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Contributors to this volume are: Geoffrey Troughton, Elizabeth Elbourne, Jane Samson, David Maxwell, Norman Etherington, Esme Cleall, Amy Stambach, Joanna Cruickshank, and Bronwyn Shepherd.
Contributors to this volume are: Geoffrey Troughton, Elizabeth Elbourne, Jane Samson, David Maxwell, Norman Etherington, Esme Cleall, Amy Stambach, Joanna Cruickshank, and Bronwyn Shepherd.
These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his ‘exile opera’ Beatrice Cenci. Studies of Mischa Spoliansky’s music for the movie Mr. Emmanuel(1944) and Franz Reizenstein’s radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars.
These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his ‘exile opera’ Beatrice Cenci. Studies of Mischa Spoliansky’s music for the movie Mr. Emmanuel(1944) and Franz Reizenstein’s radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars.
This volume offers a historical and sociological insight into the way his thought has been received in the French context, from his own lifetime to the present. Analysing Marx’s place and influence in the French intellectual, political and artistic debate – across the political spectrum and even in the French-speaking colonial world – it helps us understand the uses and misuses of an œuvre of paramount importance.
This volume offers a historical and sociological insight into the way his thought has been received in the French context, from his own lifetime to the present. Analysing Marx’s place and influence in the French intellectual, political and artistic debate – across the political spectrum and even in the French-speaking colonial world – it helps us understand the uses and misuses of an œuvre of paramount importance.
The series welcomes submissions from scholars of political, cultural, social, and intellectual history, as well as of scholars whose work on the modern world lies at the fruitful intersection of history, political science, cultural studies, and international relations. We particularly encourage interdisciplinary submissions that traverse traditional historical, geographical, or methodological boundaries; engage with transnational and comparative perspectives; promote long-term analysis of drivers and processes of historical change; and develop new perspectives on the fascinating plurality of modern and contemporary phenomena. We are committed to giving space to new scholarship that questions conventional assumptions about, and understandings of, the modern/contemporary world; or brings in focus previously under-studied topics and areas.
Authors who are interested in submitting proposals/full manuscripts or wish to discuss any publishing ideas that may fit the series are invited to contact either the series editor Aristotle Kallis or the publisher at Brill, Alessandra Giliberto.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Manuscripts should be at least 90,000 words in length (including footnotes and bibliography). Manuscripts may also include illustrations and other visual material. The editors will consider proposals for original monographs, edited collections, translations, and critical primary source editions.
Authors are cordially invited to submit proposals and/or full manuscripts by email to the publisher Jason Prevost. Please direct all other correspondence to Associate Editor Debbie de Wit.
*A paperback edition of select titles in the series, for individual purchase only, will be released approximately 12 months after publication of the hardcover edition.