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Fish, Justice, and Society is an in-depth look into the fishing industry, fish, and aquatic environments. This book delves past the façade of what may be known by the average fisherman, bringing to the surface new information about numerous species and aquatic habitats. It is the most comprehensive book on the subject of fish, law, and human behavior. It is a standalone work, but complements Cusack’s
Fish in the Bible (2017). It is a treatise on the subject of animal law while also serving the common fisherman information on compliance issues.
Series:
Human-Animal Studies, Volume: 19
Fish, Justice, and Society is an in-depth look into the fishing industry, fish, and aquatic environments. This book delves past the façade of what may be known by the average fisherman, bringing to the surface new information about numerous species and aquatic habitats. It is the most comprehensive book on the subject of fish, law, and human behavior. It is a standalone work, but complements Cusack’s
Fish in the Bible (2017). It is a treatise on the subject of animal law while also serving the common fisherman information on compliance issues.
Editor:
Annie Potts
The analysis of meat and its place in Western culture has been central to Human-Animal Studies as a field. It is even more urgent now as global meat and dairy production are projected to rise dramatically by 2050. While the term ‘carnism’ denotes the invisible belief system (or ideology) that naturalizes and normalizes meat consumption, in this volume we focus on ‘meat culture’, which refers to all the tangible and practical forms through which carnist ideology is expressed and lived. Featuring new work from leading Australasian, European and North American scholars,
Meat Culture, edited by Annie Potts, interrogates the representations and discourses, practices and behaviours, diets and tastes that generate shared beliefs about, perspectives on and experiences of meat in the 21st century.
Series:
Human-Animal Studies, Volume: 17
Editor:
Annie Potts
The analysis of meat and its place in Western culture has been central to Human-Animal Studies as a field. It is even more urgent now as global meat and dairy production are projected to rise dramatically by 2050. While the term ‘carnism’ denotes the invisible belief system (or ideology) that naturalizes and normalizes meat consumption, in this volume we focus on ‘meat culture’, which refers to all the tangible and practical forms through which carnist ideology is expressed and lived. Featuring new work from leading Australasian, European and North American scholars,
Meat Culture, edited by Annie Potts, interrogates the representations and discourses, practices and behaviours, diets and tastes that generate shared beliefs about, perspectives on and experiences of meat in the 21st century.
A decade and a half ago John Bellamy Foster and Paul Burkett introduced a new, revolutionary understanding of the ecological foundations of Marx’s thought, demonstrating that Marx’s concepts of the universal metabolism of nature, social metabolism, and metabolic rift prefigured much of modern systems ecology. Ecological relations were shown to be central to Marx’s critique of capitalism, including his value analysis. Now in
Marx and the Earth Foster and Burkett expand on this analysis in the process of responding to recent ecosocialist criticisms of Marx. The result is a full-fledged
anti-critique—pointing to the crucial roles that dialectics, open-system thermodynamics, intrinsic value, and aesthetic understandings played in the original Marxian critique, holding out the possibility of a new red-green synthesis.
An Anti-Critique
A decade and a half ago John Bellamy Foster and Paul Burkett introduced a new, revolutionary understanding of the ecological foundations of Marx’s thought, demonstrating that Marx’s concepts of the universal metabolism of nature, social metabolism, and metabolic rift prefigured much of modern systems ecology. Ecological relations were shown to be central to Marx’s critique of capitalism, including his value analysis. Now in
Marx and the Earth Foster and Burkett expand on this analysis in the process of responding to recent ecosocialist criticisms of Marx. The result is a full-fledged
anti-critique—pointing to the crucial roles that dialectics, open-system thermodynamics, intrinsic value, and aesthetic understandings played in the original Marxian critique, holding out the possibility of a new red-green synthesis.
Ecocriticism and the Event of Postcolonial Fiction
This book addresses the role and potential of literature in the process of contesting and re-evaluating concepts of nature and animality, describing one’s individual environment as the starting point for such negotiations. It employs the notion of the ‘literary event’ to discuss the specific literary quality of verbal art conceptualised as
EnvironMentality.
