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Education, the production of knowledge, identity formation, and ideological hegemony are inextricably linked in early modern and modern Korea. This study examines the production and consumption of knowledge by a multitude of actors and across languages, texts, and disciplines to analyze the formulation, contestation, and negotiation of knowledge. The production and dissemination of knowledge become sites for contestation and struggle—sometimes overlapping, at other times competing—resulting in a shift from a focus on state power and its control over knowledge and discourse to an analysis of local processes of knowledge production and the roles local actors play in them. Contributors are Daniel Pieper, W. Scott Wells, Yong-Jin Hahn, Furukawa Noriko, Lim Sang Seok, Kokubu Mari, Mark Caprio, Deborah Solomon, and Yoonmi Lee.
Education, the production of knowledge, identity formation, and ideological hegemony are inextricably linked in early modern and modern Korea. This study examines the production and consumption of knowledge by a multitude of actors and across languages, texts, and disciplines to analyze the formulation, contestation, and negotiation of knowledge. The production and dissemination of knowledge become sites for contestation and struggle—sometimes overlapping, at other times competing—resulting in a shift from a focus on state power and its control over knowledge and discourse to an analysis of local processes of knowledge production and the roles local actors play in them. Contributors are Daniel Pieper, W. Scott Wells, Yong-Jin Hahn, Furukawa Noriko, Lim Sang Seok, Kokubu Mari, Mark Caprio, Deborah Solomon, and Yoonmi Lee.
The introduction of writing enables new forms of literature, but these can be invisible in works that survive as manuscripts. Through looking at inscriptions of poetry on garbage and as graffiti, we can glimpse how literature spread along with writing.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
The introduction of writing enables new forms of literature, but these can be invisible in works that survive as manuscripts. Through looking at inscriptions of poetry on garbage and as graffiti, we can glimpse how literature spread along with writing.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
In 1870, a prominent samurai from Tōhoku sells his castle to become an agrarian colonist in Hokkaidō. Decades later, a man also from northeast Japan stows away on a boat to Canada and establishes a salmon roe business. By 1930, an investigative journalist travels to Brazil and writes a book that wins the first-ever Akutagawa Prize. In the 1940s, residents from the same area proclaim that they should lead Imperial Japan in colonizing all of Asia.
Across decades and oceans, these fractured narratives seem disparate, but show how mobility is central to the history of Japan’s Tōhoku region, a place often stereotyped as a site of rural stasis and traditional immobility, thereby collapsing boundaries between local, national, and global studies of Japan.
This book examines how multiple mobilities converge in Japan’s supposed hinterland. Drawing on research from three continents, this monograph demonstrates that Tohoku’s regional identity is inextricably intertwined with Pacific migrations.
Across decades and oceans, these fractured narratives seem disparate, but show how mobility is central to the history of Japan’s Tōhoku region, a place often stereotyped as a site of rural stasis and traditional immobility, thereby collapsing boundaries between local, national, and global studies of Japan.
This book examines how multiple mobilities converge in Japan’s supposed hinterland. Drawing on research from three continents, this monograph demonstrates that Tohoku’s regional identity is inextricably intertwined with Pacific migrations.
In 1870, a prominent samurai from Tōhoku sells his castle to become an agrarian colonist in Hokkaidō. Decades later, a man also from northeast Japan stows away on a boat to Canada and establishes a salmon roe business. By 1930, an investigative journalist travels to Brazil and writes a book that wins the first-ever Akutagawa Prize. In the 1940s, residents from the same area proclaim that they should lead Imperial Japan in colonizing all of Asia.
Across decades and oceans, these fractured narratives seem disparate, but show how mobility is central to the history of Japan’s Tōhoku region, a place often stereotyped as a site of rural stasis and traditional immobility, thereby collapsing boundaries between local, national, and global studies of Japan.
This book examines how multiple mobilities converge in Japan’s supposed hinterland. Drawing on research from three continents, this monograph demonstrates that Tohoku’s regional identity is inextricably intertwined with Pacific migrations.
Across decades and oceans, these fractured narratives seem disparate, but show how mobility is central to the history of Japan’s Tōhoku region, a place often stereotyped as a site of rural stasis and traditional immobility, thereby collapsing boundaries between local, national, and global studies of Japan.
This book examines how multiple mobilities converge in Japan’s supposed hinterland. Drawing on research from three continents, this monograph demonstrates that Tohoku’s regional identity is inextricably intertwined with Pacific migrations.
