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Author: Jane Gilmer
The Alchemical Actor offers an imagination for new and future theatre inspired by the manifesto of Antonin Artaud. The alchemical four elements – earth, water, air and fire and the four alchemical stages – nigredo, albedo, citrino and rubedo serve as initiatory steps towards the performance of transmutational consciousness. The depth psychological work of Carl G. Jung, the theatre techniques of Michael Chekhov and Rudolf Steiner infuse ‘this’ Great Work. Jane Gilmer leads the reader through alchemical imaginations beyond material cognition towards gold-making heart-thinking - key to new and future theatre.
Author: Piero Boitani
Anagnorisis has been called ‘one of the great works of comparative literary criticism of our time’. It is a book that spans the millennia, the adventures of Ulysses in Homer and God’s mysterious appearance to Abraham in Genesis, down not only to Joyce’s Ulysses and Thomas Mann’s Joseph and his Brothers, but also to Dumas’ Count of Montecristo, Borges’s ‘The Immortal’, and Walcott's Omeros.
‘Anagnorisis’ means ‘recognition’. Aristotle defined it simply as ‘the passage from ignorance to knowledge’. But the knowledge one gains in anagnorisis is neither scientific nor abstract – it is living knowledge in the flesh, as Euripides’ Helen understood when, seeing her husband again after many years, she exclaimed: ‘to recognize those we love is a god.
Le nouveau fantastique de Jean-Pierre Andrevon analyse les facettes étranges du fantastique de Jean-Pierre Andrevon, écrivain contemporain appelé le « King » ou « Lovecraft » français. Andrevon propose une nouvelle vision du fantastique ancré profondément dans le quotidien contemporain, en apparence monotone et banal, dans lequel évoluent aussi bien ses personnages que ses lecteurs. L’auteur révèle ainsi le revers angoissant du monde, qui devient une source d’horreur puissante car familière au lecteur : catastrophes naturelles (pandémies mystérieuses, désastres climatiques, fin de l’Anthropocène) et historiques (guerres, totalitarismes), problèmes sociaux et psychologiques (folie, psychoses collectives, solitude). Un signe emblématique du fantastique andrevonien est également son dialogue avec le cinéma d’horreur.

Le nouveau fantastique de Jean-Pierre Andrevon analyses the uncanny facets of the fantastic by Jean-Pierre Andrevon, a contemporary writer called “the French Stephen King” or “the French H.P. Lovecraft". Andrevon presents a new vision of the fantastic, deeply rooted in contemporary everyday life, seemingly monotonous and banal, in which both his characters and his readers evolve. Thus, the author reveals a different, harrowing side of the world familiar to the reader, as it turns into a powerful source of horror: natural catastrophes (mysterious pandemics, climate-related disasters, end of the Anthropocene), historical tragedies (wars, totalitarianism), social and psychological problems (madness, collective psychosis, loneliness). Another hallmark of Andrevonian fantastic is its dialogue with horror cinema.
Risiko und Erzählstruktur
Volume Editors: Wolfram Ette and Bernhard Teuber
Was ist überhaupt ein Glücksritter? Was ist ein Abenteurer oder eine Abenteurerin? Und wie erzählt man deren Geschichten? Der vorliegende Band dokumentiert Antworten, die im Umfeld der Forschungsgruppe „Philologie des Abenteuers“ auf solche Fragen gefunden wurden.
Es werden aufschlussreiche Stationen aus der Geschichte der Abenteuerliteratur beleuchtet. Anhebend mit der innovativen Figur des mittelalterlichen Ritters, der freiwillig in die Fremde zieht, um dort sein Glück zu finden – Reichtum, sozialer Status, erotische Erfüllung –, schlägt die Ringvorlesung einen großen historischen Bogen, der über die Übersteigerungen und parodistischen Brechungen der frühen Neuzeit, über Vagabunden und Entdecker bis zu Alltagsabenteurern und den invertierten Helden Kafkas führt.
On the Hybrid Nature of the Book in the Age of Electronic Publishing
Refresh the Book contains reflections on the multimodal nature of the book, focusing on its changing perception, functions, forms, and potential in the digital age. Offering an overview of key concepts and approaches, such as liberature, technotexts, and bookishness, this volume of essays addresses the specificity of the printed book as a complex cultural phenomenon. It discusses diverse forms of representation and expression, both in literary and non-literary texts, as well as in artist’s books. Of special interest are these aspects of the book which resist remediation into the digital form. Finally, the volume contains an extensive section devoted to artistic practice as research, discussing the book as the synthesis of the arts, and site for performative aesthetic activity.

