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Editor: William Hurst
This collection includes seven essays translated from the leading Chinese-language journal Open Times. Bringing together a wide range of leading experts across several disciplines, this book offers critical insights on some of the most important questions of contemporary urban Chinese politics and society. Drawing on extensive research across different localities and issues in China, the chapters offer rich data and fresh analyses of the shifting contours of urban governance, social mobilization and contention, and mechanisms of social control in the new Millennium. Taken together, this collection represents the most comprehensive look in some years at how urban Chinese political institutions have adapted and responded to challenges and how social actors and groups have mobilized to press for redress of substantial new grievances.
Balance, Imbalance and Rebalance
Editor: SHAO Binhong
What is China's rightful place on the world stage? Will the world remain unipolar as signs of American decline appear to be mounting? How can China maintain a harmonious relationship with its neighbors? What does China intend to do with the new power and influence that appears to be at its disposal? In light of emergent post-2008 economic realities, how should China adjust its foreign economic relations? This volume, the first of its kind, gathers a collection of translations of influential essays, talks, and papers on Chinese foreign policy, national security, and foreign economic relations written by Chinese elites. Many papers have also served as propositions for policy prescriptions to China's leaders, the vast majority of which have to date only been available in Chinese.
Visual Political Communication in Popular Chinese Television Series has been granted the EastAsiaNet 2014 Award!

In Visual Political Communication in Popular Chinese Television Series, Florian Schneider analyses political discourses in Chinese TV dramas, the most popular entertainment format in China today. Schneider shows that despite their often nationalistic stories of glorious emperors and courageous officials, such programmes should not be mistaken for official propaganda. Instead, the highly didactical messages of such series are the outcome of complex cultural governance practices, which are influenced by diffuse political interests, commercial considerations, viewing habits, and ideological assumptions. Schneider argues that these interlinking factors lead to a highly restrictive creative environment and to conservative entertainment content that ultimately risks creating precisely the kind of passive masses that Chinese media workers and government officials are trying so hard to emancipate.