A New English Translation Containing the Original Text, Kana Transliteration, Romanization, Glossing and Commentary
Series:
Man’yōshū, Volume: 10
Editor / Translator:
Alexander Vovin
Book ten of the Man’yōshū (‘Anthology of Myriad Leaves’) continues Alexander Vovin’s new English translation of this 20-volume work originally compiled between c.759 and 785 AD. It is the earliest Japanese poetic anthology in existence and thus the most important compendium of Japanese culture of the Asuka and Nara periods. Book ten is the eleventh volume of the Man’yōshū to be published to date (following books fifteen (2009), five (2011), fourteen (2012), twenty (2013), seventeen (2016), eighteen (2016), one (2017), nineteen (2018), two (2020), and sixteen (2021). Each volume of the Vovin translation contains the original text, kana transliteration, romanization, glossing and commentary.
A New English Translation Containing the Original Text, Kana Transliteration, Romanization, Glossing and Commentary
Series:
Man’yōshū, Volume: 10
Book ten of the Man’yōshū (‘Anthology of Myriad Leaves’) continues Alexander Vovin’s new English translation of this 20-volume work originally compiled between c.759 and 785 AD. It is the earliest Japanese poetic anthology in existence and thus the most important compendium of Japanese culture of the Asuka and Nara periods. Book ten is the eleventh volume of the Man’yōshū to be published to date (following books fifteen (2009), five (2011), fourteen (2012), twenty (2013), seventeen (2016), eighteen (2016), one (2017), nineteen (2018), two (2020), and sixteen (2021). Each volume of the Vovin translation contains the original text, kana transliteration, romanization, glossing and commentary.
Deconstructing hentai kanbun
How is it possible to write down the Japanese language exclusively in Chinese characters? And how are we then able to determine the language behind the veil of the Chinese script as Japanese? The history of writing in Japan presents us with a fascinating variety of writing styles ranging from phonography to morphography and all shades in between.
In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as “hentai kanbun” or “variant Chinese” are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.
In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as “hentai kanbun” or “variant Chinese” are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.
Deconstructing hentai kanbun
How is it possible to write down the Japanese language exclusively in Chinese characters? And how are we then able to determine the language behind the veil of the Chinese script as Japanese? The history of writing in Japan presents us with a fascinating variety of writing styles ranging from phonography to morphography and all shades in between.
In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as “hentai kanbun” or “variant Chinese” are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.
In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as “hentai kanbun” or “variant Chinese” are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.
Regional Diversity and the Emergence of a National Family Model through the Eyes of Historical Demography
This book draws on historical demography to elucidate the regional diversity of the Japanese family and its convergence toward an integrated national family model that heralded the modern era, providing a new image of the family in pre-industrial Japan. The volume challenges the idea of early modern (1600-1870) Japan as a monolithic nation based on the ie, – the stem-family household so often mentioned as the fundamental form of Japanese social organization and enshrined in the Meiji Civil Code – which, in fact, came into being at various locales, at various speeds in the latter half of the 18th and the earlier half of the 19th centuries. In addition, there are several chapters which examine the role of women, either centrally or tangentially.
With contributions by Mary Louise NAGATA, YAMAMOTO Jun, Hiroko COSTANTINI, Stephen ROBERTSON, MIZOGUCHI Tsunetoshi, NAKAJIMA Mitsuhiro, TSUBOUCHI Yoshihiro and MORIMOTO Kazuhiko.
With contributions by Mary Louise NAGATA, YAMAMOTO Jun, Hiroko COSTANTINI, Stephen ROBERTSON, MIZOGUCHI Tsunetoshi, NAKAJIMA Mitsuhiro, TSUBOUCHI Yoshihiro and MORIMOTO Kazuhiko.
Regional Diversity and the Emergence of a National Family Model through the Eyes of Historical Demography
This book draws on historical demography to elucidate the regional diversity of the Japanese family and its convergence toward an integrated national family model that heralded the modern era, providing a new image of the family in pre-industrial Japan. The volume challenges the idea of early modern (1600-1870) Japan as a monolithic nation based on the ie, – the stem-family household so often mentioned as the fundamental form of Japanese social organization and enshrined in the Meiji Civil Code – which, in fact, came into being at various locales, at various speeds in the latter half of the 18th and the earlier half of the 19th centuries. In addition, there are several chapters which examine the role of women, either centrally or tangentially.
With contributions by Mary Louise NAGATA, YAMAMOTO Jun, Hiroko COSTANTINI, Stephen ROBERTSON, MIZOGUCHI Tsunetoshi, NAKAJIMA Mitsuhiro, TSUBOUCHI Yoshihiro and MORIMOTO Kazuhiko.
With contributions by Mary Louise NAGATA, YAMAMOTO Jun, Hiroko COSTANTINI, Stephen ROBERTSON, MIZOGUCHI Tsunetoshi, NAKAJIMA Mitsuhiro, TSUBOUCHI Yoshihiro and MORIMOTO Kazuhiko.
