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This project attempts to listen to voices that have seldom been heard. While others have explored Paul’s theology of Christian freedom, they have not considered how Paul’s declaration of freedom would have been received by those who most desired and valued freedom: the slaves and freedpersons in the Galatian churches.
In this study, Robin Thompson explores both Greek and Roman manumission, considers how the ancient Mediterranean world conceived of freedom, and then examines the freedom declared in Galatians from a freed slaves’s perspective. She proposes that these freedpersons would likely have perceived this freedom to be not only spiritual freedom, but—at least in the Christian communities—individual freedom as well.
In this study, Robin Thompson explores both Greek and Roman manumission, considers how the ancient Mediterranean world conceived of freedom, and then examines the freedom declared in Galatians from a freed slaves’s perspective. She proposes that these freedpersons would likely have perceived this freedom to be not only spiritual freedom, but—at least in the Christian communities—individual freedom as well.
This project attempts to listen to voices that have seldom been heard. While others have explored Paul’s theology of Christian freedom, they have not considered how Paul’s declaration of freedom would have been received by those who most desired and valued freedom: the slaves and freedpersons in the Galatian churches.
In this study, Robin Thompson explores both Greek and Roman manumission, considers how the ancient Mediterranean world conceived of freedom, and then examines the freedom declared in Galatians from a freed slaves’s perspective. She proposes that these freedpersons would likely have perceived this freedom to be not only spiritual freedom, but—at least in the Christian communities—individual freedom as well.
In this study, Robin Thompson explores both Greek and Roman manumission, considers how the ancient Mediterranean world conceived of freedom, and then examines the freedom declared in Galatians from a freed slaves’s perspective. She proposes that these freedpersons would likely have perceived this freedom to be not only spiritual freedom, but—at least in the Christian communities—individual freedom as well.
Cassius Dio described his own age as one of “iron and rust.” This study, which is the first of its kind in English, examines the decline and decay that Cassius Dio diagnosed in this period (180-229 CE) through an analysis of the author’s historiographic method and narrative construction. It shows that the final books were a crucial part of Dio’s work, and it explains how Dio approached a period that he considered unworthy of history in view of his larger historiographic project.
Cassius Dio described his own age as one of “iron and rust.” This study, which is the first of its kind in English, examines the decline and decay that Cassius Dio diagnosed in this period (180-229 CE) through an analysis of the author’s historiographic method and narrative construction. It shows that the final books were a crucial part of Dio’s work, and it explains how Dio approached a period that he considered unworthy of history in view of his larger historiographic project.
This volume sheds new light on the extraordinary richness and variety of love poetry written in Latin from the fifteenth to the eighteenth century. It shows how Latin love poets reworked classical Roman and Greek models, and engaged in dialogue with mediaeval and contemporary vernacular traditions of poetry. They used the poetic language of love in Latin to reflect and comment on wider social, ethical and literary issues, and reconfigured its codes of representation in response to changing conceptions of love in the philosophical and religious spheres. Their poetry often aligned itself with dominant discourses of power and gender, but it could also be subtly subversive or even openly transgressive.
This volume sheds new light on the extraordinary richness and variety of love poetry written in Latin from the fifteenth to the eighteenth century. It shows how Latin love poets reworked classical Roman and Greek models, and engaged in dialogue with mediaeval and contemporary vernacular traditions of poetry. They used the poetic language of love in Latin to reflect and comment on wider social, ethical and literary issues, and reconfigured its codes of representation in response to changing conceptions of love in the philosophical and religious spheres. Their poetry often aligned itself with dominant discourses of power and gender, but it could also be subtly subversive or even openly transgressive.
