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Translator:
Madeleine Hurd
In the seventeenth century news was an investment in social relationships, a resource that concerned the interests of members of functional elites. Exchanging news entailed different forms of participation in functional elites and, thus, privilege. This business was part of the elites’ internal social structures; it constituted the fabric of all public institutions.
This book questions notions of a print-based public sphere in the seventeenth century. It is based on contemporary tracts on newspapers, the court culture, and letter-writers, as well as news correspondences and other material from archives in the Baltic Sea Region and beyond.
This book is a translation of: Das Geschäft mit Nachrichten: Ein barocker Markt für soziale Ressourcen (Bremen: edition lumière, 2018).
This book questions notions of a print-based public sphere in the seventeenth century. It is based on contemporary tracts on newspapers, the court culture, and letter-writers, as well as news correspondences and other material from archives in the Baltic Sea Region and beyond.
This book is a translation of: Das Geschäft mit Nachrichten: Ein barocker Markt für soziale Ressourcen (Bremen: edition lumière, 2018).
In the seventeenth century news was an investment in social relationships, a resource that concerned the interests of members of functional elites. Exchanging news entailed different forms of participation in functional elites and, thus, privilege. This business was part of the elites’ internal social structures; it constituted the fabric of all public institutions.
This book questions notions of a print-based public sphere in the seventeenth century. It is based on contemporary tracts on newspapers, the court culture, and letter-writers, as well as news correspondences and other material from archives in the Baltic Sea Region and beyond.
This book is a translation of: Das Geschäft mit Nachrichten: Ein barocker Markt für soziale Ressourcen (Bremen: edition lumière, 2018).
This book questions notions of a print-based public sphere in the seventeenth century. It is based on contemporary tracts on newspapers, the court culture, and letter-writers, as well as news correspondences and other material from archives in the Baltic Sea Region and beyond.
This book is a translation of: Das Geschäft mit Nachrichten: Ein barocker Markt für soziale Ressourcen (Bremen: edition lumière, 2018).
Practices, Materials, Networks
This book attends to the most essential, lucrative, and overlooked business activity of early modern Europe: the trade of paper. Despite the well-known fact that paper was crucial to the success of printing and record-keeping alike, paper remains one of the least studied areas of early modern history. Organised into three sections, ‘Hotspots and Trade Routes’, ‘Usual Dealings’, and ‘Recycling Economies’, the chapters in the collection shed light on the practices, materials, and networks of the paper trade. Altogether, the collection uncovers the actors involved in the networks of paper production, transportation, purchase, and reuse, between the thirteenth and nineteenth centuries and across the central and peripheral papermaking regions of Europe.
Practices, Materials, Networks
This book attends to the most essential, lucrative, and overlooked business activity of early modern Europe: the trade of paper. Despite the well-known fact that paper was crucial to the success of printing and record-keeping alike, paper remains one of the least studied areas of early modern history. Organised into three sections, ‘Hotspots and Trade Routes’, ‘Usual Dealings’, and ‘Recycling Economies’, the chapters in the collection shed light on the practices, materials, and networks of the paper trade. Altogether, the collection uncovers the actors involved in the networks of paper production, transportation, purchase, and reuse, between the thirteenth and nineteenth centuries and across the central and peripheral papermaking regions of Europe.
This edition of John Lydgate’s
Dance of Death offers a detailed comparison of the different text versions, a new scholarly edition and translation of Guy Marchant’s 1485 French
Danse Macabre text, and an art-historical analysis of its woodcut illustrations.
It addresses the cultural context and historical circumstances of Lydgate’s poem and its model, the mural of 1424-25 with accompanying French poem in Paris, as well as their precursors, notably the Vado mori poems and the Legend of the Three Living and the Three Dead. It discusses authorship, the personification and vizualisation of Death, and the wider dissemination of the Dance. The edited texts include commentaries, notes, and a glossary.
It addresses the cultural context and historical circumstances of Lydgate’s poem and its model, the mural of 1424-25 with accompanying French poem in Paris, as well as their precursors, notably the Vado mori poems and the Legend of the Three Living and the Three Dead. It discusses authorship, the personification and vizualisation of Death, and the wider dissemination of the Dance. The edited texts include commentaries, notes, and a glossary.
This edition of John Lydgate’s
Dance of Death offers a detailed comparison of the different text versions, a new scholarly edition and translation of Guy Marchant’s 1485 French
Danse Macabre text, and an art-historical analysis of its woodcut illustrations.
