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If, as Robert Craft remarked, ‘religious beliefs were at the core of Stravinsky’s life and work’, why have they not figured more prominently in discussions of his works?
Stravinsky’s coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky’s spirituality and his restoration of time in music.
Recent neuroscience research supports Stravinsky’s eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest.
Stravinsky’s coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky’s spirituality and his restoration of time in music.
Recent neuroscience research supports Stravinsky’s eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest.
Author:
If, as Robert Craft remarked, ‘religious beliefs were at the core of Stravinsky’s life and work’, why have they not figured more prominently in discussions of his works?
Stravinsky’s coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky’s spirituality and his restoration of time in music.
Recent neuroscience research supports Stravinsky’s eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest.
Stravinsky’s coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky’s spirituality and his restoration of time in music.
Recent neuroscience research supports Stravinsky’s eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest.
Essays in Honor of William R. Cook
The World of St. Francis of Assisi: Essays in Honor of William R. Cook seeks to enrich our collective understanding of the world in which Francis lived and the ways in which Francis, together with his followers, has shaped the world ever since. Composed of thirteen essays by scholars from diverse academic disciplines, The World of St. Francis of Assisi considers Francis’s legacy in art, literature, and spirituality, and many of the contributions to the volume focus on the perennial application of Francis’s insights to the ills of contemporary society.
Contributors are Greg Ahlquist, William R. Cook, Alexandra Dodson, John K. Downey, Bradley R. Franco, John Hart, Ronald Herzman, Weston L. Kennison, Mary R. McHugh, Beth A. Mulvaney, Sara Ritchey and Daniel J. Schultz.
Contributors are Greg Ahlquist, William R. Cook, Alexandra Dodson, John K. Downey, Bradley R. Franco, John Hart, Ronald Herzman, Weston L. Kennison, Mary R. McHugh, Beth A. Mulvaney, Sara Ritchey and Daniel J. Schultz.
Essays in Honor of William R. Cook
The World of St. Francis of Assisi: Essays in Honor of William R. Cook seeks to enrich our collective understanding of the world in which Francis lived and the ways in which Francis, together with his followers, has shaped the world ever since. Composed of thirteen essays by scholars from diverse academic disciplines, The World of St. Francis of Assisi considers Francis’s legacy in art, literature, and spirituality, and many of the contributions to the volume focus on the perennial application of Francis’s insights to the ills of contemporary society.
Contributors are Greg Ahlquist, William R. Cook, Alexandra Dodson, John K. Downey, Bradley R. Franco, John Hart, Ronald Herzman, Weston L. Kennison, Mary R. McHugh, Beth A. Mulvaney, Sara Ritchey and Daniel J. Schultz.
Contributors are Greg Ahlquist, William R. Cook, Alexandra Dodson, John K. Downey, Bradley R. Franco, John Hart, Ronald Herzman, Weston L. Kennison, Mary R. McHugh, Beth A. Mulvaney, Sara Ritchey and Daniel J. Schultz.
Shifting Views of Transcendence in Philosophy, Theology, Art, and Politics
Religion is undergoing a transformation in current Western society. In addition to organized religions, there is a notable movement towards spirituality that is not associated with any institutions but in which experiences and notions of transcendence are still important. Transcendence can be described as God, the absolute, Mystery, the Other, the other as alterity, depending on one’s worldview. In this book, these shifts in the views of transcendence in various areas of culture such as philosophy, theology, art, and politics are explored on the basis of a fourfold heuristic model (proposed by Wessel Stoker). In conversation with this model, various authors, established scholars in their fields, explain the meaning and role, or the critique, of transcendence in the thought of contemporary thinkers, fields of discourse, or cultural domains. Looking Beyond? will stimulate further research on the theme of transcendence in contemporary culture, but can also serve as a textbook for courses in various disciplines, ranging from philosophy to theology, cultural studies, literature, art, and politics.
Shifting Views of Transcendence in Philosophy, Theology, Art, and Politics
Religion is undergoing a transformation in current Western society. In addition to organized religions, there is a notable movement towards spirituality that is not associated with any institutions but in which experiences and notions of transcendence are still important. Transcendence can be described as God, the absolute, Mystery, the Other, the other as alterity, depending on one’s worldview. In this book, these shifts in the views of transcendence in various areas of culture such as philosophy, theology, art, and politics are explored on the basis of a fourfold heuristic model (proposed by Wessel Stoker). In conversation with this model, various authors, established scholars in their fields, explain the meaning and role, or the critique, of transcendence in the thought of contemporary thinkers, fields of discourse, or cultural domains. Looking Beyond? will stimulate further research on the theme of transcendence in contemporary culture, but can also serve as a textbook for courses in various disciplines, ranging from philosophy to theology, cultural studies, literature, art, and politics.
