta Segarra, Marinella Termite, Lyn Thomas, Antonia Wimbush
Poetic Forms of Attention
In
André du Bouchet: Poetic Forms of Attention, Emma Wagstaff provides the first book-length study in English of this major poet of the second half of the twentieth century. She shows how Du Bouchet’s rigorous and innovative creative and critical writing advances our understanding of attention.
Du Bouchet is known as a post-war poet of the natural world and the space of the page. Far from just a solitary writer, however, he engaged with others through his work as editor, critic, and translator, and his involvement in the protests of May 1968. Emma Wagstaff shows how his writing demonstrates nuanced attention to language, time, nature, and art, and incites a ‘slow’ response on the part of the reader.
Du Bouchet is known as a post-war poet of the natural world and the space of the page. Far from just a solitary writer, however, he engaged with others through his work as editor, critic, and translator, and his involvement in the protests of May 1968. Emma Wagstaff shows how his writing demonstrates nuanced attention to language, time, nature, and art, and incites a ‘slow’ response on the part of the reader.
Poetic Forms of Attention
In
André du Bouchet: Poetic Forms of Attention, Emma Wagstaff provides the first book-length study in English of this major poet of the second half of the twentieth century. She shows how Du Bouchet’s rigorous and innovative creative and critical writing advances our understanding of attention.
Du Bouchet is known as a post-war poet of the natural world and the space of the page. Far from just a solitary writer, however, he engaged with others through his work as editor, critic, and translator, and his involvement in the protests of May 1968. Emma Wagstaff shows how his writing demonstrates nuanced attention to language, time, nature, and art, and incites a ‘slow’ response on the part of the reader.
Du Bouchet is known as a post-war poet of the natural world and the space of the page. Far from just a solitary writer, however, he engaged with others through his work as editor, critic, and translator, and his involvement in the protests of May 1968. Emma Wagstaff shows how his writing demonstrates nuanced attention to language, time, nature, and art, and incites a ‘slow’ response on the part of the reader.
Global Perspectives on Biography in Public Cultures and Societies
Series:
Biography Studies, Volume: 1
Internationally acclaimed biographies are almost always written by British or American biographers. But what is the state of the art of biography in other parts of the world? Introduced by Richard Holmes, the volume
Different Lives offers a global perspective: seventeen scholars vividly describe the biographical tradition in their countries of interest. They show how biography functions as a public genre, featuring specific societal issues and opinion-making. Indeed, the volume aims to answer the question: how can biography contribute to a better understanding of differences between societies and cultures? Special attention is given to the US, China and the Netherlands. Other contributions are on Australia, Belgium, Canada, the Czech Republic, Denmark, Iceland, Iran, Italy, New Zealand, Spain, and South Africa.
"This book represents a much needed breakdown of the history and current status of Biography Studies throughout the world. Any educator teaching a course in higher education that includes Biography Studies should definitely consider this as a major text for inclusion."
Billy Tooma, film maker and Assistant Professor, Wessex County College
"The rise of biography is the literary event of our time; Hamilton and Renders are its pioneer scholars, and their compelling primer is a must read."
Joanny Moulin, Institut Universitaire de France, on Nigel Hamilton and Hans Renders, in: The ABC of Modern Biography (2018)
"This book represents a much needed breakdown of the history and current status of Biography Studies throughout the world. Any educator teaching a course in higher education that includes Biography Studies should definitely consider this as a major text for inclusion."
Billy Tooma, film maker and Assistant Professor, Wessex County College
"The rise of biography is the literary event of our time; Hamilton and Renders are its pioneer scholars, and their compelling primer is a must read."
Joanny Moulin, Institut Universitaire de France, on Nigel Hamilton and Hans Renders, in: The ABC of Modern Biography (2018)
Global Perspectives on Biography in Public Cultures and Societies
Series:
Biography Studies, Volume: 1
Internationally acclaimed biographies are almost always written by British or American biographers. But what is the state of the art of biography in other parts of the world? Introduced by Richard Holmes, the volume
Different Lives offers a global perspective: seventeen scholars vividly describe the biographical tradition in their countries of interest. They show how biography functions as a public genre, featuring specific societal issues and opinion-making. Indeed, the volume aims to answer the question: how can biography contribute to a better understanding of differences between societies and cultures? Special attention is given to the US, China and the Netherlands. Other contributions are on Australia, Belgium, Canada, the Czech Republic, Denmark, Iceland, Iran, Italy, New Zealand, Spain, and South Africa.
"This book represents a much needed breakdown of the history and current status of Biography Studies throughout the world. Any educator teaching a course in higher education that includes Biography Studies should definitely consider this as a major text for inclusion."
Billy Tooma, film maker and Assistant Professor, Wessex County College
"The rise of biography is the literary event of our time; Hamilton and Renders are its pioneer scholars, and their compelling primer is a must read."
Joanny Moulin, Institut Universitaire de France, on Nigel Hamilton and Hans Renders, in: The ABC of Modern Biography (2018)
"This book represents a much needed breakdown of the history and current status of Biography Studies throughout the world. Any educator teaching a course in higher education that includes Biography Studies should definitely consider this as a major text for inclusion."
Billy Tooma, film maker and Assistant Professor, Wessex County College
"The rise of biography is the literary event of our time; Hamilton and Renders are its pioneer scholars, and their compelling primer is a must read."
