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Klabund: Sämtliche Werke, Band III: Dramen, Dritter Teil

Cromwell, Johann Fust, Der Fächer (Libretto)

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Edited by Hans-Gert Roloff

This text edition is the third part on drama in the Klabund - Complete Works series. The series deals with the works of German author Klabund (1890, Poland -1928, Switzerland). This volume, focuses on Cromwell, Johann Fust, and Der Fächer (Libretto). It forms an indispensable basis for any further involvement with the author and his plays.
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Edited by Sarah Joan Moran and Amanda C. Pipkin

Women and Gender in the Early Modern Low Countries, 1500-1750 brings together research on women and gender across the Low Countries, a culturally contiguous region that was split by the Eighty Years War into the Protestant Dutch Republic in the North and the Spanish-controlled, Catholic Hapsburg Netherlands in the South.
The authors of this interdisciplinary volume highlight women’s experiences of social class, as family members, before the law, and as authors, artists, and patrons, as well as the workings of gender in art and literature. In studies ranging from microhistories to surveys, the book reveals the Low Countries as a remarkable historical laboratory for its topic and points to the opportunities the region holds for future scholarly investigations.

Contributors include: Martine van Elk, Martha Howell, Martha Moffitt Peacock, Sarah Joan Moran, Amanda Pipkin, Katlijne van der Stighelen, Margit Thøfner, Diane Wolfthal
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"Was deutsch und echt..."

Richard Wagner and the Articulation of a German Opera, 1798-1876

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Kasper Bastiaan van Kooten

By examining theoretical debates about the nature of nineteenth-century German opera and analyzing the genre’s development and its international dissemination, this book shows German opera’s entanglement with national identity formation. The thorough study of German opera debates in the first half of the nineteenth century highlights the esthetic and ideological significance of this relatively neglected repertoire, and helps to contextualize Richard Wagner’s attempts to define German opera and to gain a reputation as the German opera composer par excellence. By interpreting Wagner’s esthetic endeavors as a continuation of previous campaigns for the emancipation of German opera, this book adds an original and significant perspective to discussions about Wagner’s relation to German nationalism.
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Edited by Maciej Witek and Iwona Witczak-Plisiecka

Normativity and Variety of Speech Actions embraces papers focused on the performative dimension of language. While all texts in the volume recognize speech primarily as a type of action, the collection is indicative of the multifaceted nature of J.L. Austin’s original reflection, which invited many varied research programmes. The problems addressed in the volume are discussed with reference to data culled from natural conversation, mediated political discourse, law, and literary language, and include normativity, e.g. types of norms operative in speech acts, speaker’s intentions and commitments, speaker-addressee coordination, but also speech actions in discursive practice, in literal and non-literal language, performance of irony, presupposition, and meaningful significant silence.

Contributors are: Brian Ball, Cristina Corredor, Anita Fetzer, Milada Hirschová, Dennis Kurzon, Marcin Matczak, Marina Sbisà, Iwona Witczak-Plisiecka, Maciej Witek, and Mateusz Włodarczyk.
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Marie Vieux Chauvet’s Theatres

Thought, Form, and Performance of Revolt

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Edited by Christian Flaugh and Lena Taub Robles

Marie Vieux Chauvet’s Theatres: Thought, Form, and Performance of Revolt at once reflects and acts upon the praxis of theatre that inspired Haitian writer Marie Vieux Chauvet, while at the same time provides incisively new cultural studies readings about revolt in her theatre and prose. Chauvet – like many free-minded women of the Caribbean and the African diaspora – was banned from the public sphere, leaving her work largely ignored for decades. Following on a renewed interest in Chauvet, this collection makes essential contributions to Africana Studies, Theatre Studies, Performance Studies, Postcolonial Studies, and Global South Feminisms.

Contributors are: Alessandra Benedicty-Kokken, Stéphanie Bérard, Christian Flaugh, Gabrielle Gallo, Jeremy Matthew Glick, Kaiama L. Glover, Régine Michelle Jean-Charles, Cae Joseph-Massena, Nehanda Loiseau, Judith G. Miller, Lizabeth Paravisini-Gebert, Anthony Phelps, Ioana Pribiag, Charlee M. Redman Bezilla, Guy Régis Jr, and Lena Taub Robles.

