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The book follows the movements of the concept of “woman” from the Early modern to the post-colonial age, through the words of women who challenged its patriarchal definition. The concept of “woman” is doubly polemical. It affirms sexual difference as political difference, while denying the universal character of modern political concepts which represent the unity of the political and social order, exposing its fundamental division. At the same time, “woman” is a concept marked by differences ‒ of "race", class, culture ‒ that continually redetermine its content. To make the history of the concept of “woman” is thus to affirm a different perspective on history itself, a partial perspective that lays the groundwork for the feminist critique of the present.
Author:
The book follows the movements of the concept of “woman” from the Early modern to the post-colonial age, through the words of women who challenged its patriarchal definition. The concept of “woman” is doubly polemical. It affirms sexual difference as political difference, while denying the universal character of modern political concepts which represent the unity of the political and social order, exposing its fundamental division. At the same time, “woman” is a concept marked by differences ‒ of "race", class, culture ‒ that continually redetermine its content. To make the history of the concept of “woman” is thus to affirm a different perspective on history itself, a partial perspective that lays the groundwork for the feminist critique of the present.
Author:
When does eating become art? The Aesthetics of Taste answers this question by exploring the position of taste in contemporary culture and the manner in which taste meanders its way into the realm of art. The argument identifies aesthetic values not only in artistic practices, where they are naturally expected, but also in the spaces of everydayness that seem far removed from the domain of fine arts. As such, it seeks to grasp what artists – who offer aesthetic as well as culinary experiences – actually try to communicate, while also pondering whether a cook can be an artist.
Author:
When does eating become art? The Aesthetics of Taste answers this question by exploring the position of taste in contemporary culture and the manner in which taste meanders its way into the realm of art. The argument identifies aesthetic values not only in artistic practices, where they are naturally expected, but also in the spaces of everydayness that seem far removed from the domain of fine arts. As such, it seeks to grasp what artists – who offer aesthetic as well as culinary experiences – actually try to communicate, while also pondering whether a cook can be an artist.
Evil women, who are they really? What are their motives, and how are they remembered and constructed within our culture? Evil Women: Representations within Literature, Culture and Film seeks to interrogate the nature and construction of evil women in the above fields. Through literature, poetry, history, ballads, film and real-life culture, scholars explore how the evil woman has been constructed and, in some cases, erased; the punishment and treatment of evil women; and the way evil women have been portrayed on and off screen through character, narrative and behind the camera development.
Evil women, who are they really? What are their motives, and how are they remembered and constructed within our culture? Evil Women: Representations within Literature, Culture and Film seeks to interrogate the nature and construction of evil women in the above fields. Through literature, poetry, history, ballads, film and real-life culture, scholars explore how the evil woman has been constructed and, in some cases, erased; the punishment and treatment of evil women; and the way evil women have been portrayed on and off screen through character, narrative and behind the camera development.
Bernard Mandeville's Anatomy of Honour
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In Pride, Manners, and Morals: Bernard Mandeville’s Anatomy of Honour Andrea Branchi offers a reading of the Anglo-Dutch physician and thinker’s philosophical project from the hitherto neglected perspective of his lifelong interest in the theme of honour. Through an examination of Mandeville’s anatomy of early eighteenth-century beliefs, practices and manners in terms of motivating passions, the book traces the development of his thought on human nature and the origin of sociability.
By making honour and its roots in the desire for recognition the central thread of Mandeville’s theory of society, Andrea Branchi offers a unified reading of his work and highlights his relevance as a thinker far beyond the moral problem of commercial societies, opening up new perspectives in Mandeville’s studies.
By making honour and its roots in the desire for recognition the central thread of Mandeville’s theory of society, Andrea Branchi offers a unified reading of his work and highlights his relevance as a thinker far beyond the moral problem of commercial societies, opening up new perspectives in Mandeville’s studies.
Bernard Mandeville's Anatomy of Honour
Author:
In Pride, Manners, and Morals: Bernard Mandeville’s Anatomy of Honour Andrea Branchi offers a reading of the Anglo-Dutch physician and thinker’s philosophical project from the hitherto neglected perspective of his lifelong interest in the theme of honour. Through an examination of Mandeville’s anatomy of early eighteenth-century beliefs, practices and manners in terms of motivating passions, the book traces the development of his thought on human nature and the origin of sociability.
