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In Pi (π) in Nature, Art, and Culture Marcel Danesi revisits the importance of π as a pattern in the structure of reality, fitting in with the Pythagorean view of Order. Pi has cropped up in formulas that describe natural and physical structures which, on the surface, seem to have nothing to do with a circle, but might harbor the archetype of circularity as a principle.

Through π, this book thus revisits the implicit ancient Greek view that geometry was a 'hermeneutic science,' a discipline aiming to investigate the connectivity among numbers, shapes, and natural phenomena. It also examines its manifestations in aesthetic, symbolic and cultural structures, which point to an abiding fascination with the circle as an unconscious archetype. Hermeneutic geometry is ultimately about the exploration of the meanings of geometric-mathematical notions to science and human life.
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The old practices of interpretation have been exhausted, and the humanities and social sciences are facing a crisis. Is there a way out of the labyrinth of reading? In this book, Professor Neuman presents a challenging approach to interpreting texts and reading literature through the spectacles of conceptual mathematics. This approach strives to avoid the simplicity of a quantitative approach to the analysis of literature as well as both the relativistic and the ideological dangers facing a qualitative reading of a text. The approach is introduced in a rigorous and accessible manner and woven with insights gained from various fields. Taking us on a challenging journey from Ovid’s Metamorphoses to Nick Cave’s The Death of Bunny Munro, the book shows how we may gain a deeper understanding of literature and the aesthetic experience of reading.