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The return of Jews to their ancestral land can be seen as an act of imagination. A new country, citizenship, language, and institutions needed to be imagined in order to be created. The arts, too, have contributed to this act of envisioning and shaping the Jewish state. By examining artistic representations of Israel, Imagined Israel(s): Representations of the Jewish State in the Arts explores the ways in which the Israel imagined abroad and the one conjured within the country intersect, offering a space for the co-existence of sociopolitical, cultural, and ideological differences and tensions.
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How do objects become contested in settings characterized by (violent) conflict? Why are some things contested by religious actors? How do religious actors mobilize things in conflict situations and how are conflict and violence experienced by religious groups? This volume explores relations between materiality, religion, and violence by drawing upon two fields of scholarship that have rarely engaged with one another: research on religion and (violent) conflict and the material turn within religious studies. This way, this volume sets the stage for the development of new conceptual and methodological directions in the study of religion-related violent conflict that takes materiality seriously.
From Mythos to Logos: Andrea Palladio, Freemasonry and the Triumph of Minerva explores how myth was used to encode architecture and frescoed interiors with insights that promote peace, freedom and kindness as ways of being in the world. The author, Michael Trevor Coughlin argues that Freemasonry took root in the Italian city of Vicenza as early as 1546, and that its precepts, conveyed through the intersection of myth and philosophy, were disseminated widely in buildings and images, as well as texts, prescribing tolerance and an understanding of the divine that exists in each and everyone.
After the State and the Church, the most well organized membership system of medieval and early modern Europe was the confraternity. In cities, towns, and villages it would have been difficult for someone not to be a member of a confraternity, the recipient of its charity, or aware of its presence in the community. In A Companion to Medieval and Early Modern Confraternities, Konrad Eisenbichler brings together an international group of scholars to examine confraternities from various perspectives: their origins and development, their devotional practices, their charitable activities, and their contributions to literature, music, and art. The result is a picture of confraternities as important venues for the acquisition of spiritual riches, material wealth, and social capital.

Contributors to this volume: Alyssa Abraham, Davide Adamoli, Christopher F. Black, Dominika Burdzy, David D’Andrea, Konrad Eisenbichler, Anna Esposito, Federica Francesconi, Marina Gazzini, Jonathan Glixon, Colm Lennon, William R. Levin, Murdo J. MacLeod, Nerida Newbigin, Dylan Reid, Gervase Rosser, Nicholas Terpstra, Paul Trio, Anne-Laure Van Bruaene, Beata Wojciechowska, and Danilo Zardin.
In The Islamic Funerary Inscriptions of Bahrain, Pre-1317 AH/1900 AD, the authors present a study of the funerary inscriptions based upon fieldwork completed in Bahrain between 2013-2015. A comprehensive illustrated catalogue of 150 gravestones in 26 locations is provided with transcription of the inscriptions into modern Arabic and translation into English. Subjects considered include: the history of Islamic burial, gravestone, and cemetery research on Bahrain, gravestone chronology, gravestone and cemetery types, stone sources and gravestone manufacture, the gravestone inscriptions, content, iconography and decoration, and the archaeology of the shrines and cemeteries in which some of the gravestones were found, contemporary practices relating to cemeteries, graves, and gravestones, the threats facing the gravestones, and management options for protecting and presenting the gravestones.
La restauration de la création se propose d’examiner le statut des animaux dans la pensée chrétienne ancienne et médiévale selon une perspective eschatologique, centrée sur la question du salut des animaux dans le projet divin. L'ouvrage est organisé en trois parties : les sources bibliques, notamment la promesse du renouvellement de la création dans Rm 8, 21 ; les élaborations doctrinales dans la période patristique puis au Moyen Âge ; enfin, des réflexions contemporaines à propos du statut des animaux dans nos sociétés. Souvent absente du débat sociétal à propos des animaux, la perspective historique chrétienne proposée dans ce volume se veut une contribution originale à la réflexion actuelle sur le statut juridique et éthique des animaux.

La restauration de la création aims to examine the status of animals in ancient and medieval Christian thought following an eschatological perspective, that is, focusing on the question of the salvation of animals according to the divine plan. The volume is articulated in three parts: Biblical sources, in particular the promise of the renewal of creation according to Rm 8, 21; Patristic and medieval doctrinal elaborations on the question; finally, contemporary considerations regarding the status of animals in our societies. Often absent from the current social debate on the subject, the historical Christian perspective which this volume proposes is intended as an original contribution to today’s ongoing reflexion on the legal and ethical status of animals.
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Books of Fate and Popular Culture in Early China is a comprehensive introduction to the manuscripts known as daybooks, examples of which have been found in Warring States, Qin, and Han tombs (453 BCE–220 CE). Their main content concerns hemerology, or “knowledge of good and bad days.” Daybooks reveal the place of hemerology in daily life and are invaluable sources for the study of popular culture.
Eleven scholars have contributed chapters examining the daybooks from different perspectives, detailing their significance as manuscript-objects intended for everyday use and showing their connection to almanacs still popular in Chinese communities today as well as to hemerological literature in medieval Europe and ancient Babylon.
Contributors include: Marianne Bujard, László Sándor Chardonnens, Christopher Cullen, Donald Harper, Marc Kalinowski, Li Ling, Liu Lexian, Alasdair Livingstone, Richard Smith, Alain Thote, and Yan Changgui.
An Outline of Early Sámi History
Hunters in Transition provides a new outline of the early history of the Sámi, the indigenous population of northernmost Europe. Discussing crucial issues such as the formation of Sámi ethnicity, interaction with chieftain and state societies, and the transition from hunting to reindeer herding, the book departs from the common trope whereby native encounters with other cultures, state societies, and “modernity”, are depicted mainly in negative terms. Far from always victimizing “the other”, the interaction with outside societies played a crucial role in generating and maintaining a number of features considered integral to Sámi culture. At the same time the authors also emphasize internal processes and dynamics and show how these have greatly contributed to the diverse historical trajectories with which this book is concerned.

Listed by Choice magazine as one of the Outstanding Academic Titles of 2014