Not Seeing Snow: New Views of Zen Master Musō Soseki (1275-1351) offers a critical reappraisal of a crucial yet sorely neglected figure in medieval Japan. It clarifies Musō’s far-reaching significance as a Buddhist leader,
waka poet, landscape designer, and political figure. In doing so, it sheds light on how elite Zen culture was formed through a complex interplay of politics, religious pedagogy and praxis, poetry, landscape design, and the concerns of institution building. The appendix contains the first complete English translation of Musō’s personal
waka anthology,
Shōgaku Kokushishū.
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Series:
Ron P. Toby
In
Engaging the Other: “Japan and Its Alter-Egos”, 1550-1850 Ronald P. Toby examines new discourses of identity and difference in early modern Japan, a discourse catalyzed by the “Iberian irruption,” the appearance of Portuguese and other new, radical others in the sixteenth century. The encounter with peoples and countries unimagined in earlier discourse provoked an identity crisis, a paradigm shift from a view of the world as comprising only “three countries” (
sangoku), i.e., Japan, China and India, to a world of “myriad countries” (
bankoku) and peoples. In order to understand the new radical alterities, the Japanese were forced to establish new parameters of difference from familiar, proximate others, i.e., China, Korea and Ryukyu. Toby examines their articulation in literature, visual and performing arts, law, and customs.
Series:
Zev Handel
In the more than 3,000 years since its invention, the Chinese script has been adapted many times to write languages other than Chinese, including Korean, Vietnamese, Japanese, and Zhuang. In
Sinography: Cross-linguistic Perspectives of the Borrowing and Adaptation of the Chinese Script, Zev Handel provides a comprehensive analysis of how the structural features of these languages constrained and motivated methods of script adaptation. This comparative study reveals the universal principles at work in the borrowing of logographic scripts. By analyzing and explaining these principles, Handel advances our understanding of how early writing systems have functioned and spread, providing a new framework that can be applied to the history of scripts beyond East Asia, such as Sumerian and Akkadian cuneiform.
No Moonlight in My Cup
Sinitic Poetry (Kanshi) from the Japanese Court, Eighth to the Twelfth Centuries
Series:
Edited by Judith N. Rabinovitch and Timothy R. Bradstock
This work is an anthology of 225 translated and annotated Sinitic poems (
kanshi 漢詩) composed in public and private settings by nobles, courtiers, priests, and others during Japan’s Nara and Heian periods (710-1185). The authors have supplied detailed biographical notes on the sixty-nine poets represented and an overview of each collection from which the verse of this eminent and enduring genre has been drawn. The introduction provides historical background and discusses
kanshi subgenres, themes, textual and rhetorical conventions, styles, and aesthetics, and sheds light on the socio-political milieu of the classical court, where Chinese served as the written language of officialdom and the preeminent medium for literary and scholarly activity among the male elite.
Edited by Robert Pekkanen
This work collects decades of the best published scholarship in English on the unequivocally most successful political party in Japanese history: the Liberal Democratic Party (the LDP). Governing Japan for almost the entirety of the post-war period, the LDP also has a claim to be the most successful political party in any post-war democracy. Seminal articles in this collection explore the key aspects of the LDP: the party’s evolution since its founding in 1955; key facets of the LDP’s internal organization including factions and koenkai; the LDP in policy-making, including its relationship with the bureaucracy and interest groups, as well as its policy-making committee apparatus; and, party leadership, including the premierships of Junichiro Koizumi and Shinzo Abe.
Edited by Robert Pekkanen
This work collects decades of the best published scholarship in English on the unequivocally most successful political party in Japanese history: the Liberal Democratic Party (the LDP). Governing Japan for almost the entirety of the post-war period, the LDP also has a claim to be the most successful political party in any post-war democracy. Seminal articles in this collection explore the key aspects of the LDP: the party’s evolution since its founding in 1955; key facets of the LDP’s internal organization including factions and koenkai; the LDP in policy-making, including its relationship with the bureaucracy and interest groups, as well as its policy-making committee apparatus; and, party leadership, including the premierships of Junichiro Koizumi and Shinzo Abe.
Edited by Robert Pekkanen
This work collects decades of the best published scholarship in English on the unequivocally most successful political party in Japanese history: the Liberal Democratic Party (the LDP). Governing Japan for almost the entirety of the post-war period, the LDP also has a claim to be the most successful political party in any post-war democracy. Seminal articles in this collection explore the key aspects of the LDP: the party’s evolution since its founding in 1955; key facets of the LDP’s internal organization including factions and koenkai; the LDP in policy-making, including its relationship with the bureaucracy and interest groups, as well as its policy-making committee apparatus; and, party leadership, including the premierships of Junichiro Koizumi and Shinzo Abe.
Edited by Robert Pekkanen
This work collects decades of the best published scholarship in English on the unequivocally most successful political party in Japanese history: the Liberal Democratic Party (the LDP). Governing Japan for almost the entirety of the post-war period, the LDP also has a claim to be the most successful political party in any post-war democracy. Seminal articles in this collection explore the key aspects of the LDP: the party’s evolution since its founding in 1955; key facets of the LDP’s internal organization including factions and koenkai; the LDP in policy-making, including its relationship with the bureaucracy and interest groups, as well as its policy-making committee apparatus; and, party leadership, including the premierships of Junichiro Koizumi and Shinzo Abe.
Edited by Robert Pekkanen
This work collects decades of the best published scholarship in English on the unequivocally most successful political party in Japanese history: the Liberal Democratic Party (the LDP). Governing Japan for almost the entirety of the post-war period, the LDP also has a claim to be the most successful political party in any post-war democracy. Seminal articles in this collection explore the key aspects of the LDP: the party’s evolution since its founding in 1955; key facets of the LDP’s internal organization including factions and koenkai; the LDP in policy-making, including its relationship with the bureaucracy and interest groups, as well as its policy-making committee apparatus; and, party leadership, including the premierships of Junichiro Koizumi and Shinzo Abe.
Series:
Karen M. Gerhart
Women, Rites, and Ritual Objects in Premodern Japan, edited by Karen M. Gerhart, is a multidisciplinary examination of rituals featuring women, in which significant attention is paid to objects produced for and utilized in these rites as a lens through which larger cultural concerns, such as gender politics, the female body, and the materiality of the ritual objects, are explored. The ten chapters encounter women, rites, and ritual objects in many new and interactive ways and constitute a pioneering attempt to combine ritual and gendered analysis with the study of objects.
Contributors include: Anna Andreeva, Monica Bethe, Patricia Fister, Sherry Fowler, Karen M. Gerhart, Hank Glassman, Naoko Gunji, Elizabeth Morrissey, Chari Pradel, Barbara Ruch, Elizabeth Self.
Contributors include: Anna Andreeva, Monica Bethe, Patricia Fister, Sherry Fowler, Karen M. Gerhart, Hank Glassman, Naoko Gunji, Elizabeth Morrissey, Chari Pradel, Barbara Ruch, Elizabeth Self.