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Author: Petr Balcárek
This book offers the first comprehensive study of Byzantine influence on the art and iconography of East Central Europe. Petr Balcárek focuses on the Byzantine cultural and religious legacy in the Czech lands, thereby bringing to light rarely seen images and presenting fresh hypotheses based on newly-explored theological interpretations and historical evidence.

Including a discussion of the Czech and Slovak historiography on Byzantine studies, the work analyses significant artistic and iconographical artefacts in light of the intricate historical and political relationships that shaped Byzantine presence in these territories, comparing them with similar objects from other areas of Byzantine influence in order to draw wide-reaching conclusions.
Elites should be regarded and approached as gregarious social entities (groups, networks) rather than as oustanding individuals.
The volume aims to explore the elites in East-Central and South-Eastern Europe during the long nineteenth century from the perspective of their gregarious tendencies (i.e., groupness), to assess the role of the latter in the elite’s decisions and agenda, and to observe the transformations brought in this regard by the changing social and political landscape.
While the gregarious tendencies of the members of the elite were rooted in their shared perspectives, in their mutual interests or in the communion of cultural patterns, it is clear that during the process of group formation, kinship ties played an unassailable part, although they were likely never a causal factor.
The volume covers the research on elites from the early 18th century to the interwar period, focussing on the Banat, Bessarabia, Bohemia, Bulgaria, Dalmatia, Hungary, Rumania, Serbia, Slovenia, as well as looking into Austria in total.
Editor: Alina Payne
The Land Between Two Seas: Art on the Move in the Mediterranean and the Black Sea 1300-1700 focuses on the strong riverine ties that connect the seas of the Mediterranean system (from the Western Mediterranean through the Sea of Marmara, the Black Sea and the Sea of Azov) and their hinterland. Addressing the mediating role of the Balkans between East and West all the way to Poland and Lithuania, as well as this region’s contribution to the larger Mediterranean artistic and cultural melting pot, this innovative volume explores ideas, artworks and stories that moved through these territories linking the cultures of Central Asia with those of western Europe.
Painting, Typography, Photomontage
Author: Esther Levinger
The book is a comparative study of the constructivist avant-garde artists in Central Europe, the Hungarian MA group in exile in Vienna, the Blok group in Warsaw, and the Czech Devětsil association of artists in Prague. The author examines the similarities and significant differences among them. Contrary to often-repeated theses, the study reveals that the artists unremittingly sought new formulations for an initial set of formal and theoretical issues. It also demonstrates that they persistently believed that their works of art prefigured a future socialist society. The long-awaited socialist states that came into being after World War II betrayed the artists.
Series Editors: Christina Lodder and Jeffrey Brooks
Original work on the culture and history of Russia throughout the centuries; cultural, ethnic and national identity, social and political history, popular culture, visual and performing arts, architecture and cinema, gender studies, children and youth culture, oral history and memory.

Until Volume 22, the series was published by Brill, click here.

The series published an average of 1,5 volumes per year over the last 5 years.
Byzantium in Eastern European Visual Culture in the Late Middle Ages, edited by Maria Alessia Rossi and Alice Isabella Sullivan, engages with issues of cultural contact and patronage, as well as the transformation and appropriation of Byzantine artistic, theological, and political models, alongside local traditions, across Eastern Europe. The regions of the Balkan Peninsula, the Carpathian Mountains, and early modern Russia have been treated in scholarship within limited frameworks or excluded altogether from art historical conversations. This volume encourages different readings of the artistic landscapes of Eastern Europe during the late medieval period, highlighting the cultural and artistic productions of individual centers. These ought to be considered individually and as part of larger networks, thus revealing their shared heritage and indebtedness to artistic and cultural models adopted from elsewhere, and especially from Byzantium.

See inside the book.
Editor: Olga Voronina
A Companion to Soviet Children’s Literature and Film offers a comprehensive and innovative analysis of Soviet literary and cinematic production for children. Its contributors contextualize and reevaluate Soviet children’s books, films, and animation and explore their contemporary re-appropriation by the Russian government, cultural practitioners, and educators.
Celebrating the centennial of Soviet children’s literature and film, the Companion reviews the rich and dramatic history of the canon. It also provides an insight into the close ties between Soviet children’s culture and Avant-Garde aesthetics, investigates early pedagogical experiments of the Soviet state, documents the importance of translation in children’s literature of the 1920-80s, and traces the evolution of heroic, fantastic, historical, and absurdist Soviet narratives for children.
Who Was Buried in Grave H153 at Pohansko near Břeclav?
Volume Editors: Jiri Machacek and Martin Wihoda
The excavated foundations of a ninth-century sacral building in the northeastern suburb of Pohansko, an important centre of Great Moravia, and especially the find of the noblemans grave H 153, has focused scholarly attention onto the nature of the Mojmirid state and the reasons behind its sudden disintegration. In this volume, a group of archaeologists, historians and a natural scientist aim to incorporate this remarkable discovery into the wider frameworks of Moravian power, society, and culture, and thereby arrive at some surprising conclusions.

Contributors: are Stefan Eichert, David Kalhous, Pavel Kouil, Ji Machek, Vladimr Sldek, Ivo tefan, Martin Wihoda, Roman Zehetmayer.
The Correspondence of Richard Pipes and Marc Raeff
Author: Jonathan Daly
Richard Pipes and Marc Raeff were two of the most prolific and influential historians of Russia that America ever produced. They met at Harvard in 1946 and went on, for most of the following six decades, to debate history, share ideas, comment on each other's work, and inspire one another intellectually. In Pillars of the Profession: The Correspondence of Richard Pipes and Marc Raeff, Jonathan Daly presents the 158 letters these scholars and friends exchanged from 1948 until 2007. Thoughtful introductory and concluding essays, detailed annotations, a wealth of photographs and other illustrations, a chronology of major events, and four maps make this volume an important addition to Russian historiography.
Proletarian Art and Festive Decorations of Petrograd, 1917-1920
Author: Natalia Murray
Art for the workers explores the mythology and reality of post-revolutionary proletarian art in Russia as well as its expression in the festive decorations of Petrograd between 1917 and 1920. It covers this brief period chronologically, and so permits a close inspection of the development of artistic policies in Russia under the Provisional Government followed by the Bolsheviks. Specifically, this book focuses on the pre-and post-revolutionary debate about the nature of proletarian art and its role in the new Socialist society, particularly focusing on festive decorations, parades and mass performances as expressions of proletarian art and forms of propaganda.