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Author:
From tenth-century South India to twenty-first-century cultural events, from the court assemblies to the public space: Attentive Minds takes you on a journey through the fascinating world of avadhāna, a complex and long-living performative art of India whose practitioners showcase highly developed cognitive skills (like attention, ability to multitask, memory) and specialized knowledge.
With the help of epigraphic and literary sources and field research, Hermina Cielas reconstructs avadhāna’s history in its socio-cultural context and provides a detailed systematization of the art. Her multifaceted study investigates the cultural phenomenon scarcely known outside of India. It explores avadhāna’s multiple forms, from games and puzzles, through a display of mnemonic or motor skills, to multilingual literary feasts.
With the help of epigraphic and literary sources and field research, Hermina Cielas reconstructs avadhāna’s history in its socio-cultural context and provides a detailed systematization of the art. Her multifaceted study investigates the cultural phenomenon scarcely known outside of India. It explores avadhāna’s multiple forms, from games and puzzles, through a display of mnemonic or motor skills, to multilingual literary feasts.
Author:
From tenth-century South India to twenty-first-century cultural events, from the court assemblies to the public space: Attentive Minds takes you on a journey through the fascinating world of avadhāna, a complex and long-living performative art of India whose practitioners showcase highly developed cognitive skills (like attention, ability to multitask, memory) and specialized knowledge.
With the help of epigraphic and literary sources and field research, Hermina Cielas reconstructs avadhāna’s history in its socio-cultural context and provides a detailed systematization of the art. Her multifaceted study investigates the cultural phenomenon scarcely known outside of India. It explores avadhāna’s multiple forms, from games and puzzles, through a display of mnemonic or motor skills, to multilingual literary feasts.
With the help of epigraphic and literary sources and field research, Hermina Cielas reconstructs avadhāna’s history in its socio-cultural context and provides a detailed systematization of the art. Her multifaceted study investigates the cultural phenomenon scarcely known outside of India. It explores avadhāna’s multiple forms, from games and puzzles, through a display of mnemonic or motor skills, to multilingual literary feasts.
Daily Life in a Village in the Yasin Valley, Pakistan
Author:
In A Mountain Oasis, Susan York presents a richly illustrated socio-economic study of village life in Pakistan’s Yasin Valley, undertaken during one year spent living with a local family. It documents this dynamic agro-pastoral society at a time when few researchers were recording developments in these far-flung and difficult to reach mountain oases of the Hindukush. It is a record of a time when development interventions were in their beginnings, and before this area in Gilgit-Baltistan entered a crucial period of transformation. It provides solid comparative reference material for future research on this region, which is continuing to undergo challenging and complex changes.
Daily Life in a Village in the Yasin Valley, Pakistan
Author:
In A Mountain Oasis, Susan York presents a richly illustrated socio-economic study of village life in Pakistan’s Yasin Valley, undertaken during one year spent living with a local family. It documents this dynamic agro-pastoral society at a time when few researchers were recording developments in these far-flung and difficult to reach mountain oases of the Hindukush. It is a record of a time when development interventions were in their beginnings, and before this area in Gilgit-Baltistan entered a crucial period of transformation. It provides solid comparative reference material for future research on this region, which is continuing to undergo challenging and complex changes.
Author:
Across a powerfully wide-ranging set of themes, theoretical registers and historical examples, John Roberts analyses the key problems that continue to confront art after conceptual art, in the light of art’s longstanding relationship to market and institution the commodity and mass culture: namely, artistic labour and technology, modernity and the ‘new’, art and negation, identity and subjectivity, agency and audience, form and value. In these terms, the book provides a rigorous and ambitious, examination of the limits and possibilities of art’s contribution to emancipatory discourse and practice.
Author:
Across a powerfully wide-ranging set of themes, theoretical registers and historical examples, John Roberts analyses the key problems that continue to confront art after conceptual art, in the light of art’s longstanding relationship to market and institution the commodity and mass culture: namely, artistic labour and technology, modernity and the ‘new’, art and negation, identity and subjectivity, agency and audience, form and value. In these terms, the book provides a rigorous and ambitious, examination of the limits and possibilities of art’s contribution to emancipatory discourse and practice.
Historical Materialist Perspectives in Archaeology from America, Europe and the Near East in the 21st Century
Volume Editor:
This volume gathers papers written by archaeologists utilising the methods of historical materialism, attesting not only to what Marxism has contributed to archaeology, but also to what archaeology has contributed, and can contribute, to Marxism as a method for interpreting the history of humanity. The book’s contributors consider the question of what archaeology can contribute to a historical perspective on the overcoming of present-day capitalism, synthesising developments in world archaeology, and supplying concrete case studies of the archaeology of the Americas, Europe and the Near East.
