USD $210.00
Browse results
Page:12
Burial Assemblages at the National Museum of Denmark Gate of the Priests Series Volume 2
Previously unpublished, the Danish Lot of antiquities from the Tomb of the Priests of Amun (Bab el-Gasus) is thoroughly examined in this book. The in-depth analysis of the objects is followed by an assessment of how these objects were crafted, designed, used and recycled in the Theban necropolis, a procedure that not only reveals to be instrumental in the dating of the objects, as it sheds light into the extraordinary dynamics of funerary workshops during the 21st Dynasty.
The volume also examines the arrival of the Lot and its reception in Denmark.
The volume also examines the arrival of the Lot and its reception in Denmark.
Burial Assemblages at the National Museum of Denmark Gate of the Priests Series Volume 2
Previously unpublished, the Danish Lot of antiquities from the Tomb of the Priests of Amun (Bab el-Gasus) is thoroughly examined in this book. The in-depth analysis of the objects is followed by an assessment of how these objects were crafted, designed, used and recycled in the Theban necropolis, a procedure that not only reveals to be instrumental in the dating of the objects, as it sheds light into the extraordinary dynamics of funerary workshops during the 21st Dynasty.
The volume also examines the arrival of the Lot and its reception in Denmark.
The volume also examines the arrival of the Lot and its reception in Denmark.
Receptions of the Ancient Middle East, ca. 1600–1800
Series:
Intersections, Volume: 80
The Allure of the Ancient investigates how the ancient Middle East was imagined and appropriated for artistic, scholarly, and political purposes in the seventeenth and eighteenth centuries. Bringing together scholars of the ancient and early modern worlds, the volume approaches reception history from an interdisciplinary perspective, asking how early modern artists and scholars interpreted ancient Middle Eastern civilizations—such as Egypt, Babylonia, and Persia—and how their interpretations were shaped by early modern contexts and concerns.
The volume’s chapters cross disciplinary boundaries in their explorations of art, philosophy, science, and literature, as well as geographical boundaries, spanning from Europe to the Caribbean to Latin America.
Contributors are: Elisa Boeri, Mark Darlow, Nirit Ben-Aryeh Debby, Florian Ebeling, Margaret Geoga, Diane Greco Josefowicz, Andrea L. Middleton, Julia Prest, Felipe Rojas Silva, Maryam Sanjabi, Michael Seymour, John Steele, and Daniel Stolzenberg.
The volume’s chapters cross disciplinary boundaries in their explorations of art, philosophy, science, and literature, as well as geographical boundaries, spanning from Europe to the Caribbean to Latin America.
Contributors are: Elisa Boeri, Mark Darlow, Nirit Ben-Aryeh Debby, Florian Ebeling, Margaret Geoga, Diane Greco Josefowicz, Andrea L. Middleton, Julia Prest, Felipe Rojas Silva, Maryam Sanjabi, Michael Seymour, John Steele, and Daniel Stolzenberg.
Receptions of the Ancient Middle East, ca. 1600–1800
Series:
Intersections, Volume: 80
The Allure of the Ancient investigates how the ancient Middle East was imagined and appropriated for artistic, scholarly, and political purposes in the seventeenth and eighteenth centuries. Bringing together scholars of the ancient and early modern worlds, the volume approaches reception history from an interdisciplinary perspective, asking how early modern artists and scholars interpreted ancient Middle Eastern civilizations—such as Egypt, Babylonia, and Persia—and how their interpretations were shaped by early modern contexts and concerns.
The volume’s chapters cross disciplinary boundaries in their explorations of art, philosophy, science, and literature, as well as geographical boundaries, spanning from Europe to the Caribbean to Latin America.
Contributors are: Elisa Boeri, Mark Darlow, Nirit Ben-Aryeh Debby, Florian Ebeling, Margaret Geoga, Diane Greco Josefowicz, Andrea L. Middleton, Julia Prest, Felipe Rojas Silva, Maryam Sanjabi, Michael Seymour, John Steele, and Daniel Stolzenberg.
The volume’s chapters cross disciplinary boundaries in their explorations of art, philosophy, science, and literature, as well as geographical boundaries, spanning from Europe to the Caribbean to Latin America.
Contributors are: Elisa Boeri, Mark Darlow, Nirit Ben-Aryeh Debby, Florian Ebeling, Margaret Geoga, Diane Greco Josefowicz, Andrea L. Middleton, Julia Prest, Felipe Rojas Silva, Maryam Sanjabi, Michael Seymour, John Steele, and Daniel Stolzenberg.
