This collection includes seven essays translated from the leading Chinese-language journal
Open Times. Bringing together a wide range of leading experts across several disciplines, this book offers critical insights on some of the most important questions of contemporary urban Chinese politics and society. Drawing on extensive research across different localities and issues in China, the chapters offer rich data and fresh analyses of the shifting contours of urban governance, social mobilization and contention, and mechanisms of social control in the new Millennium. Taken together, this collection represents the most comprehensive look in some years at how urban Chinese political institutions have adapted and responded to challenges and how social actors and groups have mobilized to press for redress of substantial new grievances.
History of Korean Modern Retailing Jong-Hyun Yi shows how the Korean retail industry has developed since the 1970s, focusing on the relationship among government, consumers and retail companies, especially the department store. While generally it is said that underdevelopment of the Korean retail industry in the 1970s was attributed to economic immaturity, he argues it was artificially formed by strong consumption repression by the government. He also examines how consumption repression contributed to economic growth. Such initial condition in developmental period is a crucial factor to explain other distinctions like explosive growth and remarkably short heyday of the department store afterward.
With this, Jong-Hyun Yi traces the correlation between economic growth and stratification of the consumption since the 1970s. He proves that equality or inequality of consumption is a more influential factor for economic growth than that of income.
Forgotten People deals with people living at the fringes of the Indonesian society. It describes and analyses their livelihoods and styles of making a living from an insider perspective. While Indonesia has experienced steady economic growth for more than a decade, the livelihoods and lifestyles of poor people and migrants confronted with poverty and insecurity have received less attention. This book describes and analyses diversity in livelihood strategies, risk-taking and local forms of social security (social welfare) of people living below or close to the Indonesian poverty line. It puts two categories of forgotten people at the centre. Peasants, living in remote areas in rural Java, and Madurese migrants craving for a better life in urban and rural East Kalimantan.
What is China's rightful place on the world stage? Will the world remain unipolar as signs of American decline appear to be mounting? How can China maintain a harmonious relationship with its neighbors? What does China intend to do with the new power and influence that appears to be at its disposal? In light of emergent post-2008 economic realities, how should China adjust its foreign economic relations? This volume, the first of its kind, gathers a collection of translations of influential essays, talks, and papers on Chinese foreign policy, national security, and foreign economic relations written by Chinese elites. Many papers have also served as propositions for policy prescriptions to China's leaders, the vast majority of which have to date only been available in Chinese.
Visual Political Communication in Popular Chinese Television Series has been granted the
EastAsiaNet 2014 Award!
Visual Political Communication in Popular Chinese Television Series, Florian Schneider analyses political discourses in Chinese TV dramas, the most popular entertainment format in China today. Schneider shows that despite their often nationalistic stories of glorious emperors and courageous officials, such programmes should not be mistaken for official propaganda. Instead, the highly didactical messages of such series are the outcome of complex cultural governance practices, which are influenced by diffuse political interests, commercial considerations, viewing habits, and ideological assumptions. Schneider argues that these interlinking factors lead to a highly restrictive creative environment and to conservative entertainment content that ultimately risks creating precisely the kind of passive masses that Chinese media workers and government officials are trying so hard to emancipate.