Zur zeithistorischen Perspektivierung des Mythos in den Argonautica
Die nach dem Untergang Neros, dem Vierkaiserjahr und dem Aufstieg Vespasians entstandenen Argonautica des Valerius Flaccus weisen bedeutsame Unterschiede zu früheren Fassungen des Argonautenmythos auf. Die vorliegende Monographie untersucht, welche Bedeutungshorizonte die Vermischung von Eroberungsfahrt und Bürgerkrieg, die Zeichnung von Herrschern und Tyrannen und die beunruhigende Darstellung der Götter in diesem Epos im ursprünglichen Rezeptionskontext entfalten konnten. Die vorgeschlagenen Interpretationen erweisen die Argonautica als Gedicht, das eine positive Bewertung der Herrschaft Vespasians nahelegt, aber in ambivalenter Weise offenlässt, ob das flavische Rom eher einer unbegrenzten Friedenszeit oder einem weiteren Bürgerkrieg entgegensteuert.
Written in the aftermath of Nero’s downfall, the Year of the Four Emperors and the rise of Vespasian, Valerius Flaccus’ Argonautica departs significantly from earlier treatments of the Argonautic myth. This monograph explores how the epic’s fusion of foreign conquest with civil war, its depiction of rulers and tyrants, and its disconcerting portrayal of the gods may have resonated with its contemporary audience. The proposed readings suggest that the poem reflects approval of Vespasian’s rule, yet ambiguously leaves open the question of whether the future of Flavian Rome will hold everlasting peace or another civil war.
Written in the aftermath of Nero’s downfall, the Year of the Four Emperors and the rise of Vespasian, Valerius Flaccus’ Argonautica departs significantly from earlier treatments of the Argonautic myth. This monograph explores how the epic’s fusion of foreign conquest with civil war, its depiction of rulers and tyrants, and its disconcerting portrayal of the gods may have resonated with its contemporary audience. The proposed readings suggest that the poem reflects approval of Vespasian’s rule, yet ambiguously leaves open the question of whether the future of Flavian Rome will hold everlasting peace or another civil war.
Zur zeithistorischen Perspektivierung des Mythos in den Argonautica
Die nach dem Untergang Neros, dem Vierkaiserjahr und dem Aufstieg Vespasians entstandenen Argonautica des Valerius Flaccus weisen bedeutsame Unterschiede zu früheren Fassungen des Argonautenmythos auf. Die vorliegende Monographie untersucht, welche Bedeutungshorizonte die Vermischung von Eroberungsfahrt und Bürgerkrieg, die Zeichnung von Herrschern und Tyrannen und die beunruhigende Darstellung der Götter in diesem Epos im ursprünglichen Rezeptionskontext entfalten konnten. Die vorgeschlagenen Interpretationen erweisen die Argonautica als Gedicht, das eine positive Bewertung der Herrschaft Vespasians nahelegt, aber in ambivalenter Weise offenlässt, ob das flavische Rom eher einer unbegrenzten Friedenszeit oder einem weiteren Bürgerkrieg entgegensteuert.
Written in the aftermath of Nero’s downfall, the Year of the Four Emperors and the rise of Vespasian, Valerius Flaccus’ Argonautica departs significantly from earlier treatments of the Argonautic myth. This monograph explores how the epic’s fusion of foreign conquest with civil war, its depiction of rulers and tyrants, and its disconcerting portrayal of the gods may have resonated with its contemporary audience. The proposed readings suggest that the poem reflects approval of Vespasian’s rule, yet ambiguously leaves open the question of whether the future of Flavian Rome will hold everlasting peace or another civil war.
Written in the aftermath of Nero’s downfall, the Year of the Four Emperors and the rise of Vespasian, Valerius Flaccus’ Argonautica departs significantly from earlier treatments of the Argonautic myth. This monograph explores how the epic’s fusion of foreign conquest with civil war, its depiction of rulers and tyrants, and its disconcerting portrayal of the gods may have resonated with its contemporary audience. The proposed readings suggest that the poem reflects approval of Vespasian’s rule, yet ambiguously leaves open the question of whether the future of Flavian Rome will hold everlasting peace or another civil war.