Editor:
The Phoebe A. Hearst Expedition to Naga ed-Deir, Cemeteries N 2000 and N 2500 presents the results of excavations directed by George A. Reisner and led by Arthur C. Mace. The site of Naga ed-Deir, Egypt, is unusual for its continued use over a long period of time (c. 3500 BCE–650 CE). Burials in N 2000 and N 2500 date to the First Intermediate Period/Middle Kingdom and the Coptic era. In keeping with Reisner’s earlier publications of Naga ed-Deir, this volume presents artifacts in chapter-length studies devoted to a particular object type and includes a burial-by-burial description. The excavators’ original drawings, notes, and photographs are complemented by a contemporary analysis of the objects by experts in their subfields.
Editor:
The Phoebe A. Hearst Expedition to Naga ed-Deir, Cemeteries N 2000 and N 2500 presents the results of excavations directed by George A. Reisner and led by Arthur C. Mace. The site of Naga ed-Deir, Egypt, is unusual for its continued use over a long period of time (c. 3500 BCE–650 CE). Burials in N 2000 and N 2500 date to the First Intermediate Period/Middle Kingdom and the Coptic era. In keeping with Reisner’s earlier publications of Naga ed-Deir, this volume presents artifacts in chapter-length studies devoted to a particular object type and includes a burial-by-burial description. The excavators’ original drawings, notes, and photographs are complemented by a contemporary analysis of the objects by experts in their subfields.
Akhenaten and Family in the Amarna Tombs
Author:
In Renewing Royal Imagery: Akhenaten and Family in the Amarna Tombs, Arlette David offers a systematic, in-depth analysis of the visual presentation of ancient Egyptian kingship during Akhenaten's reign (circa 1350 B.C.) in the elite tombs of his new capital, domain of his god Aten, and attempts to answer two basic questions: how can Amarna imagery look so blatantly Egyptian and yet be intrinsically different? And why did it need to be so?
Akhenaten and Family in the Amarna Tombs
Author:
In Renewing Royal Imagery: Akhenaten and Family in the Amarna Tombs, Arlette David offers a systematic, in-depth analysis of the visual presentation of ancient Egyptian kingship during Akhenaten's reign (circa 1350 B.C.) in the elite tombs of his new capital, domain of his god Aten, and attempts to answer two basic questions: how can Amarna imagery look so blatantly Egyptian and yet be intrinsically different? And why did it need to be so?
Author:
In Richard Pococke’s Letters from the East (1737-1740), Rachel Finnegan provides edited transcripts of the full run of correspondence from Richard Pococke’s famous eastern voyage from 1737-41. In this new volume, Finnegan combines updated biographical accounts of the traveller and his correspondents (his mother, Elizabeth Pococke and his uncle and patron, Bishop Thomas Milles) from vol. 1 of the original edition of Letters from Abroad (2011) with transcriptions of the letters from vol. 3 of the series (2013), together with new material that has hitherto been unpublished. Thus, in a single volume, she sets the context of the life and times of the traveller and his family against the background of this voluminous corpus of fascinating correspondence, which can be read in conjunction with Pococke’s own published account of his travels, A Description of the East and Some Other Countries (1743-45).
Author:
In Richard Pococke’s Letters from the East (1737-1740), Rachel Finnegan provides edited transcripts of the full run of correspondence from Richard Pococke’s famous eastern voyage from 1737-41. In this new volume, Finnegan combines updated biographical accounts of the traveller and his correspondents (his mother, Elizabeth Pococke and his uncle and patron, Bishop Thomas Milles) from vol. 1 of the original edition of Letters from Abroad (2011) with transcriptions of the letters from vol. 3 of the series (2013), together with new material that has hitherto been unpublished. Thus, in a single volume, she sets the context of the life and times of the traveller and his family against the background of this voluminous corpus of fascinating correspondence, which can be read in conjunction with Pococke’s own published account of his travels, A Description of the East and Some Other Countries (1743-45).
Author:
The reign of the “heretic pharaoh” Akhenaten—the so-called Amarna Period—witnessed an unprecedented attack on the cult of Amun, King of the Gods, with his cult center at ancient Thebes (modern Luxor). A program to reinstate Amun to pre-eminence in the traditional pantheon was instituted by Akhenaten’s successors Tutankhamun, Ay, and Horemhab.
Damaged reliefs and inscriptions were restored and new statues of Amun and his consorts Mut and Amunet commissioned to replace those destroyed under Akhenaten.
In this study, over 60 statues and fragments of statues attributable to the post-Amarna Period on the basis of an inscription, physiognomy, and/or stylistic analysis are discussed, as well as others that have been incorrectly assigned to the era.