It addresses the cultural context and historical circumstances of Lydgate’s poem and its model, the mural of 1424-25 with accompanying French poem in Paris, as well as their precursors, notably the Vado mori poems and the Legend of the Three Living and the Three Dead. It discusses authorship, the personification and vizualisation of Death, and the wider dissemination of the Dance. The edited texts include commentaries, notes, and a glossary.
It addresses the cultural context and historical circumstances of Lydgate’s poem and its model, the mural of 1424-25 with accompanying French poem in Paris, as well as their precursors, notably the Vado mori poems and the Legend of the Three Living and the Three Dead. It discusses authorship, the personification and vizualisation of Death, and the wider dissemination of the Dance. The edited texts include commentaries, notes, and a glossary.
The Development of the German Newspaper, 1605–1650
News in Times of Conflict traces the development and spread of the newspaper and the development of the printing industry in Germany in the first half of the seventeenth century. Based on an inspection of all printed newspapers of this period, the book offers an overview over the regional and thematic reporting and the development of journalistic styles and ethics.
It offers an examination of the coverage of two major events: the death of the Swedish king Gustavus Adolphus, and the execution of King Charles I of England. These case studies provide the opportunity for a comparison with the newspaper markets in France, England and the Low Countries, and with the provision of news through manuscript newsletters.
It offers an examination of the coverage of two major events: the death of the Swedish king Gustavus Adolphus, and the execution of King Charles I of England. These case studies provide the opportunity for a comparison with the newspaper markets in France, England and the Low Countries, and with the provision of news through manuscript newsletters.
The Development of the German Newspaper, 1605–1650
News in Times of Conflict traces the development and spread of the newspaper and the development of the printing industry in Germany in the first half of the seventeenth century. Based on an inspection of all printed newspapers of this period, the book offers an overview over the regional and thematic reporting and the development of journalistic styles and ethics.
It offers an examination of the coverage of two major events: the death of the Swedish king Gustavus Adolphus, and the execution of King Charles I of England. These case studies provide the opportunity for a comparison with the newspaper markets in France, England and the Low Countries, and with the provision of news through manuscript newsletters.
It offers an examination of the coverage of two major events: the death of the Swedish king Gustavus Adolphus, and the execution of King Charles I of England. These case studies provide the opportunity for a comparison with the newspaper markets in France, England and the Low Countries, and with the provision of news through manuscript newsletters.
Civil War and the Emergence of a Transnational News Culture in France and the Netherlands, 1561–1598
This book explores the reception of foreign news during the late sixteenth-century civil wars in France and the Netherlands. Analysing a large body of French and Dutch chronicles, Rosanne Baars innovatively demonstrates that the wider public was well aware of events abroad, though interest in foreign conflicts was far from constant. She sheds new light on the connections between the Dutch Revolt and the French Wars of Religion: contemporaries were gradually more inclined to see these wars as part of an international struggle. Baars argues that these times of civil war made inhabitants of both countries more apt at distinguishing rumour from reliable reports, thus contributing to the emergence of a public of critical news consumers.
Civil War and the Emergence of a Transnational News Culture in France and the Netherlands, 1561–1598
This book explores the reception of foreign news during the late sixteenth-century civil wars in France and the Netherlands. Analysing a large body of French and Dutch chronicles, Rosanne Baars innovatively demonstrates that the wider public was well aware of events abroad, though interest in foreign conflicts was far from constant. She sheds new light on the connections between the Dutch Revolt and the French Wars of Religion: contemporaries were gradually more inclined to see these wars as part of an international struggle. Baars argues that these times of civil war made inhabitants of both countries more apt at distinguishing rumour from reliable reports, thus contributing to the emergence of a public of critical news consumers.
Over the past few decades, a growing number of studies have highlighted the importance of the ‘School of Salamanca’ for the emergence of colonial normative regimes and the formation of a language of normativity on a global scale. According to this influential account, American and Asian actors usually appear as passive recipients of normative knowledge produced in Europe. This book proposes a different perspective and shows, through a knowledge historical approach and several case studies, that the School of Salamanca has to be considered both an epistemic community and a community of practice that cannot be fixed to any individual place. Instead, the School of Salamanca encompassed a variety of different sites and actors throughout the world and thus represents a case of global knowledge production.
Contributors are: Adriana Álvarez, Virginia Aspe, Marya Camacho, Natalie Cobo, Thomas Duve, José Luis Egío, Dolors Folch, Enrique González González, Lidia Lanza, Esteban Llamosas, Osvaldo R. Moutin, and Marco Toste.
Contributors are: Adriana Álvarez, Virginia Aspe, Marya Camacho, Natalie Cobo, Thomas Duve, José Luis Egío, Dolors Folch, Enrique González González, Lidia Lanza, Esteban Llamosas, Osvaldo R. Moutin, and Marco Toste.