The Lives of Modern Japanese Silk Mill Workers in Their Own Words
At a time when concern with the exploitation of young women in the assembly plants of developing countries is still a major social issue for gender and development specialists, Discovering Women's Voices. The Lives of Modern Japanese Silk Mill Workers in Their Own Words, offers a vivid account of the lives of women who formed modern Japan’s ‘reserve army’ for textile mills.
By analyzing works songs and oral testimonies of former silk-reeling operatives about their lives in the factory and in their native countryside, it challenges the long-standing assumption describing their history as merely exploitative, convincingly showing that factory life could appear as a window of opportunity or at least a lesser evil to workers born in rural underprivileged families.
By analyzing works songs and oral testimonies of former silk-reeling operatives about their lives in the factory and in their native countryside, it challenges the long-standing assumption describing their history as merely exploitative, convincingly showing that factory life could appear as a window of opportunity or at least a lesser evil to workers born in rural underprivileged families.
The Lives of Modern Japanese Silk Mill Workers in Their Own Words
At a time when concern with the exploitation of young women in the assembly plants of developing countries is still a major social issue for gender and development specialists, Discovering Women's Voices. The Lives of Modern Japanese Silk Mill Workers in Their Own Words, offers a vivid account of the lives of women who formed modern Japan’s ‘reserve army’ for textile mills.
By analyzing works songs and oral testimonies of former silk-reeling operatives about their lives in the factory and in their native countryside, it challenges the long-standing assumption describing their history as merely exploitative, convincingly showing that factory life could appear as a window of opportunity or at least a lesser evil to workers born in rural underprivileged families.
By analyzing works songs and oral testimonies of former silk-reeling operatives about their lives in the factory and in their native countryside, it challenges the long-standing assumption describing their history as merely exploitative, convincingly showing that factory life could appear as a window of opportunity or at least a lesser evil to workers born in rural underprivileged families.
Scholarly reference works on topics in the religious, literary, social, economic, legal and political history of Japan.
The series published one volume over the last 5 years.
The series published one volume over the last 5 years.
Edited by Alexander Vovin, EHESS/CRLAO, Paris, France
"The Man’yōshū (‘Anthology of Ten Thousand Leaves [of Words]’) is the largest and the oldest Japanese poetic anthology and contains 4,516 poems of varying length. It was probably compiled by the famous Japanese poet and statesman Ōtomo-no Yakamochi (Opotǝmǝ-nǝ Yakamǝti in the language of the eighth century) around 759 AD. The poetry is mostly in Japanese, but there are several poems in Chinese, and a few of Japanese-Korean macaronic verses. Some books, such as Book Five, include beautiful passages of Chinese prose.
The Man’yōshū is not only a poetic anthology, but also an encyclopedia of Ancient Japanese literature, history, mythology, religion, and anthropology. It is also the most important source on the Old Japanese language, its dialects, and historical change. In addition, it contains a sizeable amount of words in Ainu, a nearly extinct aboriginal language of Japan.
Several partial and complete translations of the Man’yōshū into English have appeared in the past. The most the most formidable among them was J.L. Pierson’s (Brill 1929-1963). Pierson’s edition is in the process of being definitively superseded by the present edition which, in addition to the original text, kana transliteration, glossing, and a Romanization, also contains a precise and an up-to-date linguistic analysis of the text, a meticulous and well-grounded decipherment of the most of obscure passages, and a much more detailed commentary.
"The Man’yōshū (‘Anthology of Ten Thousand Leaves [of Words]’) is the largest and the oldest Japanese poetic anthology and contains 4,516 poems of varying length. It was probably compiled by the famous Japanese poet and statesman Ōtomo-no Yakamochi (Opotǝmǝ-nǝ Yakamǝti in the language of the eighth century) around 759 AD. The poetry is mostly in Japanese, but there are several poems in Chinese, and a few of Japanese-Korean macaronic verses. Some books, such as Book Five, include beautiful passages of Chinese prose.
The Man’yōshū is not only a poetic anthology, but also an encyclopedia of Ancient Japanese literature, history, mythology, religion, and anthropology. It is also the most important source on the Old Japanese language, its dialects, and historical change. In addition, it contains a sizeable amount of words in Ainu, a nearly extinct aboriginal language of Japan.
Several partial and complete translations of the Man’yōshū into English have appeared in the past. The most the most formidable among them was J.L. Pierson’s (Brill 1929-1963). Pierson’s edition is in the process of being definitively superseded by the present edition which, in addition to the original text, kana transliteration, glossing, and a Romanization, also contains a precise and an up-to-date linguistic analysis of the text, a meticulous and well-grounded decipherment of the most of obscure passages, and a much more detailed commentary.