Damaged reliefs and inscriptions were restored and new statues of Amun and his consorts Mut and Amunet commissioned to replace those destroyed under Akhenaten.
In this study, over 60 statues and fragments of statues attributable to the post-Amarna Period on the basis of an inscription, physiognomy, and/or stylistic analysis are discussed, as well as others that have been incorrectly assigned to the era.
Author:
The reign of the “heretic pharaoh” Akhenaten—the so-called Amarna Period—witnessed an unprecedented attack on the cult of Amun, King of the Gods, with his cult center at ancient Thebes (modern Luxor). A program to reinstate Amun to pre-eminence in the traditional pantheon was instituted by Akhenaten’s successors Tutankhamun, Ay, and Horemhab.
Damaged reliefs and inscriptions were restored and new statues of Amun and his consorts Mut and Amunet commissioned to replace those destroyed under Akhenaten.
In this study, over 60 statues and fragments of statues attributable to the post-Amarna Period on the basis of an inscription, physiognomy, and/or stylistic analysis are discussed, as well as others that have been incorrectly assigned to the era.
Damaged reliefs and inscriptions were restored and new statues of Amun and his consorts Mut and Amunet commissioned to replace those destroyed under Akhenaten.
In this study, over 60 statues and fragments of statues attributable to the post-Amarna Period on the basis of an inscription, physiognomy, and/or stylistic analysis are discussed, as well as others that have been incorrectly assigned to the era.
An Exploration of the Link between Royal Image and Co-Rule during the Reign of Senwosret III and Amenemhet III
Author:
In Visualizing Coregency, Lisa Saladino Haney explores the practice of co-rule during Egypt’s 12th Dynasty and the role of royal statuary in expressing the dynamics of shared power. Though many have discussed coregencies, few have examined how such a concept was expressed visually. Haney presents both a comprehensive accounting of the evidence for coregency during the 12th Dynasty and a detailed analysis of the full corpus of royal statuary attributed to Senwosret III and Amenemhet III. This study demonstrates that by the reign of Senwosret III the central government had developed a wide-ranging visual, textual, and religious program that included a number of distinctive portrait types designed to convey the central political and cultural messages of the dynasty.
An Exploration of the Link between Royal Image and Co-Rule during the Reign of Senwosret III and Amenemhet III
Author:
In Visualizing Coregency, Lisa Saladino Haney explores the practice of co-rule during Egypt’s 12th Dynasty and the role of royal statuary in expressing the dynamics of shared power. Though many have discussed coregencies, few have examined how such a concept was expressed visually. Haney presents both a comprehensive accounting of the evidence for coregency during the 12th Dynasty and a detailed analysis of the full corpus of royal statuary attributed to Senwosret III and Amenemhet III. This study demonstrates that by the reign of Senwosret III the central government had developed a wide-ranging visual, textual, and religious program that included a number of distinctive portrait types designed to convey the central political and cultural messages of the dynasty.
Untersuchungen zu den bildlichen Ausdrücken des Ägyptischen in den Königsinschriften und anderen Textgattungen
Author:
In Bilder für den Pharao Shih-Wei HSU offers a thorough study of figurative expressions in ancient Egyptian texts, placing particular emphasis on royal inscriptions. This book is divided into three chapters. Chapter one consists of an introduction to the study of figurative language, examining the definition of this construct and discussing the differences between similes and metaphors in ancient Egyptian. Chapter two provides an overview of usage, function and purpose of figurative language in the different text genres. Chapter three contains the research and analysis of the figurative language found in the royal inscriptions. It acts as linguistic “decoration” for the king’s attributes and actions, reinforcing and sustaining the notion of kingship in Egypt.
Untersuchungen zu den bildlichen Ausdrücken des Ägyptischen in den Königsinschriften und anderen Textgattungen
Author:
In Bilder für den Pharao Shih-Wei HSU offers a thorough study of figurative expressions in ancient Egyptian texts, placing particular emphasis on royal inscriptions. This book is divided into three chapters. Chapter one consists of an introduction to the study of figurative language, examining the definition of this construct and discussing the differences between similes and metaphors in ancient Egyptian. Chapter two provides an overview of usage, function and purpose of figurative language in the different text genres. Chapter three contains the research and analysis of the figurative language found in the royal inscriptions. It acts as linguistic “decoration” for the king’s attributes and actions, reinforcing and sustaining the notion of kingship in Egypt.
