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This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. Royal courts have long been sites for the creation, exchange, maintenance, and development of myriad forms of performing arts and other distinctive cultural expressions. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries.
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From tenth-century South India to twenty-first-century cultural events, from the court assemblies to the public space: Attentive Minds takes you on a journey through the fascinating world of avadhāna, a complex and long-living performative art of India whose practitioners showcase highly developed cognitive skills (like attention, ability to multitask, memory) and specialized knowledge.
With the help of epigraphic and literary sources and field research, Hermina Cielas reconstructs avadhāna’s history in its socio-cultural context and provides a detailed systematization of the art. Her multifaceted study investigates the cultural phenomenon scarcely known outside of India. It explores avadhāna’s multiple forms, from games and puzzles, through a display of mnemonic or motor skills, to multilingual literary feasts.
Reconsidering the Mediterranean, appreciating and demarginalizing the peoples and cultures of this vast region, while considering the affinities and differences, is a valuable part of the process of unframing and reframing the concept of the Mediterranean. The authors of this volume follow Franco Cassano’s refusal of a sort of prêt-à-porter reality of cohabitation of cultures, introducing instead un’alternativa mediterranea, a world of multiple cultures that entails an ongoing learning and experiencing. The volume’s contributors use an interdisciplinary approach that mirrors the hybridity of the area and of the discipline, that is much more introspective and humanistic, more contemporary and inclusive.
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This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of depicting daily life, writing testimony or subjective reportage emerged that still shape cultural debates today.