Religious Innovation and the Imperial Family
Ovid’s Fasti offers multifocal views of Augustan religion to convey ambivalences, inconsistencies and paradoxes in the imperial family’s religious agenda. Darja Šterbenc Erker explores Ovid's irreverent and ambiguous presentations of calendrical aeitiologies, deifications and imperial gods that humorously call to mind Arachne’s tapestry depicting faulty gods and that stand in sharp contrast to the poet’s more serious discussions of the values he cherishes, such as freedom and poetic immortality. Especially in the exilic revisions of the poem, Ovid emphasises the motif of bestowing divine honours upon mortals through poetry. For him, the stars in the heavens do not represent deified statesmen but immortal authors.
Religious Innovation and the Imperial Family
Ovid’s Fasti offers multifocal views of Augustan religion to convey ambivalences, inconsistencies and paradoxes in the imperial family’s religious agenda. Darja Šterbenc Erker explores Ovid's irreverent and ambiguous presentations of calendrical aeitiologies, deifications and imperial gods that humorously call to mind Arachne’s tapestry depicting faulty gods and that stand in sharp contrast to the poet’s more serious discussions of the values he cherishes, such as freedom and poetic immortality. Especially in the exilic revisions of the poem, Ovid emphasises the motif of bestowing divine honours upon mortals through poetry. For him, the stars in the heavens do not represent deified statesmen but immortal authors.
Apuleius’ Golden Ass and the Lucianic Loukios, or the Ass depend on and play with readers’ familiarity with the clear patterns of Greek and Roman stories of metamorphosis. The formulaic nature of these stories suggests that the appearance of a god at the end of the Golden Ass is unsurprising and that the end of the Loukios is more innovative. This context also sheds new light on the function of the Cupid and Psyche story, the meaning of these works’ titles, and the lost Metamorphoseis on which they are both based and of which the Golden Ass is a translation.
Apuleius’ Golden Ass and the Lucianic Loukios, or the Ass depend on and play with readers’ familiarity with the clear patterns of Greek and Roman stories of metamorphosis. The formulaic nature of these stories suggests that the appearance of a god at the end of the Golden Ass is unsurprising and that the end of the Loukios is more innovative. This context also sheds new light on the function of the Cupid and Psyche story, the meaning of these works’ titles, and the lost Metamorphoseis on which they are both based and of which the Golden Ass is a translation.
This volume contains the first edition of 66 papyri and ostraca in the collection of the Leiden Papyrological Institute. The texts are dated between the third century BCE and the eighth century CE and originate from Egypt. They include two Demotic literary papyri (one of which is written in Hieratic script), 19 Demotic ostraca, 44 Greek documentary papyri and one Coptic ostracon. All texts are published with transcription, translation, commentary and colour photographs.
This volume contains the first edition of 66 papyri and ostraca in the collection of the Leiden Papyrological Institute. The texts are dated between the third century BCE and the eighth century CE and originate from Egypt. They include two Demotic literary papyri (one of which is written in Hieratic script), 19 Demotic ostraca, 44 Greek documentary papyri and one Coptic ostracon. All texts are published with transcription, translation, commentary and colour photographs.
A New Approach to De facie quae in orbe lunae apparet
In Plutarch’s Moon Luisa Lesage Gárriga offers a new approach on Plutarch’s views on cosmos, the afterlife and salvation, focusing on one of his most fascinating treatises. Dealing with the nature and function of the moon from multiple perspectives, this treatise offers a comprehensive overview of scientific knowledge and religious-philosophical thought from the first centuries CE. Yet, up until now no single scholar has attempted an integral approach to its various and complementary perspectives, generally focusing on a specific aspect, as if they were unrelated. By means of this study, the author shows that De facie is a literary creation that reflects and conveys a coherent worldview, finally providing a solid and overarching understanding of the treatise.