EnvironMentality is grounded on the understanding that fiction does not explain or second scientific and philosophical notions but that it poses a fundamental challenge to any form of knowledge manifesting in processes determined by the human capacity to think beyond a given hermeneutic situation. Bartosch foregrounds the dialectics of understanding the other by means of literary interpretation in ecocritical readings of novels by Amitav Ghosh, Zakes Mda, Yann Martel, Margaret Atwood and J.M. Coetzee, arguing that
EnvironMentality helps us as readers of fiction to learn from the books we read that which can only be learned by means of reading: to “think like a mountain” (Aldo Leopold) and to know “what it is like to be a bat” (Thomas Nagel).
Ecocriticism and the Event of Postcolonial Fiction
This book addresses the role and potential of literature in the process of contesting and re-evaluating concepts of nature and animality, describing one’s individual environment as the starting point for such negotiations. It employs the notion of the ‘literary event’ to discuss the specific literary quality of verbal art conceptualised as
EnvironMentality.
EnvironMentality is grounded on the understanding that fiction does not explain or second scientific and philosophical notions but that it poses a fundamental challenge to any form of knowledge manifesting in processes determined by the human capacity to think beyond a given hermeneutic situation. Bartosch foregrounds the dialectics of understanding the other by means of literary interpretation in ecocritical readings of novels by Amitav Ghosh, Zakes Mda, Yann Martel, Margaret Atwood and J.M. Coetzee, arguing that
EnvironMentality helps us as readers of fiction to learn from the books we read that which can only be learned by means of reading: to “think like a mountain” (Aldo Leopold) and to know “what it is like to be a bat” (Thomas Nagel).
Literature as cultural discourse has always courted mobility. From the nomadic wanderings of the heroes of Homer and Virgil through the adventures of the medieval knight-errants to the travellers of modern times, movement and mobility have been constitutive elements of story-telling. Since writers have begun to explore the experiential dimension of movement their texts have embraced the essential changeability and instability of ‘mobile worlds’. In this sense literature reflects and processes the transformative force of movement on the perception of the world and is part of the broader cultural discourses of mobility.
From the 1936 film Night Mail to the rapid movements of the dime novel detective and the metaphorical coding of automobility in Futurist poetry, the essays in this volume offer new perspectives on the phenomenon of mobility at the intersection between the literary imagination and cultural experience. They explore movement as a decisive force of change in the history of modernity and show how literature in its representation of mobility simultaneously aims both to mirror and to grasp the phenomenon.
From the 1936 film Night Mail to the rapid movements of the dime novel detective and the metaphorical coding of automobility in Futurist poetry, the essays in this volume offer new perspectives on the phenomenon of mobility at the intersection between the literary imagination and cultural experience. They explore movement as a decisive force of change in the history of modernity and show how literature in its representation of mobility simultaneously aims both to mirror and to grasp the phenomenon.
Series:
Spatial Practices, Volume: 17
Literature as cultural discourse has always courted mobility. From the nomadic wanderings of the heroes of Homer and Virgil through the adventures of the medieval knight-errants to the travellers of modern times, movement and mobility have been constitutive elements of story-telling. Since writers have begun to explore the experiential dimension of movement their texts have embraced the essential changeability and instability of ‘mobile worlds’. In this sense literature reflects and processes the transformative force of movement on the perception of the world and is part of the broader cultural discourses of mobility.
From the 1936 film Night Mail to the rapid movements of the dime novel detective and the metaphorical coding of automobility in Futurist poetry, the essays in this volume offer new perspectives on the phenomenon of mobility at the intersection between the literary imagination and cultural experience. They explore movement as a decisive force of change in the history of modernity and show how literature in its representation of mobility simultaneously aims both to mirror and to grasp the phenomenon.
From the 1936 film Night Mail to the rapid movements of the dime novel detective and the metaphorical coding of automobility in Futurist poetry, the essays in this volume offer new perspectives on the phenomenon of mobility at the intersection between the literary imagination and cultural experience. They explore movement as a decisive force of change in the history of modernity and show how literature in its representation of mobility simultaneously aims both to mirror and to grasp the phenomenon.
