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Volume Editors: and
This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands.

Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
The studies in this volume go beyond the question of the authenticity of Prophetic narrations, which has occupied the field of Hadith Studies for over a century. By approaching hadith narrations and literature from various perspectives, the authors seek to uncover the potential that hadith material has to better understand the intellectual and social history of Muslim societies. Applying concepts and methods from other disciplines, the authors study the materiality of hadith collections, the places they were read, and the ways they were incorporated in architecture. Additionally, they explore understudied genres such as the forty-hadith, the faḍāʾil, aḥādīth al-aḥkām, and ʿawālī collections. As such, they set a new course to push the field of Hadith Studies in a new direction.
Featuring new archival research and previously unpublished photographs and architectural plans, this volume fundamentally revises our understanding of the development of modern New York, focusing on elite domestic architecture within the contexts of social history, urban planning, architecture, interior design, and adaptive re-use. Contributions from emerging and established scholars, art historians, and practitioners offer a multi-faceted analysis of major figures such as Horace Trumbauer, Julian Francis Abele, Robert Venturi, and Richard Kelly. Taking the James B. Duke House, now home to NYU’s Institute of Fine Arts, as its point of departure, this collection provides fresh perspectives on domestic spaces, urban forms, and social reforms that shaped early-twentieth century New York into the modern city we know today.
A Multidisciplinary Perspective on Expressions of Grief
Death and grief have often elicited the response of creativity, from elegies and requiems to memorial architecture. Such artistic expressions of grief form the focus of Grief, Identity, and the Arts, which brings together scholars from the disciplines of musicology, literature, sociology, film studies, social work, and museum studies. While presenting one or more case studies from a range of artistic disciplines, historical periods, or geographical areas, each chapter addresses the interdependence of grief and identity in the arts. The volume as a whole shows how artistic expressions of grief are both influenced by and contribute to constructions of religious, national, familial, social, and artistic identities.

Contributors to this volume: Tammy Clewell, Lizet Duyvendak, David Gist, Maryam Haiawi, Owen Hansen, Maggie Jackson, Christoph Jedan, Bram Lambrecht, Carlo Leo, Wolfgang Marx, Tijl Nuyts, Despoina Papastathi, Julia Płaczkiewicz, Bavjola Shatro, Caroline Supply, Nicolette van den Bogerd, Eric Venbrux, Janneke Weijermars, Miriam Wendling, and Mariske Westendorp.
How can medieval art explain Jerusalem’s centrality in the world faiths of Christianity and Islam? This book delves into that topic by examining how Jerusalem was creatively represented and reimagined in several intriguing Christian and Islamic artworks in the later Middle Ages (c. 1187 to 1356).
The book considers how European Catholic crusaders, Eastern Christian sects, and diverse Muslim factions displayed Jerusalem’s architecture to express their interpretation of the holy city’s sanctity and influence. These examples demonstrate how artworks can reflect Jerusalem’s importance to these faiths in the past and illuminate our understanding of its status into the modern era.
Volume Editor:
The essays in this volume reflect on and build on the remarkable legacies of Robert Mark and Andrew Tallon, who pioneered the application of high-technology research methods to the study of Gothic architecture.

Combining personal reminiscences and historiographical discussions with meticulous geometrical and structural analyses based on photogrammetric and laser-scanned building surveys, this book offers valuable new perspectives not only on Mark and Tallon themselves, but also on major churches including the abbeys of Saint-Denis and Alcobaça, Santa Maria Novella in Florence, Notre-Dame in Paris, and the cathedrals of Clermont, Reims and Wells.

Contributors are: Sheila Bonde, Robert Bork, Lindsay S. Cook, Michael Davis, James Hillson, Kyle Killian, Peter Kurmann, Clark Maines, Ethan Mark, Stephen Murray, Sergio Sanabria, Dany Sandron, Ellen Shortell, Elizabeth B. Smith, Rebecca Smith, Arnaud Timbert, Stefaan Van Liefferinge, and Nancy Wu.
[Ancient Architecture in Syria: Djebel Simʿân]
Editor / Translator:
يستعرض كتاب العمارة القديمة في سوريا (جبل سمعان)، من تأليف هوارد كروسبي باتلر وترجمة عائشة موسى، 24 موقعًا أثريًا في شمال سوريا. ويُسلِّط كل موقعٍ منها الضوء على اكتشافات جديدة تقف شاهدةً على عظمة الحضارات التي امتزجت بين جنباتها، مخلفةً وراءها إرثًا سرمديًا لا ينسى.
وتأتي قلعة القديس سمعان العمودي في طليعة هذه المواقع وتعد أكثرها شهرة، وبقيت في صدارة العمارة الكاتدرائية حتى بناء آيا صوفيا، كما بشَّرت بالتطور العمراني الديني اللاحق في كل من القسطنطينية وأوروبا.
وثمة مخططات ومقاطع عرضية وصور توضح جميع هذه المعالم، وتعمل على توثيق أبنيتها وتفاصيلها وتخليد هذا الكنز الذي لا يقدَّر بثمن للأجيال القادمة.
The Ancient Architecture in Syria (Djebel Simʿân), written by Howard C. Butler and translated by Aisha Moussa, covers 24 ancient sites in Northern Syria. Each site sparks new revelations about the great civilizations mingled there, leaving behind an unforgettable, everlasting legacy.
The first and most notable site is the citadel of St Simeon Stylets, which was not surpassed by any cathedral till Hagia Sophia and heralded the subsequent religious architectural development in Constantinople and Europe.
Each monument is illustrated by plans, cross-sections and photographs documenting its structure and details and preserving this invaluable treasure for endless generations to come.
Volume Editors: and
This book charts the past, present, and future of studies on medieval technology, art, and craft practices. Inspired by Villard’s enigmatic portfolio of artistic and engineering drawings, this collection explores the multiple facets of medieval building represented in this manuscript (Paris, Bibliothèque nationale de France, MS Fr 19093).

The book’s eighteen essays and two introductions showcase traditional and emergent methods for the study of medieval craft, demonstrating how these diverse approaches collectively amplify our understanding about how medieval people built, engineered, and represented their world. Contributions range from the analysis of words and images in Villard’s portfolio, to the close analysis of masonry, technological marvels, and gothic architecture, pointing the way toward new avenues for future scholarship to explore.

Contributors are: Mickey Abel, Carl F. Barnes Jr., Robert Bork, George Brooks, Michael T. Davis, Amy Gillette, Erik Gustafson, Maile S. Hutterer, John James, William Sayers, Ellen Shortell, Alice Isabella Sullivan, Richard Alfred Sundt, Sarah Thompson, Steven A. Walton, Maggie M. Williams, Kathleen Wilson Ruffo, and Nancy Wu.
Volume Editors: and
The Mediality of Sugar probes the potential of reading sugar as a mediator across some of the disciplinary distinctions in early twenty-first century research in the arts, literature, architecture, and popular culture. Selected artistic practices and material cultures of sugar across Europe and the Americas from the sixteenth to the twenty-first century are investigated and connected to the transcontinental and transoceanic history of the sugar plants cane and beet, their botanical and cultural dissemination, and global sugar capital and trade under colonialism and in decoloniality. The collection contributes to the vision of a Transnational and Postdisciplinary Sugar Studies.