Author: Marta Fogagnolo
SGG 2 offers a commented critical edition of the preserved textual fragments from the Homeric studies of the Greek scholar-poet Antimachus of Colophon (floruit ca. 400 bce). If as an epic and elegiac poet Antimachus was a forerunner of the Alexandrian docta poesis, he was also an editor and scholar of Homer’s Iliad and Odyssey, producing an ekdosis of both poems (the first among the so-called kat’andra ‘editions’) and a syngramma, i.e. monograph, in which he dealt with biographical, exegetical and glossographical issues.
EUHORMOS is an international book series intended for monographs and collective volumes on classical antiquity. Specifically, it welcomes manuscripts related to the concept of ‘anchoring innovation’ by classical scholars of all disciplines from all over the world. All books will be published in Open Access (online) as well as in print.
The series publishes book-length studies (single-authored or edited) of ancient innovations and their societal perceptions and valuations, in particular in connection with their ‘anchoring’, the various ways in which ‘the new’ could (or could not) be connected to what was already familiar. ‘The new’ is not restricted to the technical or scientific domains, but can include the ‘new information’ imparted by speakers through linguistic means, literary innovation, political, social, cultural or economic innovation, and new developments in material culture.

EUHORMOS is one of the results of the Dutch so-called Gravitation Grant (2017), awarded to a consortium of scholars from OIKOS, the National Research School in Classical Studies. See https://www.ru.nl/oikos/anchoring-innovation.

EUHORMOS is the Homeric term for a harbour ‘in which the anchoring is good’. Under this auspicious title, we aim to publish a book series striving to afford ‘good anchorage’ to studies contributing to a better understanding of ‘anchoring innovation’ in Greco-Roman Antiquity.

For sending your proposal or submitting manuscripts for the series, please contact Brill’s Assistant Editor for Classical Studies, Giulia Moriconi.
This collection includes the first 36 volumes of the series Papyrologica Lugduno-Batava (1941-2018). It contains publications of papyrological, mainly documentary texts, as well as articles and monographs, on the themes of law and society in Ancient Egypt, in particular in the Graeco-Roman period. The focus of the series lies on the Greek and Demotic sources, however attention is also given to documents in Hieratic, Coptic and Latin. The series is a publication of the Foundation for the Papyrological Institute of the University of Leiden. The aim of the Foundation is the promotion of the study of Greek and Demotic papyrology in Leiden. All publications in this series are peer reviewed.
Persuasion has long been one of the major fields of interest for researchers across a wide range of disciplines. The present volume aims to establish a framework to enhance the understanding of the features, manifestations and purposes of persuasion across all Greek and Roman genres and in various institutional contexts. The volume considers the impact of persuasion techniques upon the audience, and how precisely they help speakers/authors achieve their goals. It also explores the convergences and divergences in deploying persuasion strategies in different genres, such as historiography and oratory, and in a variety of topics. This discussion contributes towards a more complete understanding of persuasion that will help to advance knowledge of decision-making processes in varied institutional contexts in antiquity.
Genre in Archaic and Classical Greek Poetry foregrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho’s songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.
Brill’s Plutarch Text Editions publishes critical text editions of Plutarch’s work, or parts thereof, including commentaries. The series is a response to the renewed scholarly interest in the encyclopedic writer of Chaeronea, whose influence on Western culture and thought has been enormous. Brill’s Plutarch Text editions is a subseries to Brill’s Plutarch Studies and has the same editorial board.
Supplementum Grammaticum Graecum is a reference work for scholars of Greek antiquity, complementary to Jacoby Online and specifically Die Fragmente der griechischen Historiker IV. It is a collection of critical editions of testimonies and fragments of Greek grammarians, namely, ancient scholars dealing with textual criticism, literary exegesis, grammar, biography, and the various fields of erudition.

Each entry consists of a biographical and cultural profile of a grammarian and a new (often first) critical edition of all the existing testimonies and sources in their original language. These are supported by translations and analytical commentaries and followed by a thorough bibliography and indices.

9 volumes are expected to be published in print. Starting 2023, Supplementum Grammaticum Graecum will continue as an online reference work only. New supplements will be added to the online edition but will not appear in print format.
Antidorus, Dionysius Iambus, Epigenes, Lysanias, Parmenon, Silenus, Simaristus, Simmias
SGG 1 offers the first critical edition of, and commentaries on, the textual fragments of the ancient Greek grammarians Antidorus, Dionysius Iambus, Epigenes, Lysanias, Parmenon, Silenus, Simaristus, and Sim(m)ias. All of these personalities belong, or so plausibly appear, to the early Hellenistic period (3rd-2nd centuries BC) and share a special interest in glossographical issues (mainly discussions of problems concerning lexical usages and customs, in Greek literature as well as in ordinary life of their times) and/or in literary history. Each entry includes: a biographical and cultural profile of the grammarian; the text of testimonies and fragments critically edited, translated, and analytically commented on; a thorough bibliography; and indices. Translation, critical apparatus, and commentary are in Italian.
In Philo of Alexandria and Greek Myth: Narratives, Allegories, and Arguments, a fresh and more complete image of Philo of Alexandria as a careful reader, interpreter, and critic of Greek literature is offered. Greek mythology plays a significant role in Philo of Alexandria’s exegetical oeuvre. Philo explicitly adopts or subtly evokes narratives, episodes and figures from Greek mythology as symbols whose didactic function we need to unravel, exactly as the hidden teaching of Moses’ narration has to be revealed by interpreters of Bible. By analyzing specific mythologems and narrative cycles, the contributions to this volume pave the way to a better understanding of Philo’s different attitudes towards literary and philosophical mythology.
Author: Sacha Stern
In the year 921/2, the Jewish leaders of Palestine and Babylonia disagreed on how to calculate the calendar. This led the Jews of the entire Near East to celebrate Passover and the other festivals, through two years, on different dates. The controversy was major, but it became forgotten until its late 19th-century rediscovery in the Cairo Genizah. Faulty editions of the texts, in the following decades, led to much misunderstanding about the nature, leadership, and aftermath of the controversy. In this book, Sacha Stern re-edits the texts completely, discovers many new Genizah sources, and challenges the historical consensus. This book sheds light on early medieval Rabbanite leadership and controversies, and on the processes that eventually led to the standardization of the medieval Jewish calendar.