By making honour and its roots in the desire for recognition the central thread of Mandeville’s theory of society, Andrea Branchi offers a unified reading of his work and highlights his relevance as a thinker far beyond the moral problem of commercial societies, opening up new perspectives in Mandeville’s studies.
By making honour and its roots in the desire for recognition the central thread of Mandeville’s theory of society, Andrea Branchi offers a unified reading of his work and highlights his relevance as a thinker far beyond the moral problem of commercial societies, opening up new perspectives in Mandeville’s studies.
Author:
For 20 years medievalists have been debating whether these love letters have been written by Abelard and Heloise. The present study comes to a surprising result. The famous lovers are ridiculed in and by these letters. On the one hand the male writer appears to be a show-off, a macho, while on the other hand he emerges as a ‘crybaby’ who humiliates himself to secure the object of his desire. The female writer is stylized as the epitome of ideal love, but above all, she hopes for sexual pleasure. However, her desire is cleverly concealed by the borrowing from religious vocabulary in the letters.
Author:
For 20 years medievalists have been debating whether these love letters have been written by Abelard and Heloise. The present study comes to a surprising result. The famous lovers are ridiculed in and by these letters. On the one hand the male writer appears to be a show-off, a macho, while on the other hand he emerges as a ‘crybaby’ who humiliates himself to secure the object of his desire. The female writer is stylized as the epitome of ideal love, but above all, she hopes for sexual pleasure. However, her desire is cleverly concealed by the borrowing from religious vocabulary in the letters.
This edited volume focuses on gender and love as emerging through complex “entanglements and weavings”. At a time when constructionist ideas are losing support, we interrogate theoretical paradigms to assess if constructionist notions still hold value or if new approaches are needed to address the effects of materiality and non-human agency. Without claiming any unison or definite answers, we offer situated, agential cuts into gender and love in various discursive-material phenomena, including Biblical and Rabbinic literature, ecosexual performance art, the writings of Ursula Le Guin and Angela Carter, butch identities, Bengali folktales, Ferzan Özpetek’s cinema, Golem literature, sexual pursuits in Danish nightlife, mother-daughter relationships, women warriors in the PKK, and BDSM performances. Artistic photographer Sara Davidmann has contributed to the book with the cover illustration and a creative afterword including seven photographs on the interaction between the photographer, her studio, and LGBTQ+ people.
This edited volume focuses on gender and love as emerging through complex “entanglements and weavings”. At a time when constructionist ideas are losing support, we interrogate theoretical paradigms to assess if constructionist notions still hold value or if new approaches are needed to address the effects of materiality and non-human agency. Without claiming any unison or definite answers, we offer situated, agential cuts into gender and love in various discursive-material phenomena, including Biblical and Rabbinic literature, ecosexual performance art, the writings of Ursula Le Guin and Angela Carter, butch identities, Bengali folktales, Ferzan Özpetek’s cinema, Golem literature, sexual pursuits in Danish nightlife, mother-daughter relationships, women warriors in the PKK, and BDSM performances. Artistic photographer Sara Davidmann has contributed to the book with the cover illustration and a creative afterword including seven photographs on the interaction between the photographer, her studio, and LGBTQ+ people.
This volume is a collection of essays written by colleagues and friends in honor of Michael W. Blastic, O.F.M., on the occasion of his 70th birthday. The contributing scholars endeavored to address significant issues within the academic areas in which Fr. Blastic has taught and published. Three essays are devoted to the Writings of Saint Francis; seven are dedicated to particular issues in Franciscan history, hagiography, spirituality and several texts; five deal specifically with women during the Middle Ages; and three final essays explore aspects of Franciscan theology and philosophy. Fr. Michael Blastic has taught at the Washington Theological Union, the Franciscan Institute at St. Bonaventure University and Siena College and served as a widely-respected retreat master.