A New Approach to De facie quae in orbe lunae apparet
In Plutarch’s Moon Luisa Lesage Gárriga offers a new approach on Plutarch’s views on cosmos, the afterlife and salvation, focusing on one of his most fascinating treatises. Dealing with the nature and function of the moon from multiple perspectives, this treatise offers a comprehensive overview of scientific knowledge and religious-philosophical thought from the first centuries CE. Yet, up until now no single scholar has attempted an integral approach to its various and complementary perspectives, generally focusing on a specific aspect, as if they were unrelated. By means of this study, the author shows that De facie is a literary creation that reflects and conveys a coherent worldview, finally providing a solid and overarching understanding of the treatise.
from the Middle Bronze Age to the Crusader Period
In this volume, Aaron Brody and Michal Artzy offer the first in-depth analysis from excavations at Tel Akko. The most prominent harbor city on the northern coast of the southern Levant, the city was a nexus between the sea routes of the eastern Mediterranean and the overland networks of its hinterland.
Stratigraphy, architecture, and material culture from the site’s Area H are presented, along with studies by Jennie Ebeling, Jeffrey Rose, and Edward Maher on stone artifacts and animal bones from burials. The volume presents Middle Bronze IIA rampart materials and MB IIB-IIC burials; transitional end of Late Bronze-beginning of Iron I finds; and southern Phoenician ceramics.
The Studies in the Archaeology and History of the Levant series publishes volumes from the Harvard Museum of the Ancient Near East. Other series offered by Brill that publish volumes from the Museum include Harvard Semitic Studies and Harvard Semitic Monographs, https://semiticmuseum.fas.harvard.edu/publications.
Stratigraphy, architecture, and material culture from the site’s Area H are presented, along with studies by Jennie Ebeling, Jeffrey Rose, and Edward Maher on stone artifacts and animal bones from burials. The volume presents Middle Bronze IIA rampart materials and MB IIB-IIC burials; transitional end of Late Bronze-beginning of Iron I finds; and southern Phoenician ceramics.
The Studies in the Archaeology and History of the Levant series publishes volumes from the Harvard Museum of the Ancient Near East. Other series offered by Brill that publish volumes from the Museum include Harvard Semitic Studies and Harvard Semitic Monographs, https://semiticmuseum.fas.harvard.edu/publications.
from the Middle Bronze Age to the Crusader Period
In this volume, Aaron Brody and Michal Artzy offer the first in-depth analysis from excavations at Tel Akko. The most prominent harbor city on the northern coast of the southern Levant, the city was a nexus between the sea routes of the eastern Mediterranean and the overland networks of its hinterland.
Stratigraphy, architecture, and material culture from the site’s Area H are presented, along with studies by Jennie Ebeling, Jeffrey Rose, and Edward Maher on stone artifacts and animal bones from burials. The volume presents Middle Bronze IIA rampart materials and MB IIB-IIC burials; transitional end of Late Bronze-beginning of Iron I finds; and southern Phoenician ceramics.
The Studies in the Archaeology and History of the Levant series publishes volumes from the Harvard Museum of the Ancient Near East. Other series offered by Brill that publish volumes from the Museum include Harvard Semitic Studies and Harvard Semitic Monographs, https://semiticmuseum.fas.harvard.edu/publications.
Stratigraphy, architecture, and material culture from the site’s Area H are presented, along with studies by Jennie Ebeling, Jeffrey Rose, and Edward Maher on stone artifacts and animal bones from burials. The volume presents Middle Bronze IIA rampart materials and MB IIB-IIC burials; transitional end of Late Bronze-beginning of Iron I finds; and southern Phoenician ceramics.
The Studies in the Archaeology and History of the Levant series publishes volumes from the Harvard Museum of the Ancient Near East. Other series offered by Brill that publish volumes from the Museum include Harvard Semitic Studies and Harvard Semitic Monographs, https://semiticmuseum.fas.harvard.edu/publications.
Editor:
Brill Research Perspectives in Classical Poetry (RPCPS) is a peer-reviewed book series presenting review volumes with commentary on the current state of the field of Classical Poetry. Volumes provide synthetic reviews of Classical Poetry that reflect the latest research in the field. They cover periods, genres and authors from Homer through Late Antiquity. Authors combine historical, formal, and theoretical analysis, and they present extensive bibliographies of relevant scholarship. In containing both broad overviews of subject areas and detailed advanced criticism, volumes are designed to be useful to scholars, teachers, and students alike.