Over the past few decades, a growing number of studies have highlighted the importance of the ‘School of Salamanca’ for the emergence of colonial normative regimes and the formation of a language of normativity on a global scale. According to this influential account, American and Asian actors usually appear as passive recipients of normative knowledge produced in Europe. This book proposes a different perspective and shows, through a knowledge historical approach and several case studies, that the School of Salamanca has to be considered both an epistemic community and a community of practice that cannot be fixed to any individual place. Instead, the School of Salamanca encompassed a variety of different sites and actors throughout the world and thus represents a case of global knowledge production.
Contributors are: Adriana Álvarez, Virginia Aspe, Marya Camacho, Natalie Cobo, Thomas Duve, José Luis Egío, Dolors Folch, Enrique González González, Lidia Lanza, Esteban Llamosas, Osvaldo R. Moutin, and Marco Toste.
Contributors are: Adriana Álvarez, Virginia Aspe, Marya Camacho, Natalie Cobo, Thomas Duve, José Luis Egío, Dolors Folch, Enrique González González, Lidia Lanza, Esteban Llamosas, Osvaldo R. Moutin, and Marco Toste.
Volume Editor:
Thom Gobbitt
In
Law | Book | Culture in the Middle Ages fifteen contributions are brought together, each taking a detailed view on the role of manuscripts and the written word in legal cultures and literate representations thereof. Four broad thematic approaches exploring the manuscript contexts and reception, of law and legal thought are considered: Law-Books, Law & Society, Legal Practice, and Text & Edition. The studies span the medieval period and reach across western and central Europe, closely considering facets of manuscript culture and legal literacies and practices from what are now Bulgaria, England, France and Germany, Iceland, Ireland, Italy, the Netherlands, Norway and Wales.
Contributors are Rolf H. Bremmer, Jr., Hannah Burrows, Sonia Colafrancesco, Jan van Doren, Stefan Drechsler, Daniela Fruscione Pistoresi, Thom Gobbitt, Katherine J. Har, Lucy Hennings, Petar Parvanov, Fangzhe Dimurjan Qiu, Ben Reinhard, Sara Elin Roberts, Francesco Sangriso, and Chiara Simbolotti.
Contributors are Rolf H. Bremmer, Jr., Hannah Burrows, Sonia Colafrancesco, Jan van Doren, Stefan Drechsler, Daniela Fruscione Pistoresi, Thom Gobbitt, Katherine J. Har, Lucy Hennings, Petar Parvanov, Fangzhe Dimurjan Qiu, Ben Reinhard, Sara Elin Roberts, Francesco Sangriso, and Chiara Simbolotti.
Volume Editor:
Thom Gobbitt
In
Law | Book | Culture in the Middle Ages fifteen contributions are brought together, each taking a detailed view on the role of manuscripts and the written word in legal cultures and literate representations thereof. Four broad thematic approaches exploring the manuscript contexts and reception, of law and legal thought are considered: Law-Books, Law & Society, Legal Practice, and Text & Edition. The studies span the medieval period and reach across western and central Europe, closely considering facets of manuscript culture and legal literacies and practices from what are now Bulgaria, England, France and Germany, Iceland, Ireland, Italy, the Netherlands, Norway and Wales.
Contributors are Rolf H. Bremmer, Jr., Hannah Burrows, Sonia Colafrancesco, Jan van Doren, Stefan Drechsler, Daniela Fruscione Pistoresi, Thom Gobbitt, Katherine J. Har, Lucy Hennings, Petar Parvanov, Fangzhe Dimurjan Qiu, Ben Reinhard, Sara Elin Roberts, Francesco Sangriso, and Chiara Simbolotti.
Contributors are Rolf H. Bremmer, Jr., Hannah Burrows, Sonia Colafrancesco, Jan van Doren, Stefan Drechsler, Daniela Fruscione Pistoresi, Thom Gobbitt, Katherine J. Har, Lucy Hennings, Petar Parvanov, Fangzhe Dimurjan Qiu, Ben Reinhard, Sara Elin Roberts, Francesco Sangriso, and Chiara Simbolotti.
Booksellers and Printers in Provincial France 1470–1600 is the first comprehensive guide to the Renaissance French book trade outside of Paris and Lyon. This volume presents short biographies for over 2700 booksellers, printers and bookbinders – over sixty of whom are identified as fictitious.
The biographies are accompanied wherever possible by the details of commercial partnerships, the type used by printers and reproductions of over a hundred signatures. The book provides the details of over six hundred women who either married into the trade or were independently active. The introductory essay analyses the nature, evolution and geographic dispersion of the members of the trade. It is an indispensable tool for understanding the French Renaissance book world.