Christin Barbarino, Katarzyna Bazarnik, Christoph Bläsi, Sarah Bodman, Hélène Campaignolle(?), Zenon Fajfer, Annette Gilbert, Susanne Gramatzki, Mareike Herbstreit, Viola Hildebrand-Schat, Thomas Hvid Kromann, Monika Jäger, Eva Linhart, Bettina Lockemann, Patrizia Meinert, Bernhard Metz, Sebastian Schmideler, Monika Schmitz-Emans, Christoph Benjamin Schulz, usus (Uta Schneider & Ulrike Stoltz), Anne Thurmann-Jajes, Sakine Weikert, Gabriele Wix
Empowerment as a concept is making its impact on the field of literary studies. This volume shows its intricate relation to contemporary fiction in English, applying a broad range of approaches such as feminist, transcultural, and intersectional studies. Dealing with genres as diverse as dystopia, science fiction, TV adaptations, the historical novel, and immigrant fiction, this collection offers the first in-depth study of empowerment in literature. How, and to which end, do texts endow characters with power? In which ways can fiction become a tool of authorial self-empowerment? And which effects do such narratives have on readers? With this book, empowerment is put on the map of literary studies as a new, highly relevant critical concept stimulating fresh perspectives on contemporary fiction. Contributors: Peter Childs, Britta Maria Colligs, Sarah Dillon, Paul Hamann-Rose, Ralf Hertel, David Malcolm, Diana Thiesen, Eleanor Ty, Eva-Maria Windberger.
Transnational Perspectives, Translation Processes, Scandinavian and Postcolonial Challenges
Examining the cultural dynamics of translation and transfer, Cultural Transfer Reconsideredproposes new insights into both epistemological and analytical questions raised in the research area of cultural transfer. Seeking to emphasize the creative processes of transfer, Steen Bille Jørgensen and Hans-Jürgen Lüsebrink have invited specialized researchers to determine the role of structures and agents in the dynamics of cultural encounters. With its particular focus on the North, as opposed to the South, the volume problematizes national paradigms. Presenting various aspects of tri- and multilateral transfers involving Scandinavian countries, Cultural Transfer Reconsidered opens perspectives regarding the ways in which textual, intertextual and artistic practices, in particular, pave the way for postcolonial interrelatedness.

Contributors: Miriam Lay Brander, Petra Broomans, Michel Espagne, Karin Hoff, Steen Bille Jørgensen, Anne-Estelle Leguy, Hans-Jürgen Lüsebrink, Walter Moser, Magnus Qvistgaard, Anna Sandberg, Udo Schöning, Wiebke Röben de Alencar Xavier
Completed shortly before her death in 2019, Tragedy and Philosophy is the sum of Agnes Heller’s reflections on European history and culture, seen through the prism of Europe’s two unique literary creations: tragedy and philosophy. Part 1 traces their parallel history from ancient Athens to rebirth in early modern London and Paris. Part 2 explores the interactions between post-metaphysical philosophy and post-tragic drama from the eighteenth through to the twentieth centuries. Heller’s perspective is post-Hegelian: the story of European culture can only be told from its end, the generalization of modernity across the globe. In this sense Part 3 is Heller’s farewell to the grand narrative of European history and culture as well as her own personal farewell to philosophy.
Author: John Hope Morey
Editor: Gene M. Moore
When Joseph Conrad died in 1924, Ford Madox Ford immediately published a memoir of his involvement with Conrad at which Conrad's widow took offense. The ensuing "controversy" left Ford with a lasting reputation for "unreliability" which Morey examines in detail, uncovering evidence that substantiates most of Ford's claims. Morey's judicious assessment of the literary friendship and interdependence between two remarkable writers is a much-needed addition to studies of Conrad and Ford.
Volume Editors: John M. Clum and Natka Bianchini
Albee and Influence is the fourth volume in the series New Directions in Edward Albee Studies sponsored by the Edward Albee Society. The volume contains essays, written by leading Albee scholars, that focus on literary and philosophical influences on Edward Albee’s plays as well as essays on writers and works that Albee influenced. Essays focus on Albee’s relationship with such major American playwrights as Thornton Wilder, Amiri Baraka, Sam Shepard, Lanford Wilson and John Guare. There are also contributions on Albee’s work as mentor to young playwrights. The volume also includes an interview with award-winning director Pam McKinnon.