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Volume Editors: and
This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands.

Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
How can medieval art explain Jerusalem’s centrality in the world faiths of Christianity and Islam? This book delves into that topic by examining how Jerusalem was creatively represented and reimagined in several intriguing Christian and Islamic artworks in the later Middle Ages (c. 1187 to 1356).
The book considers how European Catholic crusaders, Eastern Christian sects, and diverse Muslim factions displayed Jerusalem’s architecture to express their interpretation of the holy city’s sanctity and influence. These examples demonstrate how artworks can reflect Jerusalem’s importance to these faiths in the past and illuminate our understanding of its status into the modern era.
[Ancient Architecture in Syria: Djebel Simʿân]
Editor / Translator:
يستعرض كتاب العمارة القديمة في سوريا (جبل سمعان)، من تأليف هوارد كروسبي باتلر وترجمة عائشة موسى، 24 موقعًا أثريًا في شمال سوريا. ويُسلِّط كل موقعٍ منها الضوء على اكتشافات جديدة تقف شاهدةً على عظمة الحضارات التي امتزجت بين جنباتها، مخلفةً وراءها إرثًا سرمديًا لا ينسى.
وتأتي قلعة القديس سمعان العمودي في طليعة هذه المواقع وتعد أكثرها شهرة، وبقيت في صدارة العمارة الكاتدرائية حتى بناء آيا صوفيا، كما بشَّرت بالتطور العمراني الديني اللاحق في كل من القسطنطينية وأوروبا.
وثمة مخططات ومقاطع عرضية وصور توضح جميع هذه المعالم، وتعمل على توثيق أبنيتها وتفاصيلها وتخليد هذا الكنز الذي لا يقدَّر بثمن للأجيال القادمة.
The Ancient Architecture in Syria (Djebel Simʿân), written by Howard C. Butler and translated by Aisha Moussa, covers 24 ancient sites in Northern Syria. Each site sparks new revelations about the great civilizations mingled there, leaving behind an unforgettable, everlasting legacy.
The first and most notable site is the citadel of St Simeon Stylets, which was not surpassed by any cathedral till Hagia Sophia and heralded the subsequent religious architectural development in Constantinople and Europe.
Each monument is illustrated by plans, cross-sections and photographs documenting its structure and details and preserving this invaluable treasure for endless generations to come.
Muqarnas 39 offers a rich panoply of studies extending across the breadth of the Muslim realm—from Andalusia to India—and across a millennium of years. The volume’s topics range from the material artifacts of textiles, pen boxes, fourteenth-century manuscripts, Ottoman Treasury valuables, a nineteenth-century Ottoman coin collection, Classical marble frieze slabs, royal palanquins, and sphero-conical vessels to Orientalist internalization, mosque and city architecture—the construction even of an entire city—and the archaeological, museological, legal, and sociological analysis of such. Luxuriously illustrated and thoroughly researched, each of the twelve articles presents a visual and engaging unpacking of an aspect of Islamicate culture that will introduce its reader to new and fascinating insights.
Primary Sources Collections
Collection of about c. 37,000 photographs documenting the early and late medieval Christian architectural arts of Georgia and its historical area of settlement. Collection divided into 8 volumes, each containing about 6,000 photographs, including plans, sectional drawings, a short account of the building's historical and architectural features, as well as a bibliography for each monument. A map indicates the location of each site.
Construction Processes and Transmission of Knowledge from Late Antiquity to Early Islam
Volume Editor:
This edited volume examines the construction processes and the mechanisms of transmission of knowledge between the eastern and western Mediterranean lands from the late Roman period to the early centuries of Islam. The essays explore issues of material culture, craft techniques, technological and typological changes and cultural contacts in Syria, Jordan, North Africa and Spain. The volume includes case studies on prestigious architectural complexes, defensive systems and other structures located in major urban centres (Cyrrhus, Bosra, Jerash, Sousse, Kairouan and Cordoba), as well as minor sites and rural buildings. It offers a fresh contribution to the long-lasting historiographic debate on the transition from antiquity to the Middle Ages and how Early Islamic architecture fostered the structural assumptions for new building experiences in many Mediterranean regions.

Contributors: Antonio Almagro, Shaker Al Shbib, Stefano Anastasio, Ignacio Arce, Jean-Claude Bessac, Pascale Clauss-Balty, Piero Gilento, Mattia Guidetti, Pedro Gurriarán Daza, Roberto Parenti, Pauline Piraud-Fournet, María de los Ángeles Utrero Agudo, Jean-Pierre van Staëvel, Apolline Vernet, François Villeneuve.
Editor:
The Land Between Two Seas: Art on the Move in the Mediterranean and the Black Sea 1300-1700 focuses on the strong riverine ties that connect the seas of the Mediterranean system (from the Western Mediterranean through the Sea of Marmara, the Black Sea and the Sea of Azov) and their hinterland. Addressing the mediating role of the Balkans between East and West all the way to Poland and Lithuania, as well as this region’s contribution to the larger Mediterranean artistic and cultural melting pot, this innovative volume explores ideas, artworks and stories that moved through these territories linking the cultures of Central Asia with those of western Europe.
Mirzā ʿAli-Qoli Khoʾi is the unsurpassed master of the art of illustration in Persian lithographed books of the Qajar period, both in terms of quality and quantity of production. In the decade of documented activity, 1263–72/1846–55, the artist produced more than 2,300 single images in about 70 books, plus hundreds of minutely executed small images on the margins of several books and numerous illuminated chapter headings. Prepared by Ulrich Marzolph together with Roxana Zenhari, the present publication is a comprehensive assessment of the artist’s work and the first ever detailed discussion of an Iranian artist of the Qajar period. In addition, the book also serves as an introduction to Persian and Islamic art.
In An Archaeological, Sociological and Historical Study, volume 2 of The Oasis of Bukhara, Rocco Rante, Florian Schwarz and Luigi Tronca engage in a strong, pluridisciplinary collaboration and use an innovative approach to offer a new contribution to the history of the oasis of Bukhara from the end of the last millennium BCE to the end of the medieval era.
Referencing archaeological, historical and sociological data, the book revisits the history of this Central Asian region, giving the reader, specialist and general reader a detailed description of the political and socio-economical features that characterized the oasis during this long chronological span.

The volume is co-published by Brill, Leiden, and the Louvre Museum, Paris.
Mirzā ʿAli-Qoli Khoʾi is the unsurpassed master of the art of illustration in Persian lithographed books of the Qajar period, both in terms of quality and quantity of production. In the decade of documented activity, 1263–72/1846–55, the artist produced more than 2,300 single images in about 70 books, plus hundreds of minutely executed small images on the margins of several books and numerous illuminated chapter headings. Prepared by Ulrich Marzolph together with Roxana Zenhari, the present publication is a comprehensive assessment of the artist’s work and the first ever detailed discussion of an Iranian artist of the Qajar period. In addition, the book also serves as an introduction to Persian and Islamic art.