Contributors are Maria Pia Alberzoni, Luciano Bertazzo, O.F.M. Conv., Joshua C. Benson, Aaron Canty, Joseph Chinnici, O.F.M., Michael F. Cusato, O.F.M., Jay M. Hammond, J.A. Wayne Hellmann, O.F.M. Conv., Timothy J. Johnson, Lezlie Knox, Pietro Maranesi, Steven J. McMichael, O.F.M. Conv., Benedikt Mertens, O.F.M., Catherine M. Mooney, Luigi Pellegrini, Michael Robson, and William J. Short, O.F.M.
Contributors are Maria Pia Alberzoni, Luciano Bertazzo, O.F.M. Conv., Joshua C. Benson, Aaron Canty, Joseph Chinnici, O.F.M., Michael F. Cusato, O.F.M., Jay M. Hammond, J.A. Wayne Hellmann, O.F.M. Conv., Timothy J. Johnson, Lezlie Knox, Pietro Maranesi, Steven J. McMichael, O.F.M. Conv., Benedikt Mertens, O.F.M., Catherine M. Mooney, Luigi Pellegrini, Michael Robson, and William J. Short, O.F.M.
This volume is a collection of essays written by colleagues and friends in honor of Michael W. Blastic, O.F.M., on the occasion of his 70th birthday. The contributing scholars endeavored to address significant issues within the academic areas in which Fr. Blastic has taught and published. Three essays are devoted to the Writings of Saint Francis; seven are dedicated to particular issues in Franciscan history, hagiography, spirituality and several texts; five deal specifically with women during the Middle Ages; and three final essays explore aspects of Franciscan theology and philosophy. Fr. Michael Blastic has taught at the Washington Theological Union, the Franciscan Institute at St. Bonaventure University and Siena College and served as a widely-respected retreat master.
Contributors are Maria Pia Alberzoni, Luciano Bertazzo, O.F.M. Conv., Joshua C. Benson, Aaron Canty, Joseph Chinnici, O.F.M., Michael F. Cusato, O.F.M., Jay M. Hammond, J.A. Wayne Hellmann, O.F.M. Conv., Timothy J. Johnson, Lezlie Knox, Pietro Maranesi, Steven J. McMichael, O.F.M. Conv., Benedikt Mertens, O.F.M., Catherine M. Mooney, Luigi Pellegrini, Michael Robson, and William J. Short, O.F.M.
Contributors are Maria Pia Alberzoni, Luciano Bertazzo, O.F.M. Conv., Joshua C. Benson, Aaron Canty, Joseph Chinnici, O.F.M., Michael F. Cusato, O.F.M., Jay M. Hammond, J.A. Wayne Hellmann, O.F.M. Conv., Timothy J. Johnson, Lezlie Knox, Pietro Maranesi, Steven J. McMichael, O.F.M. Conv., Benedikt Mertens, O.F.M., Catherine M. Mooney, Luigi Pellegrini, Michael Robson, and William J. Short, O.F.M.
Gender and love are so intimately interconnected that it sometimes seems as though they bring each other into being. But their relationship is shifting as human society develops new understandings of identity, gender and the self. The chapters in this volume explore the convoluted and ever-changing nature of love, gender and identity from a variety of disciplines and perspectives, bearing testimony to the perennial appeal of this field of inquiry. There are chapters on the historical constructions of love and gender; the philosophical aspects; the faultlines in twenty-first-century heteronormativity; and the challenges of love from and within the margins. Gender and love are interdisciplinary and this volume will appeal to scholars from all disciplinary protocols.
Gender and love are so intimately interconnected that it sometimes seems as though they bring each other into being. But their relationship is shifting as human society develops new understandings of identity, gender and the self. The chapters in this volume explore the convoluted and ever-changing nature of love, gender and identity from a variety of disciplines and perspectives, bearing testimony to the perennial appeal of this field of inquiry. There are chapters on the historical constructions of love and gender; the philosophical aspects; the faultlines in twenty-first-century heteronormativity; and the challenges of love from and within the margins. Gender and love are interdisciplinary and this volume will appeal to scholars from all disciplinary protocols.