Joanny Moulin, Institut Universitaire de France, on Nigel Hamilton and Hans Renders, in: The ABC of Modern Biography (2018)
Travellers and Trendsetters, 1870-1970
Series:
Faux Titre, Volume: 442
Destination for artists and convalescents, playground of the rich, site of foreign allure, the French Riviera has long attracted visitors to its shores. Ranging through the late nineteenth century, the Belle Epoque, the ‘roaring twenties’, and the emancipatory post-war years, Rosemary Lancaster highlights the contributions of nine remarkable women to the cultural identity of the Riviera in its seminal rise to fame. Embracing an array of genres, she gives new focus to feminine writings never previously brought together, nor as richly critically explored. Fiction, memoir, diary, letters, even cookbooks and choreographies provide compelling evidence of the innovativeness of women who seized the challenges and opportunities of their travels in a century of radical social and artistic change.
Travellers and Trendsetters, 1870-1970
Series:
Faux Titre, Volume: 442
Destination for artists and convalescents, playground of the rich, site of foreign allure, the French Riviera has long attracted visitors to its shores. Ranging through the late nineteenth century, the Belle Epoque, the ‘roaring twenties’, and the emancipatory post-war years, Rosemary Lancaster highlights the contributions of nine remarkable women to the cultural identity of the Riviera in its seminal rise to fame. Embracing an array of genres, she gives new focus to feminine writings never previously brought together, nor as richly critically explored. Fiction, memoir, diary, letters, even cookbooks and choreographies provide compelling evidence of the innovativeness of women who seized the challenges and opportunities of their travels in a century of radical social and artistic change.
Poetologische Experimente mit einer Gattung ohne Poetik
Series:
Morphomata, Volume: 47
Im Unterschied zu vielen Genres in der abendländischen Tradition gibt es für biographisches Schreiben keine Gattungspoetiken, nur Prototypen, Vorbilder, und die bis heute dominante Erzählordnung ist die chronologische. Kausal- und Finalnexus eines Lebens werden so in wissenschaftlichen wie literarischen Biographien in der Regel behauptet und miteinander verbunden. Die Aufsätze dieses Bandes stellen im Kontrast dazu Variationsmöglichkeiten biographischer Poetologie vor, historische wie gegenwärtige Experimente, (inter-)mediale Spielformen wie Alternativen der Narration. Einige der Beiträge sind zugleich Werkstattberichte von Biographen, die Auskunft über die Konstruktionsprinzipien ihres Schreibens geben.
Der Titel des Bandes bezieht sich auf Max Frischs Theaterstück Biografie: Ein Spiel, das 1967 entstand und 1968 im Schauspielhaus Zürich uraufgeführt wurde, und variiert dessen Ausgangsbedingung, ersetzt den Registrator, der dem Helden Kürmann erlaubt, sein Leben – immer wieder dessen entscheidende Situationen verändernd – neu zu leben, durch den Biographen, der die Vita des Biographierten in allen ihren Handlungsoptionen als ein offenes Experiment zu beschreiben versucht.
Beiträge teilweise in Englisch (siehe Inhaltsverzeichnis).
Der Titel des Bandes bezieht sich auf Max Frischs Theaterstück Biografie: Ein Spiel, das 1967 entstand und 1968 im Schauspielhaus Zürich uraufgeführt wurde, und variiert dessen Ausgangsbedingung, ersetzt den Registrator, der dem Helden Kürmann erlaubt, sein Leben – immer wieder dessen entscheidende Situationen verändernd – neu zu leben, durch den Biographen, der die Vita des Biographierten in allen ihren Handlungsoptionen als ein offenes Experiment zu beschreiben versucht.
Beiträge teilweise in Englisch (siehe Inhaltsverzeichnis).
Poetologische Experimente mit einer Gattung ohne Poetik
Series:
Morphomata, Volume: 47
Im Unterschied zu vielen Genres in der abendländischen Tradition gibt es für biographisches Schreiben keine Gattungspoetiken, nur Prototypen, Vorbilder, und die bis heute dominante Erzählordnung ist die chronologische. Kausal- und Finalnexus eines Lebens werden so in wissenschaftlichen wie literarischen Biographien in der Regel behauptet und miteinander verbunden. Die Aufsätze dieses Bandes stellen im Kontrast dazu Variationsmöglichkeiten biographischer Poetologie vor, historische wie gegenwärtige Experimente, (inter-)mediale Spielformen wie Alternativen der Narration. Einige der Beiträge sind zugleich Werkstattberichte von Biographen, die Auskunft über die Konstruktionsprinzipien ihres Schreibens geben.
Der Titel des Bandes bezieht sich auf Max Frischs Theaterstück Biografie: Ein Spiel, das 1967 entstand und 1968 im Schauspielhaus Zürich uraufgeführt wurde, und variiert dessen Ausgangsbedingung, ersetzt den Registrator, der dem Helden Kürmann erlaubt, sein Leben – immer wieder dessen entscheidende Situationen verändernd – neu zu leben, durch den Biographen, der die Vita des Biographierten in allen ihren Handlungsoptionen als ein offenes Experiment zu beschreiben versucht.
Beiträge teilweise in Englisch (siehe Inhaltsverzeichnis).
Der Titel des Bandes bezieht sich auf Max Frischs Theaterstück Biografie: Ein Spiel, das 1967 entstand und 1968 im Schauspielhaus Zürich uraufgeführt wurde, und variiert dessen Ausgangsbedingung, ersetzt den Registrator, der dem Helden Kürmann erlaubt, sein Leben – immer wieder dessen entscheidende Situationen verändernd – neu zu leben, durch den Biographen, der die Vita des Biographierten in allen ihren Handlungsoptionen als ein offenes Experiment zu beschreiben versucht.
Beiträge teilweise in Englisch (siehe Inhaltsverzeichnis).