The biographies are accompanied wherever possible by the details of commercial partnerships, the type used by printers and reproductions of over a hundred signatures. The book provides the details of over six hundred women who either married into the trade or were independently active. The introductory essay analyses the nature, evolution and geographic dispersion of the members of the trade. It is an indispensable tool for understanding the French Renaissance book world.
Booksellers and Printers in Provincial France 1470–1600 is the first comprehensive guide to the Renaissance French book trade outside of Paris and Lyon. This volume presents short biographies for over 2700 booksellers, printers and bookbinders – over sixty of whom are identified as fictitious.
The biographies are accompanied wherever possible by the details of commercial partnerships, the type used by printers and reproductions of over a hundred signatures. The book provides the details of over six hundred women who either married into the trade or were independently active. The introductory essay analyses the nature, evolution and geographic dispersion of the members of the trade. It is an indispensable tool for understanding the French Renaissance book world.
The biographies are accompanied wherever possible by the details of commercial partnerships, the type used by printers and reproductions of over a hundred signatures. The book provides the details of over six hundred women who either married into the trade or were independently active. The introductory essay analyses the nature, evolution and geographic dispersion of the members of the trade. It is an indispensable tool for understanding the French Renaissance book world.
Networks of Higher Learning
Early Modern Universities: Networks of Higher Education publishes twenty essays on early modern institutional academic networks and the history of the book. The case studies examine universities, schools, and academies across a wide geographical range throughout Europe, and in Central America. The volume suggests pathways for future research into institutional hierarchies, cultural ties, and how networks of policy makers were embedded in complex scholarly and scientific developments. Topics include institutions and political entanglements; locality and mobility, especially the movement of scholars and scholarship between institutions; communication, collaboration, and the circulation of academic knowledge. The essays use studies of print and book cultures to provide insights into cooperative interregional markets, travel and trade.
Contributors: Laurence Brockliss, Liam Chambers, Liam Chambers, Peter Davidson, Mordechai Feingold, Alette Fleischer, Willem Frijhoff, Anja- Silvia Goeing, Martina Hacke, Michael Hunter, Urs B. Leu, David A. Lines, Ian Maclean, Thomas O’Connor, Glyn Parry, Yarí Pérez Marín, Elizabeth Sandis, Andreas Sohn, Jane Stevenson, Iolanda Ventura, and Benjamin Wardhaugh.
Contributors: Laurence Brockliss, Liam Chambers, Liam Chambers, Peter Davidson, Mordechai Feingold, Alette Fleischer, Willem Frijhoff, Anja- Silvia Goeing, Martina Hacke, Michael Hunter, Urs B. Leu, David A. Lines, Ian Maclean, Thomas O’Connor, Glyn Parry, Yarí Pérez Marín, Elizabeth Sandis, Andreas Sohn, Jane Stevenson, Iolanda Ventura, and Benjamin Wardhaugh.
Networks of Higher Learning
Early Modern Universities: Networks of Higher Education publishes twenty essays on early modern institutional academic networks and the history of the book. The case studies examine universities, schools, and academies across a wide geographical range throughout Europe, and in Central America. The volume suggests pathways for future research into institutional hierarchies, cultural ties, and how networks of policy makers were embedded in complex scholarly and scientific developments. Topics include institutions and political entanglements; locality and mobility, especially the movement of scholars and scholarship between institutions; communication, collaboration, and the circulation of academic knowledge. The essays use studies of print and book cultures to provide insights into cooperative interregional markets, travel and trade.
Contributors: Laurence Brockliss, Liam Chambers, Liam Chambers, Peter Davidson, Mordechai Feingold, Alette Fleischer, Willem Frijhoff, Anja- Silvia Goeing, Martina Hacke, Michael Hunter, Urs B. Leu, David A. Lines, Ian Maclean, Thomas O’Connor, Glyn Parry, Yarí Pérez Marín, Elizabeth Sandis, Andreas Sohn, Jane Stevenson, Iolanda Ventura, and Benjamin Wardhaugh.
Contributors: Laurence Brockliss, Liam Chambers, Liam Chambers, Peter Davidson, Mordechai Feingold, Alette Fleischer, Willem Frijhoff, Anja- Silvia Goeing, Martina Hacke, Michael Hunter, Urs B. Leu, David A. Lines, Ian Maclean, Thomas O’Connor, Glyn Parry, Yarí Pérez Marín, Elizabeth Sandis, Andreas Sohn, Jane Stevenson, Iolanda Ventura, and Benjamin Wardhaugh.