The Spiritual in the Art of Kandinsky, Rothko, Warhol, and Kiefer
Author:
Art has always been important for religion or spirituality. Secular art displayed in museums can also be spiritual, and it is this art that is the subject of this book.
Many of the works of art produced by Wassily Kandinsky, Mark Rothko, Andy Warhol, and Anselm Kiefer are spiritual in nature. These works reveal their own spirituality, which often has no connection to official religions. Wessel Stoker demonstrates that these artists communicate religious insights through images and shows how they depict the relationship between heaven and earth, between this world and a transcendent reality, thus clearly drawing the contours of the spirituality these works evince.
Many of the works of art produced by Wassily Kandinsky, Mark Rothko, Andy Warhol, and Anselm Kiefer are spiritual in nature. These works reveal their own spirituality, which often has no connection to official religions. Wessel Stoker demonstrates that these artists communicate religious insights through images and shows how they depict the relationship between heaven and earth, between this world and a transcendent reality, thus clearly drawing the contours of the spirituality these works evince.
The Spiritual in the Art of Kandinsky, Rothko, Warhol, and Kiefer
Author:
Art has always been important for religion or spirituality. Secular art displayed in museums can also be spiritual, and it is this art that is the subject of this book.
Many of the works of art produced by Wassily Kandinsky, Mark Rothko, Andy Warhol, and Anselm Kiefer are spiritual in nature. These works reveal their own spirituality, which often has no connection to official religions. Wessel Stoker demonstrates that these artists communicate religious insights through images and shows how they depict the relationship between heaven and earth, between this world and a transcendent reality, thus clearly drawing the contours of the spirituality these works evince.
Many of the works of art produced by Wassily Kandinsky, Mark Rothko, Andy Warhol, and Anselm Kiefer are spiritual in nature. These works reveal their own spirituality, which often has no connection to official religions. Wessel Stoker demonstrates that these artists communicate religious insights through images and shows how they depict the relationship between heaven and earth, between this world and a transcendent reality, thus clearly drawing the contours of the spirituality these works evince.
Essays on Søren Kierkegaard
This volume on anthropology and authority in the writings of Søren Kierkegaard (1813-1855) offers its reader nineteen timely discussions of two fundamental categories pertaining to the literary, philosophical, and theological production of this prominent 19th century Danish thinker, whose vast influence upon 20th century intellectual life continues to grow as the new millennium approaches.
The volume's nineteen contributors - from Canada, Denmark, Great Britain, Holland, Hungary, Italy, and the United States - inquire into such complex problematics in Kierkegaard's oeuvre as the interrelationship between the human, the divine, and the spiritual; between the secular and the Christian; between human and Christian love; between state and church institutions and the single individual of faith; and between this individual's concern for quality in civic and religious life and the quantitative forces of modern society's masses and crowds. Special attention is given to the indisputable authority of God, Christ, and the apostles as opposed to the debatable authority, or non-authority, of the author. Of particular interest is the nexus between Kierkegaard's existential and religious concerns, on the one hand, and his intricate textual conceptions, multifarious poetic strategies, and various means of pseudonymous and indirect communication, on the other.
Between the covers of Anthropology and Authority some chapters seek to refine received knowledge of Kierkegaard in such disciplines as theology and moral philosophy. Conversely, other chapters submit rather postmodern critiques of the author's stylistic and rhetorical devices. A summary assessment of the nineteen contributions would fail to recognize this considerable methodological and theoretical diversity. Instead, the reader's access to the smorgasbord of insights has been facilitated by an introduction in which one of the American editors briefly outline the individual contributions on a general historical and intellectual background.
Altogether, the probing insights of Anthropology and Authority go to the core of Søren Kierkegaard's authorship. Individual chapters either update previous responses to the many challenges presented by this work, or the chapters face new challenges and/or present critical challenges on their own.