By employing the modernist devices of fragmentation, recombination, and accentuated blank space, E. E. Cummings engages singularly with being on earth. This ecological achievement was largely ignored by the New Critics, and the subsequent semiotic spirit which has been holding that the sign hardly has to do with concrete existence on earth ironically perpetuated the neglect. In this book Etienne Terblanche shows that Cummings’s ecology relocates his
oeuvre and status in contemporary discourse. For, the poet follows, mimes, and connects with the unfolding changes of earthly existence and growth—what he views as the ‘Tao’ of being—in his lyricism, sex poems, satire, and visual-verbal poems. This is true especially of the elusive manner or ‘how’ of his poetry overall. Careful ecocritical reading of this active culture-nature integrity in his poetry brings about an imperative new understanding and placement of his project. It further serves to show that, in their different ways, T. S. Eliot and Ezra Pound engage with nature in a similar way, thus again accentuating the importance of Cummings’s poetic project to the neglected and vital ecocritical perception of modernism in poetry.
By employing the modernist devices of fragmentation, recombination, and accentuated blank space, E. E. Cummings engages singularly with being on earth. This ecological achievement was largely ignored by the New Critics, and the subsequent semiotic spirit which has been holding that the sign hardly has to do with concrete existence on earth ironically perpetuated the neglect. In this book Etienne Terblanche shows that Cummings’s ecology relocates his
oeuvre and status in contemporary discourse. For, the poet follows, mimes, and connects with the unfolding changes of earthly existence and growth—what he views as the ‘Tao’ of being—in his lyricism, sex poems, satire, and visual-verbal poems. This is true especially of the elusive manner or ‘how’ of his poetry overall. Careful ecocritical reading of this active culture-nature integrity in his poetry brings about an imperative new understanding and placement of his project. It further serves to show that, in their different ways, T. S. Eliot and Ezra Pound engage with nature in a similar way, thus again accentuating the importance of Cummings’s poetic project to the neglected and vital ecocritical perception of modernism in poetry.
This collection of essays aims to investigate the complex issues surrounding contemporary cultural discourses on land and identity – their production, construction, and reconstruction across a range of different texts and materials. The chapters offer disciplinary and trans-disciplinary approaches opening up discussion and new routes for research in a number of interrelated areas such as Countryside vs. City, Diaspora, Landscapes of Memory and Trauma, Migrational Spaces, and Ecology. They represent a number of innovative contemporary responses to how concepts of land intersect and dialogue with notions of identity across and between regions, nations, races, and cultures. Through employing interdisciplinary methods and theories drawn from diverse sources, such as cultural studies, spatial theory, philosophy and literary theory, the chapters chart varied and complex themes of identity formation in relation to spatiality.
Theory, Memory, and Practice
Series:
Spatial Practices, Volume: 13
This collection of essays aims to investigate the complex issues surrounding contemporary cultural discourses on land and identity – their production, construction, and reconstruction across a range of different texts and materials. The chapters offer disciplinary and trans-disciplinary approaches opening up discussion and new routes for research in a number of interrelated areas such as Countryside vs. City, Diaspora, Landscapes of Memory and Trauma, Migrational Spaces, and Ecology. They represent a number of innovative contemporary responses to how concepts of land intersect and dialogue with notions of identity across and between regions, nations, races, and cultures. Through employing interdisciplinary methods and theories drawn from diverse sources, such as cultural studies, spatial theory, philosophy and literary theory, the chapters chart varied and complex themes of identity formation in relation to spatiality.
A Psychoanalysis of a Provincial Mexican City
This book psychoanalyzes a small Mexican city to figure out how the city makes sense of both herself and her many Others in the face of constant change. It puts the city on the couch and works through her past and present relationships, analyzing issues surrounding sexuality, the compulsion to repeat, transferences and desires.
A Psychoanalysis of a Provincial Mexican City
This book psychoanalyzes a small Mexican city to figure out how the city makes sense of both herself and her many Others in the face of constant change. It puts the city on the couch and works through her past and present relationships, analyzing issues surrounding sexuality, the compulsion to repeat, transferences and desires.
Travelling is the art of motion, motion results in moments of human encountering, and such moments manifest themselves in unsettling linguistic repercussions and crises of meaning. Places of arrival also function as inscriptions of such meaningful repercussions, inscriptions of the past crossing the present, of the other crossing the self. The contributions in this book explore places, rituals, texts and scriptures as religious or secular inscriptions – “topographies” – of such “arrivals.”