This collection is a beautiful gathering of voices exploring Chauvet’s theatrical work, along with the role of theatre in her novels. The richly textured and evocatively written essays offer many new and necessary insights into the work of one of Haiti’s greatest writers.
— Laurent Dubois, Marcello Lotti Professor of Romance Studies and History, Duke University. Author of Haiti: The Aftershocks of History

This collection draws necessary critical attention to how theatre and performance animate the work of a key figure in Caribbean fiction and drama. Using an innovative scholarly and artistic approach, the collection incorporates leading and new voices in Haitian studies and Francophone studies on Chauvet’s depictions of revolt.
— Soyica Diggs Colbert, Professor of African American Studies and Theater & Performance Studies, Georgetown University. Author of Black Movements: Performance and Cultural Politics
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Time, Consciousness and Writing

Peter Malekin Illuminating the Divine Darkness

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Edited by Robert Eddy and Theo Malekin

Time, Consciousness and Writing brings together a collection of critical reflections on Peter Malekin’s “model of the mind”, which he saw as a crucial yet often neglected aspect of critical theory in relation to theatre, literature and the arts. The volume begins with a selection of Peter Malekin’s own writings that lay out his critique of western culture, its overstated claims to universal competence and validity, and lays out an alternative view of consciousness that draws partly on Asian traditions and partly on underground traditions from the west. The essays that follow, commissioned for this volume, critically examine Malekin’s ideas, drawing out their implications in a variety of contexts including theatre, liturgical performance, poetry and literature. The book ends with an assessment of future prospects opened by this work.
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Edited by Andrés Pociña Pérez, Aurora López, Carlos Ferreira Morais, Maria de Fátima Silva and Patrick Finglass

The theme of Medea in Portuguese literature has mainly given rise to the writing of new plays on the subject. The central episode in the Portuguese rewritings in the last two centuries is the one that takes place in Corinth, i.e., the break between Medea and Jason, on the one hand, and Medea’s killing of their children in retaliation, on the other. Besides the complex play of feelings that provides this episode with very real human emotions, gender was a key issue in determining the interest that this story elicited in a society in search of social renovation, after profound political transformations – during the transition between dictatorship and democracy which happened in 1974 – that generated instability and established a requirement to find alternative rules of social intercourse in the path towards a new Portugal.
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Edited by Peter Duffy, Christine Hatton and Richard Sallis

At a time when universities demand immediate and quantifiable impacts of scholarship, the voices of research participants become secondary to impact factors and the volume of research produced. Moreover, what counts as research within the academy constrains practices and methods that may more authentically articulate the phenomena being studied. When external forces limit methodological practices, research innovation slows and homogenizes.

This book aims to address the methodological, interpretive, ethical/procedural challenges and tensions within theatre-based research with a goal of elevating our field’s research practice and inquiry. Each chapter embraces various methodologies, positionalities and examples of mediation by inviting two or more leading researchers to interrogated each other’s work and, in so doing, highlighted current debates and practices in theatre-based research. Topics include: ethics, method, audience, purpose, mediation, form, aesthetics, voice, data generation, and research participants. Each chapter frames a critical dialogue between researchers that take multiple forms (dialogic interlude, research conversation, dramatic narrative, duologue, poetic exchange, etc.).

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Marguerite Duras

Un théâtre de voix / A Theatre of Voices

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Edited by Mary Noonan and Joëlle Pagès-Pindon

Marguerite Duras. Un théâtre de voix / A Theatre of Voices propose une relecture originale du théâtre de Marguerite Duras dans sa dimension à la fois textuelle et scénique. Les articles ici réunis sont écrits par plusieurs des meilleurs spécialistes du théâtre français ou par des praticiens de la scène. Ils témoignent des dernières avancées de la recherche, particulièrement dans les domaines de la voix et du son. Les auteurs démontrent, par des analyses précises et approfondies d’un large éventail des pièces de Duras, que ses innovations scéniques ont eu un impact radical sur le développement de la forme théâtrale. L'ouvrage offre également la lecture d'un entretien inédit en français de Duras sur son théâtre en 1985. Ce livre est donc une ressource indispensable pour les étudiants de la littérature française, ainsi que pour les étudiants du théâtre contemporain.

Marguerite Duras. Un théâtre de voix / A Theatre of Voices presents a radical reappraisal of the plays of Marguerite Duras. The essays are written by some of the leading scholars in French theatre studies today. A number of the approaches, particularly in the areas of voice and the auditory, are at the cutting-edge of contemporary performance research. The authors demonstrate, by precise and detailed analysis of the full range of her plays, that Duras was a trailblazer, and that the startling ways in which she manipulated the languages of the stage have shaped the development of the form. The book is a therefore a vital resource for students of French literature and culture, and for students of contemporary theatre.
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Oscar Wilde in Vienna

Pleasing and Teasing the Audience

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Sandra Mayer

Oscar Wilde in Vienna is the first book-length study in English of the reception of Oscar Wilde’s works in the German-speaking world. Charting the plays’ history on Viennese stages between 1903 and 2013, it casts a spotlight on the international reputation of one of the most popular English-language writers while contributing to Austrian cultural history in the long twentieth century.

Drawing on extensive archival material, the book examines the appropriation of Wilde's plays against the background of political crises and social transformations. It unravels the mechanisms of cultural transfer and canonisation within an environment positioned — like Wilde himself — at the crossroads of centre and periphery, tradition and modernity.