The volume's nineteen contributors - from Canada, Denmark, Great Britain, Holland, Hungary, Italy, and the United States - inquire into such complex problematics in Kierkegaard's oeuvre as the interrelationship between the human, the divine, and the spiritual; between the secular and the Christian; between human and Christian love; between state and church institutions and the single individual of faith; and between this individual's concern for quality in civic and religious life and the quantitative forces of modern society's masses and crowds. Special attention is given to the indisputable authority of God, Christ, and the apostles as opposed to the debatable authority, or non-authority, of the author. Of particular interest is the nexus between Kierkegaard's existential and religious concerns, on the one hand, and his intricate textual conceptions, multifarious poetic strategies, and various means of pseudonymous and indirect communication, on the other.
Between the covers of Anthropology and Authority some chapters seek to refine received knowledge of Kierkegaard in such disciplines as theology and moral philosophy. Conversely, other chapters submit rather postmodern critiques of the author's stylistic and rhetorical devices. A summary assessment of the nineteen contributions would fail to recognize this considerable methodological and theoretical diversity. Instead, the reader's access to the smorgasbord of insights has been facilitated by an introduction in which one of the American editors briefly outline the individual contributions on a general historical and intellectual background.
Altogether, the probing insights of Anthropology and Authority go to the core of Søren Kierkegaard's authorship. Individual chapters either update previous responses to the many challenges presented by this work, or the chapters face new challenges and/or present critical challenges on their own.
Essays on Søren Kierkegaard
This volume on anthropology and authority in the writings of Søren Kierkegaard (1813-1855) offers its reader nineteen timely discussions of two fundamental categories pertaining to the literary, philosophical, and theological production of this prominent 19th century Danish thinker, whose vast influence upon 20th century intellectual life continues to grow as the new millennium approaches.
The volume's nineteen contributors - from Canada, Denmark, Great Britain, Holland, Hungary, Italy, and the United States - inquire into such complex problematics in Kierkegaard's oeuvre as the interrelationship between the human, the divine, and the spiritual; between the secular and the Christian; between human and Christian love; between state and church institutions and the single individual of faith; and between this individual's concern for quality in civic and religious life and the quantitative forces of modern society's masses and crowds. Special attention is given to the indisputable authority of God, Christ, and the apostles as opposed to the debatable authority, or non-authority, of the author. Of particular interest is the nexus between Kierkegaard's existential and religious concerns, on the one hand, and his intricate textual conceptions, multifarious poetic strategies, and various means of pseudonymous and indirect communication, on the other.
Between the covers of Anthropology and Authority some chapters seek to refine received knowledge of Kierkegaard in such disciplines as theology and moral philosophy. Conversely, other chapters submit rather postmodern critiques of the author's stylistic and rhetorical devices. A summary assessment of the nineteen contributions would fail to recognize this considerable methodological and theoretical diversity. Instead, the reader's access to the smorgasbord of insights has been facilitated by an introduction in which one of the American editors briefly outline the individual contributions on a general historical and intellectual background.
Altogether, the probing insights of Anthropology and Authority go to the core of Søren Kierkegaard's authorship. Individual chapters either update previous responses to the many challenges presented by this work, or the chapters face new challenges and/or present critical challenges on their own.
The volume's nineteen contributors - from Canada, Denmark, Great Britain, Holland, Hungary, Italy, and the United States - inquire into such complex problematics in Kierkegaard's oeuvre as the interrelationship between the human, the divine, and the spiritual; between the secular and the Christian; between human and Christian love; between state and church institutions and the single individual of faith; and between this individual's concern for quality in civic and religious life and the quantitative forces of modern society's masses and crowds. Special attention is given to the indisputable authority of God, Christ, and the apostles as opposed to the debatable authority, or non-authority, of the author. Of particular interest is the nexus between Kierkegaard's existential and religious concerns, on the one hand, and his intricate textual conceptions, multifarious poetic strategies, and various means of pseudonymous and indirect communication, on the other.
Between the covers of Anthropology and Authority some chapters seek to refine received knowledge of Kierkegaard in such disciplines as theology and moral philosophy. Conversely, other chapters submit rather postmodern critiques of the author's stylistic and rhetorical devices. A summary assessment of the nineteen contributions would fail to recognize this considerable methodological and theoretical diversity. Instead, the reader's access to the smorgasbord of insights has been facilitated by an introduction in which one of the American editors briefly outline the individual contributions on a general historical and intellectual background.
Altogether, the probing insights of Anthropology and Authority go to the core of Søren Kierkegaard's authorship. Individual chapters either update previous responses to the many challenges presented by this work, or the chapters face new challenges and/or present critical challenges on their own.