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Editor: Dragos Calma
Reading Proclus and the Book of Causes, published in three volumes, is a fresh, comprehensive understanding of the history of Neoplatonism from the 9th to the 16th century. This third volume gathers contributions on key concepts of the Platonic tradition (Proclus, Plotinus, Porphyry or Sallustius) inherited and reinterpreted by Arabic (e.g. Avicenna, the Book of Causes), Byzantine (e.g. Maximus the Confessor, Ioane Petritsi) and Latin authors (e.g. Albert the Great, Thomas Aquinas, Berthold of Moosburg, Marsilio Ficino etc.). Two major themes are presently studied: causality (in respect to the One, the henads, the self-constituted substances and the first being) and the noetic triad (being-life-intellect).
An Iconological Analysis of the Relationships between Art, Science and Power
In Early Modern Thesis Prints in the Southern Netherlands, Gwendoline de Mûelenaere offers an account of the practice of producing illustrated thesis prints in the seventeenth-century Southern Low Countries. She argues that the evolution of the thesis print genre gave rise to the creation of a specific visual language combining efficiently various figurative registers of a historical and symbolic nature. The book offers a reflection on the representation of knowledge and its public recognition in the context of academic defenses.

Early Modern Thesis Prints makes a timely contribution to our understanding of early modern print culture and more specifically to the expanding field of study concerned with the role of visual materials in early modern thought.
Studies in Book History, the Classical Tradition, and Humanism in Honor of Craig Kallendorf
Habent sua fata libelli honors the work of Craig Kallendorf, offering studies in several fields in which he chiefly distinguished himself: the history of the book and reading, the classical tradition and reception studies, Renaissance humanism, and Virgilian scholarship with a special focus on the creative transformation of the Aeneid through the centuries. The volume is rounded out by an appreciation of Craig Kallendorf, including a review of his scholarship and its significance.

In addition to the topics mentioned above, the volume’s twenty-five contributions are of relevance to those working in the fields of classical philology, Neo-Latin, political philosophy, poetry and poetics, printing and print culture, Romance languages, art history, translation studies, and Renaissance and early modern Europe generally.

Contributors: Alessandro Barchiesi, Susanna Braund, Hélène Casanova-Robin, Jean-Louis Charlet, Federica Ciccolella, Ingrid De Smet, Margaret Ezell, Edoardo Fumagalli, Julia Gaisser, Lucia Gualdo Rosa, James Hankins, Andrew Laird, Marc Laureys, John Monfasani, Timothy Moore, Colette Nativel, Marianne Pade, Lisa Pon, Wayne Rebhorn, Alden Smith, Sarah Spence, Fabio Stok, Richard Thomas, and Marino Zorzi.
This book provides a new perspective on book history by exploring communities created by the production and consumption of printed material. Essays by leading scholars explore the connections between writers, printers, booksellers and readers and examine changes and continuities across the period 1500 to 1800. As well as investigating the networks behind the production and dissemination of printed material, this collection examines the ways in which readers consumed, used and shared their printed texts. By focusing on the materiality of early modern texts, contributors to this volume offer new interpretations of the history of reading, the book trade, and the book as an object in early modern Europe.
In the early modern Iberian book world, as in the European book world more broadly, most works issuing from the presses contained some form of ornamentation. The nineteen contributions presented here cast light on these visual elements—on the production and ownership of printers’ materials, and on the frequency with which these materials were exchanged and shared. A third of all items printed in the early modern Iberian world carried no imprint at all; for these items, woodblocks and engravings can assist scholars seeking to identify their place of origin or their date of publication. As importantly, decoration and illustration in early print can also reveal much about the history of the graphic arts and evolving forms of cultural representation.
Maps and Territory-Building in the Northern Indochinese Peninsula (1885-1914)
Author: Marie de Rugy
Translator: Saskia Brown
This book presents a connected history of South-East Asian borderlands, drawing on late nineteenth-century British and French geographical policies and practice. It focuses on the ‘scramble’ in Asia, when, in 1885, the British Raj incorporated Upper Burma and the French created a Protectorate in Annam-Tonkin, the Northern part of present-day Vietnam. Fought over by the imperial states and neighbouring nations, the frontier zones were fashioned and represented not only by the two European powers, but also by the Chinese Empire, the Kingdom of Siam, and the local populations. The counterpoint between the discourses produced and the cartographical practices on the ground, in the longue durée, reveals the interacting processes of territory-building in all their unpredictability.
This book is the updated version of the author’s Aux confins des empires. Cartes et constructions territoriales dans le nord de la péninsule indochinoise (1885–1914) (Paris: Éditions de la Sorbonne, 2018). It is translated by Saskia Brown, an experienced academic translator from French in the humanities and social sciences.
Author: Drew B. Thomas
Of the leading print centres in early modern Europe, Wittenberg was the only one that was not a major centre of trade, politics, or culture. This monograph examines the rise of the Wittenberg printing industry and analyses how it overtook the Empire’s leading print centres. It investigates the workshops of the four leading printers in Wittenberg during Luther’s lifetime: Nickel Schirlentz, Josef Klug, Hans Lufft, and Georg Rhau. Together, these printers conquered the German print world.