Each arrival happens, and its very place manifests itself only as a momentous component of the process itself. Arrival is an event of conclusion as well as of urgency for subsequent explorations of new meanings to be read from the topography of the place, mirroring thus a signifying dynamic for the metamorphosis of the traveller’s self: “ topodynamic” of arrival. In this vein this book investigates for the first time the dynamic of cultural formations of space, an aspect of spatiality which since the “spatial turn” in cultural discourse has mostly been neglected.
Each arrival happens, and its very place manifests itself only as a momentous component of the process itself. Arrival is an event of conclusion as well as of urgency for subsequent explorations of new meanings to be read from the topography of the place, mirroring thus a signifying dynamic for the metamorphosis of the traveller’s self: “ topodynamic” of arrival. In this vein this book investigates for the first time the dynamic of cultural formations of space, an aspect of spatiality which since the “spatial turn” in cultural discourse has mostly been neglected.
Essays on Self and Pilgrimage
Series:
Spatial Practices, Volume: 14
Travelling is the art of motion, motion results in moments of human encountering, and such moments manifest themselves in unsettling linguistic repercussions and crises of meaning. Places of arrival also function as inscriptions of such meaningful repercussions, inscriptions of the past crossing the present, of the other crossing the self. The contributions in this book explore places, rituals, texts and scriptures as religious or secular inscriptions – “topographies” – of such “arrivals.”
Each arrival happens, and its very place manifests itself only as a momentous component of the process itself. Arrival is an event of conclusion as well as of urgency for subsequent explorations of new meanings to be read from the topography of the place, mirroring thus a signifying dynamic for the metamorphosis of the traveller’s self: “ topodynamic” of arrival. In this vein this book investigates for the first time the dynamic of cultural formations of space, an aspect of spatiality which since the “spatial turn” in cultural discourse has mostly been neglected.
Each arrival happens, and its very place manifests itself only as a momentous component of the process itself. Arrival is an event of conclusion as well as of urgency for subsequent explorations of new meanings to be read from the topography of the place, mirroring thus a signifying dynamic for the metamorphosis of the traveller’s self: “ topodynamic” of arrival. In this vein this book investigates for the first time the dynamic of cultural formations of space, an aspect of spatiality which since the “spatial turn” in cultural discourse has mostly been neglected.
Cities, Spaces, and Archaeologies of the Future in William Gibson
Series:
Spatial Practices, Volume: 12
No Maps for These Territories offers an archaeology of seemingly tried and trusted concepts: cartography, architecture, urban space. While rethinking Michel Foucault’s theories, Karin Hoepker reconstructs the cartographic
dispositives of spatial order. The futuristic fictional cityscapes of science fiction writer William Gibson are the touchstone for this epistemological analysis and typology of spatial formations. In seven probing chapters that focus on architectural blueprints, forms of inhabitation,
Wunderkammern, and economic formations of retail, consumption, and entertainment such as shopping malls, amusement parks, and gambling meccas, Hoepker investigates a set of exemplary phenomena crucial to the fields of architecture, geography, philosophy, cartography, history of science, literary studies, and the arts.
No Maps for These Territories thus offers close readings of fictional, philosophical, and theoretical texts, and examines instructive examples of the workings of spatial production. In a form of contrastive writing, the monograph sheds critical light on theoretical and fictional texts equally.
Cities, Spaces, and Archaeologies of the Future in William Gibson
Series:
Spatial Practices, Volume: 12
No Maps for These Territories offers an archaeology of seemingly tried and trusted concepts: cartography, architecture, urban space. While rethinking Michel Foucault’s theories, Karin Hoepker reconstructs the cartographic
dispositives of spatial order. The futuristic fictional cityscapes of science fiction writer William Gibson are the touchstone for this epistemological analysis and typology of spatial formations. In seven probing chapters that focus on architectural blueprints, forms of inhabitation,
Wunderkammern, and economic formations of retail, consumption, and entertainment such as shopping malls, amusement parks, and gambling meccas, Hoepker investigates a set of exemplary phenomena crucial to the fields of architecture, geography, philosophy, cartography, history of science, literary studies, and the arts.
No Maps for These Territories thus offers close readings of fictional, philosophical, and theoretical texts, and examines instructive examples of the workings of spatial production. In a form of contrastive writing, the monograph sheds critical light on theoretical and fictional texts equally.