Contributors are: Guillermo Acosta Ochoa, Marcus Bajema, Bernardo Gandulla, Alex Gonzales-Panta, Pablo Jaruf, Vicente Lull, Savas Michael-Matsas, Rafael Micó, Ianir Milevski, Patricia Pérez Martínez, Cristina Rihuete Herrada, Roberto Risch, Steve Roskams, Henry Tantaleán, Marcelo Vitores, and LouAnn Wurst.
Contributors are: Guillermo Acosta Ochoa, Marcus Bajema, Bernardo Gandulla, Alex Gonzales-Panta, Pablo Jaruf, Vicente Lull, Savas Michael-Matsas, Rafael Micó, Ianir Milevski, Patricia Pérez Martínez, Cristina Rihuete Herrada, Roberto Risch, Steve Roskams, Henry Tantaleán, Marcelo Vitores, and LouAnn Wurst.
Historical Materialist Perspectives in Archaeology from America, Europe and the Near East in the 21st Century
Volume Editor:
This volume gathers papers written by archaeologists utilising the methods of historical materialism, attesting not only to what Marxism has contributed to archaeology, but also to what archaeology has contributed, and can contribute, to Marxism as a method for interpreting the history of humanity. The book’s contributors consider the question of what archaeology can contribute to a historical perspective on the overcoming of present-day capitalism, synthesising developments in world archaeology, and supplying concrete case studies of the archaeology of the Americas, Europe and the Near East.
Contributors are: Guillermo Acosta Ochoa, Marcus Bajema, Bernardo Gandulla, Alex Gonzales-Panta, Pablo Jaruf, Vicente Lull, Savas Michael-Matsas, Rafael Micó, Ianir Milevski, Patricia Pérez Martínez, Cristina Rihuete Herrada, Roberto Risch, Steve Roskams, Henry Tantaleán, Marcelo Vitores, and LouAnn Wurst.
Contributors are: Guillermo Acosta Ochoa, Marcus Bajema, Bernardo Gandulla, Alex Gonzales-Panta, Pablo Jaruf, Vicente Lull, Savas Michael-Matsas, Rafael Micó, Ianir Milevski, Patricia Pérez Martínez, Cristina Rihuete Herrada, Roberto Risch, Steve Roskams, Henry Tantaleán, Marcelo Vitores, and LouAnn Wurst.
Editors:
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We publish high quality research on specific trends in single arts, countries and regions, as well as comparative and interdisciplinary studies in the interrelation between the different arts as well as between the arts, social and political contexts and cultural life in the broadest sense and all its diversity.
New Directions in International Theatre and Performance
Series Editor:
Published in association with the International Federation for Theatre Research (IFTR), this series is a platform for innovative scholarly work that takes seriously the pledge of the international. We ask: what promise does this term hold for Theatre and Performance Studies today? First coined in the late eighteenth century to define a space for inter-state relations, the term has since migrated from law to political and cultural practice, retaining connotations of an ever-expanding, progressive vision of global cooperation. Theatre and Performance Studies have long pursued the promise of the international, from re-thinking “national” canons to developing novel theoretical and methodological foundations for the study of theatre and performance. The series publishes both monographs and edited volumes that represent and at the same time critically interrogate these very processes. We thus invite submissions that examine the evolving diversity of performances from Eurasia, Africa, the Americas, and Oceania. We seek to become an intellectual home to manuscripts that contain an overtly international or transnational dimension, explore new historical, methodological and geographical frontiers, and address pressing contemporary concerns.
For information on the IFTR and its annual conferences, please see the organization’s website: www.iftr.org.
For inquiries regarding the Series, please contact the Editors, Milija Gluhovic (m.gluhovic@warwck.ac.uk) and Emine Fişek (emine.fisek@boun.edu.tr).
Interested authors are invited to submit proposals for collected volumes to the publisher at BRILL, Christa Stevens.
For information on the IFTR and its annual conferences, please see the organization’s website: www.iftr.org.
For inquiries regarding the Series, please contact the Editors, Milija Gluhovic (m.gluhovic@warwck.ac.uk) and Emine Fişek (emine.fisek@boun.edu.tr).
Interested authors are invited to submit proposals for collected volumes to the publisher at BRILL, Christa Stevens.
Graffiti as Political Protest in Greece, Italy, Poland, and the United States
Author:
Words of the Prophets treats graffiti as a form of political prophecy. Whether we consider austerity in Thessaloniki, Camorra infiltration in Naples, the fall of Communism in Gdansk, or the rise of gang warfare in Chicago, graffiti is a form of democratic self-expression that dates back to Periclean Athens and the Book of Daniel. Words of the Prophets offers close readings of 400 original photographs taken between 2014 and 2021 in Philadelphia, Venice, Milan, Florence, Syracuse, and Warsaw, alongside literary works by Pawel Huelle, films by Andrezj Wajda, Antonio Capua, and music videos by Natasha Bedingfield and Beyoncé. A third of the book is dedicated to interviews with Krik Kong, Iwona Zajac, Ponchee.193, Jay Pop, Ser, Simoni Fontana, and Mattia Campo Dall’Orto.