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Machiavelli on Freedom and Civil Conflict

An Historical and Medical Approach to Political Thinking

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Marie Gaille

In Machiavelli on Freedom and Civil Conflict: An Historical and Medical Approach to Political Thinking, Marie Gaille rethinks Machiavelli’s conception of civil conflict. In complete opposition to the common view of Machiavelli as a defender of tyranny, this analysis brings new elements to the forefront: the use of medical metaphors to describe the body politic, its historical lifespan and its institutional arrangement. This study is also based on a comprehensive approach to Machiavelli’s writings, including his most famous works, but also The History of Florence, his correspondence, and his political, military and diplomatic reports. This study allows Marie Gaille to propose an original assessment of Machiavelli’s insights for contemporary conceptions of democracy.

This is a revised and translated edition of Conflit Civil et Liberté: la Politique Machiavelienne entre Histoire et Médecine, first published in French, in 2004 by Éditions Honoré Champion.
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Politics and Cultures of Liberation

Media, Memory, and Projections of Democracy

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Edited by Frank Mehring, Hans Bak and Mathilde Roza

Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of “liberation.” How is the national framed within a dynamic system of intercultural contact zones highlighting often competing agendas of remembrance? How does the production, (re)mediation, and framing of narratives within different social, territorial, and political environments determine the cultural memory of liberation? The articles compiled in this volume seek to provide new interdisciplinary and intercultural perspectives on the politics and cultures of liberation by examining commemorative practices, artistic responses, and audio-visual media that lend themselves for transnational exploration. They offer a wide range of diverse intercultural perspectives on media, memory, liberation, (self)Americanization, and conceptualizations of democracy from the war years, through the Cold War era to the 21st century.
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Michael Greenhalgh

Syria's Monuments: their Survival and Destruction examines the fate of the various monuments in Syria (including present-day Lebanon, Jordan and Palestine/Israel) from Late Antiquity to the fall of the Ottoman Empire in the early 20th century. It examines travellers’ accounts, mainly from the 17th to 19th centuries, which describe religious buildings and housing in numbers and quality unknown elsewhere. The book charts the reasons why monuments lived or died, varying from earthquakes and desertification to neglect and re-use, and sets the political and social context for the Empire’s transformation toward a modern state, provoked by Western trade and example. An epilogue assesses the impact of the recent civil war on the state of the monuments, and strategies for their resurrection, with plentiful references and web links.
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Edited by Carolina Cupane and Bettina Krönung

This volume offers an overview of the rich narrative material circulating in the medieval Mediterranean. As a multilingual and multicultural zone, the Eastern Mediterranean offered a broad market for tales in both oral and written form and longer works of fiction, which were translated and reworked in order to meet the tastes and cultural expectations of new audiences, thus becoming common intellectual property of all the peoples around the Mediterranean shores. Among others, the volume examines for the first time popular eastern tales, such as Kalila and Dimna, Sindbad, Barlaam and Joasaph, and Arabic epics together with their Byzantine adaptations. Original Byzantine love romances, both learned and vernacular, are discussed together with their Persian counterparts and with later adaptations of western stories. This combination of such disparate narrative material aims to highlight both the wealth of medieval storytelling and the fundamental unity of the medieval Mediterranean world.
Contributors are Carolina Cupane, Faustina Doufikar-Aerts, Massimo Fusillo, Corinne Jouanno, Grammatiki A. Karla, Bettina Krönung, Renata Lavagnini, Ulrich Moennig, Ingela Nilsson, Claudia Ott, Oliver Overwien, Panagiotis Roilos, Julia Rubanovich, Ida Toth, Robert Volk and Kostas Yiavis.
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Thomas Haye

In his monograph Verlorenes Mittelalter, Thomas Haye discusses the question of why the greater part of the Latin texts which were produced over the course of the Middle Ages has not been preserved. Contemporary sources attest to the existence of thousands of texts which have not come down to the modern era. As Haye demonstrates, these losses are not primarily due to random happenstance, but are often rather the results of certain aspects of contemporary mentality, sociohistorical circumstances, preferences regarding literary genres and other specific cultural factors.
Modern literary histories largely disregard the lost texts. The present book argues for the development of a new narrative which duly takes into account the lost texts as well as those that still exist.
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Destruction of Cultural Heritage in 19th-century France

Old Stones versus Modern Identities

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Michael Greenhalgh

Destruction of Cultural Heritage in 19th Century France examines the fate of the building stock and prominent ruins of France (especially Roman survivals) in the 19th century, supported by contemporary documentation and archives, largely provided through the publications of scholarly societies. The book describes the enormous extent of the destruction of monuments, providing an antidote to the triumphalism and concomitant amnesia which in modern scholarship routinely present the 19th century as one of concern for the past. It charts the modernising impulse over several centuries, detailing the archaeological discoveries made (and usually destroyed) as walls were pulled down and town interiors re-planned, plus the brutal impact on landscape and antiquities as railways were laid out. Heritage was largely scorned, and identity found in modernity, not the past.
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Edited by Maia Wellington Gahtan and Donatella Pegazzano

Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
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Cultural Property Crime

An Overview and Analysis of Contemporary Perspectives and Trends 

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Edited by Joris Kila and Marc Balcells

In Cultural Property Crime various experts in the fields of criminology, art law, heritage studies, law enforcement, forensic psychology, archaeology, art history and journalism provide multidisciplinary perspectives on today’s concept of cultural property crime, including art crime. In addition, the volume deals with international, legal and practical developments regarding the increasing criminalization of acts against cultural property in times of conflict. Attention is paid to the changing status and fluctuating appraisal of cultural property as subject to classical art crimes generally in peacetime and as an identity-related symbolic target during conflict. The book covers a wide range of topics such as forgeries, white-collar crime, archaeological looting and the impact of war on cultural heritage.
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Cultural Heritage in the Crosshairs

Protecting Cultural Property during Conflict

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Edited by Joris Kila and James Zeidler

The protection of cultural property during times of armed conflict and social unrest has been an on-going challenge for military forces throughout the world even after the ratification and implementation of the 1954 Hague Convention and its two Protocols by participating nations. This volume provides a series of case studies and “lessons learned” to assess the current status of Cultural Property Protection (CPP) and the military, and use that information to rethink the way forward. The contributors are all recognized experts in the field of military CPP or cultural heritage and conflict, and all are actively engaged in developing national and international solutions for the protection and conservation of these non-renewable resources and the intangible cultural values that they represent.
Open Access

Edited by Paul Ostwald and Marcos Barclay

The Journal of Interrupted Studies publishes complete and incomplete articles by scholars whose work has been jeopardized by forced migration. Founded in response to the European migrant crisis, the journal accepts submissions from authors fleeing a range of, political, humanitarian and environmental situations. The journal is united by a concern for the humanity and expertise that is often left unrecognized in mainstream refugee discussions.

The journal’s content is multidisciplinary and covers a range of issues in the social and natural sciences as well as the humanities. While not a requirement, the journal is especially interested in publishing the responses of refugees themselves to the ongoing crisis. In this way, the Journal aims to be a forum for a discussion not just about, but with refugees on the problems and solutions faced across the world today.

Authors are cordially invited to submit articles to the editors Paul Ostwald and Marcos Barclay. For more information please visit the website.

This is a fully Open Access journal, which means that all articles are freely available online, ensuring maximum, worldwide dissemination of content. As Brill sponsors this publication, the article processing charges are waived.