Vorarbeiten für eine bildwissenschaftliche Ägyptologie
Author:
Egyptologists have been debating for decades about whether or not Egyptian images classify as art. Nevertheless, the term ‘art’ still serves as a guiding concept for Egyptology. Kai Widmaier offers an overview of how different art-historical interpretive methods influence Egyptological research. His study demonstrates that, due to its adherence to the term art, Egyptology has considerably dissociated Egyptian images from their original contexts.
Bilderwelten combines the analysis of Egyptian images from the 6th to the 18th Dynasty with methodological reflection. This leads to both a new terminology of style as well as to an alternative approach to Egyptian images. By differentiating systematically between Egyptian images and Egyptological art, this book lays the foundation for an Egyptology that follows the path of Visual Studies instead of adhering to questionable art-historical methods.
Bilderwelten combines the analysis of Egyptian images from the 6th to the 18th Dynasty with methodological reflection. This leads to both a new terminology of style as well as to an alternative approach to Egyptian images. By differentiating systematically between Egyptian images and Egyptological art, this book lays the foundation for an Egyptology that follows the path of Visual Studies instead of adhering to questionable art-historical methods.
Vorarbeiten für eine bildwissenschaftliche Ägyptologie
Author:
Egyptologists have been debating for decades about whether or not Egyptian images classify as art. Nevertheless, the term ‘art’ still serves as a guiding concept for Egyptology. Kai Widmaier offers an overview of how different art-historical interpretive methods influence Egyptological research. His study demonstrates that, due to its adherence to the term art, Egyptology has considerably dissociated Egyptian images from their original contexts.
Bilderwelten combines the analysis of Egyptian images from the 6th to the 18th Dynasty with methodological reflection. This leads to both a new terminology of style as well as to an alternative approach to Egyptian images. By differentiating systematically between Egyptian images and Egyptological art, this book lays the foundation for an Egyptology that follows the path of Visual Studies instead of adhering to questionable art-historical methods.
Bilderwelten combines the analysis of Egyptian images from the 6th to the 18th Dynasty with methodological reflection. This leads to both a new terminology of style as well as to an alternative approach to Egyptian images. By differentiating systematically between Egyptian images and Egyptological art, this book lays the foundation for an Egyptology that follows the path of Visual Studies instead of adhering to questionable art-historical methods.
A New Cult Complex at Tell el-Amarna
Author:
Nefertiti’s Sun Temple publishes stone relief fragments excavated from the site of Kom el-Nana at Tell el-Amarna, Egypt, dating to approximately 1350 BCE. This is the first time relief fragments can be associated with a specific wall from a specific temple at Tell el-Amarna.
Jacquelyn Williamson reconstructs the architecture, art, and inscriptions from the site to demonstrate Kom el-Nana is the location of Queen Nefertiti’s ‘Sunshade of Re’ temple and another more enigmatic structure that served the funerary needs of the non-royal courtiers at the ancient city. The art and inscriptions provide new information about Queen Nefertiti and challenge assumptions about her role in Pharaoh Akhenaten’s religious movement dedicated to the sun god Aten.
Jacquelyn Williamson reconstructs the architecture, art, and inscriptions from the site to demonstrate Kom el-Nana is the location of Queen Nefertiti’s ‘Sunshade of Re’ temple and another more enigmatic structure that served the funerary needs of the non-royal courtiers at the ancient city. The art and inscriptions provide new information about Queen Nefertiti and challenge assumptions about her role in Pharaoh Akhenaten’s religious movement dedicated to the sun god Aten.
A New Cult Complex at Tell el-Amarna
Author:
Nefertiti’s Sun Temple publishes stone relief fragments excavated from the site of Kom el-Nana at Tell el-Amarna, Egypt, dating to approximately 1350 BCE. This is the first time relief fragments can be associated with a specific wall from a specific temple at Tell el-Amarna.
Jacquelyn Williamson reconstructs the architecture, art, and inscriptions from the site to demonstrate Kom el-Nana is the location of Queen Nefertiti’s ‘Sunshade of Re’ temple and another more enigmatic structure that served the funerary needs of the non-royal courtiers at the ancient city. The art and inscriptions provide new information about Queen Nefertiti and challenge assumptions about her role in Pharaoh Akhenaten’s religious movement dedicated to the sun god Aten.
Jacquelyn Williamson reconstructs the architecture, art, and inscriptions from the site to demonstrate Kom el-Nana is the location of Queen Nefertiti’s ‘Sunshade of Re’ temple and another more enigmatic structure that served the funerary needs of the non-royal courtiers at the ancient city. The art and inscriptions provide new information about Queen Nefertiti and challenge assumptions about her role in Pharaoh Akhenaten’s religious movement dedicated to the sun god Aten.
Page:12