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Despite the transformed geopolitical context of capitalist development after 1945 – with decolonization and the end inter-imperial rivalry – the far-right continued to be intimately connected to the consolidation of the anti-communist liberal order. Thereafter, the far-right also formed an important, if contradictory, element within the neoliberal historical bloc that emerged in the 1980s and has been the main ideo-political beneficiary of the 2007-8 neoliberal crisis.
Despite the transformed geopolitical context of capitalist development after 1945 – with decolonization and the end inter-imperial rivalry – the far-right continued to be intimately connected to the consolidation of the anti-communist liberal order. Thereafter, the far-right also formed an important, if contradictory, element within the neoliberal historical bloc that emerged in the 1980s and has been the main ideo-political beneficiary of the 2007-8 neoliberal crisis.
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Contributors are: Tina Tamman, David Schriffl, Ariane Knuesel , Lori Maguire, Laurent Cesari, Sue Onslow, Pedro Aires Oliveira, David Lee, and Marek Hańderek.
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Contributors are: Tina Tamman, David Schriffl, Ariane Knuesel , Lori Maguire, Laurent Cesari, Sue Onslow, Pedro Aires Oliveira, David Lee, and Marek Hańderek.
Focusing on the twin (political and economic) transformations that dominated the second half of the nineteenth century the book discusses the connections between class, race, and geography in the evolution of far-right movements and how the crises in the development of a liberal world order were central to the advance of the far-right ultimately helping to produce fascism.
Focusing on the twin (political and economic) transformations that dominated the second half of the nineteenth century the book discusses the connections between class, race, and geography in the evolution of far-right movements and how the crises in the development of a liberal world order were central to the advance of the far-right ultimately helping to produce fascism.
This book offers an up-to-date English translation with a working Latin text introduced by a historical and historiographical overview of the Libri, thereby providing a valuable tool to understanding the long-standing importance of this collection over nine centuries of European history.
This book offers an up-to-date English translation with a working Latin text introduced by a historical and historiographical overview of the Libri, thereby providing a valuable tool to understanding the long-standing importance of this collection over nine centuries of European history.
Joining the German nation offered the newly enrolled the privilege of being part of a university community that had traditionally been favoured by the French kings with special privileges, such as royal protection in time of war and, more importantly, freedom of religion. A majority of these student-tourists came from the nobility or from urban patrician families.
Joining the German nation offered the newly enrolled the privilege of being part of a university community that had traditionally been favoured by the French kings with special privileges, such as royal protection in time of war and, more importantly, freedom of religion. A majority of these student-tourists came from the nobility or from urban patrician families.
These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his ‘exile opera’ Beatrice Cenci. Studies of Mischa Spoliansky’s music for the movie Mr. Emmanuel(1944) and Franz Reizenstein’s radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars.
These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his ‘exile opera’ Beatrice Cenci. Studies of Mischa Spoliansky’s music for the movie Mr. Emmanuel(1944) and Franz Reizenstein’s radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars.