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Meaningful Absence Across Arts and Media

The Significance of Missing Signifiers

Series:

Edited by Werner Wolf, Nassim Balestrini and Walter Bernhart

This volume focusses on a rarely discussed method of meaning production, namely via the absence, rather than presence, of signifiers. It does so from an interdisciplinary, transmedial perspective, which covers systematic, media-comparative and historical aspects, and reveals various forms and functions of missing signifiers across arts and media. The meaningful silences, blanks, lacunae, pauses, etc., treated by the ten contributors are taken from language and literature, film, comics, opera and instrumental music, architecture, and the visual arts. Contributors are: Nassim Balestrini, Walter Bernhart, Olga Fischer, Saskia Jaszoltowski, Henry Keazor, Peter Revers, Klaus Rieser, Daniel Stein, Anselm Wagner, Werner Wolf
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Literature as Document

Generic Boundaries in 1930s Western Literature

Series:

Edited by Sarah Bonciarelli, Carmen Van den Bergh and Anne Reverseau

Literature as Document considers the relationship between documents and literary texts in Western Literature of the 1930s. More specifically, the volume deals with the notion of the “document” and its multifaceted and complex connections to literary “texts” and attempts to provide answers to the problematic nature of that relationship. In an effort to determine a possible theoretical definition, many different disciplines have been taken into account, as well as individual case studies. In order to observe dynamics and trends, the idea for this investigation was to look at literature, taking its practices, its factual-looking and concrete applications, as a point of departure – that is to say, then, starting from the literary object itself.
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Boris Vian, faiseur de hoax

Pour une démystification de l’Affaire Vernon Sullivan

Series:

Clara Sitbon

Boris Vian, faiseur de hoax : pour une démystification de l’Affaire Vernon Sullivan propose la première véritable théorie du canular, ou hoax littéraire : Qu’est-ce qu’un hoax littéraire ? Comment se manifeste-t-il ? Quelles en sont les conséquences sur la fonction de l’auteur ?
S’inspirant de grands théoriciens de la littérature tels Roland Barthes, Michel Foucault ou Jacques Derrida, Clara Sitbon applique sa toute nouvelle théorie des hoaxes littéraires à des exemples tirés des littératures française, britannique et australienne et, ce faisant, parvient à établir la première typologie des hoaxes. Plus précisément, à travers une analyse détaillée de l’Affaire Boris Vian/Vernon Sullivan (1946-1950) comme fil rouge, Clara Sitbon démontre habilement que le hoax littéraire peut être un outil d’analyse littéraire de qualité. Plus important encore, elle prouve que les auteurs pseudonymes, ces compagnons d’infortunes de leurs créateurs ont, eux aussi, une légitimité littéraire.

Boris Vian, faiseur de hoax : pour une démystification de l’Affaire Vernon Sullivan offers the first comprehensive theory of literary hoaxes: What are they? How can recognise them? How do they work? What are their consequences on the notion of authorship?
Drawing on literary theorists such as Roland Barthes, Michel Foucault and Jacques Derrida, Clara Sitbon applies her theory to a range of hoaxes in French, British and Australian literatures, thereby providing a detailed typology of hoaxes. More particularly, through detailed analysis of the Boris Vian/Vernon Sullivan Affair (France, 1946-1950) as a case study for her theory, Clara Sitbon cleverly demonstrates that the literary hoax can indeed be a useful analytical tool in literary criticism. More importantly, she proves that pseudonymous authors can indeed have a literary legitimacy.
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Cultures of Uneven and Combined Development

From International Relations to World Literature

Series:

Edited by James Christie and Nesrin Degirmencioglu

Cultures of Uneven and Combined Development seeks to explore and develop Leon Trotsky’s concept of uneven and combined development. In particular, it aims to adapt the political and historical analysis which originated in Trotsky’s Russia for use within the contemporary field of world literature. As such, it draws together the work of scholars from both the field of international relations and the field of literature and the arts. This collection will therefore be of particular interest to anyone who is interested in new ways of understanding world literary texts, or interested in new ways of applying Trotsky’s revolutionary politics to the contemporary world order. Contributors: Alexander Anievas, Gail Day, James Christie, Kamran Matin, Kerem Nisancioglu, Luke Cooper, Michael Niblett, Neil Davidson, Nesrin Degirmencioglu, Robert Spencer, Steve Edwards.
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Neo-Latin and the Vernaculars

Bilingual Interactions in the Early Modern Period

Series:

Edited by Florian Schaffenrath and Alexander Winkler

The early modern world was profoundly bilingual: alongside the emerging vernaculars, Latin continued to be pervasively used well into the 18th century. Authors were often active in and conversant with both vernacular and Latin discourses. The language they chose for their writings depended on various factors, be they social, cultural, or merely aesthetic, and had an impact on how and by whom these texts were received. Due to the increasing interest in Neo-Latin studies, early modern bilingualism has recently been attracting attention. This volumes provides a series of case studies focusing on key aspects of early modern bilingualism, such as language choice, translations/rewritings, and the interferences between vernacular and Neo-Latin discourses.

Contributors are Giacomo Comiati, Ronny Kaiser, Teodoro Katinis, Francesco Lucioli, Giuseppe Marcellino, Marianne Pade, Maxim Rigaux, Florian Schaffenrath, Claudia Schindler, Federica Signoriello, Thomas Velle, Alexander Winkler.
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Approaches to Translation Studies is an international series promoting the scholarly study of translation. The notion of plural ‘approaches’ to translation and its study calls up images of scholarly explorers following untrodden paths to translation, or more cautiously (re)tracing the familiar routes. Either way, it indicates a refusal to be tied to dogma or prejudice, a curiosity about possible new vistas, and an awareness that the observer’s view depends on where s/he comes from. But a recognition of the plurality of possible approaches does not necessarily mean passive acquiescence to relativism and scepticism. The idea of ‘approaching’ translation also implies a sense of purpose and direction.

In the context of today’s globalised and pluralised world, this metaphorically suggested perspective is perhaps more relevant than ever before. The series therefore remains fully committed to it, while trying to respond to the rapid changes of our digital age. Ready to travel between genres, media and technologies, willing to span centuries and continents, and always keeping an open mind about the various oppositions that have too often needlessly divided researchers (e.g. high culture versus popular culture, linguistics versus literary studies versus cultural studies, translation ‘proper’ versus ‘adaptation’), the series Approaches to Translation Studies will continue to accommodate all translation-oriented books that match high-quality scholarship with an equal concern for reader-friendly communication.

Approaches to Translation Studies is open to a wide range of scholarly publications in the field of Translation Studies (monographs, collective volumes…). Dissertations are welcome but will obviously need to be thoroughly adapted to their new function and readership. Conference proceedings and collections of articles will only be considered if they show strong thematic unity and tight editorial control. For practical reasons, the series intends to continue its tradition of publishing English-language research. While students, teachers and scholars in the various schools and branches of Translation Studies make up its primary readership, the series also aims to promote a dialogue with readers and authors from various neighbouring disciplines.

Approaches to Translation Studies was launched in 1970 by James S Holmes (1924-1986), who was also one of the ‘founding fathers’ of Translation Studies as an academic discipline. At later stages the series’ editorship passed into the hands of Raymond van den Broeck, Kitty M. van Leuven-Zwart and Ton Naaijkens. Being the very first international series specifically catering for the needs of the fledgling discipline in the 1970s, Approaches to Translation Studies has played a significant historical role in providing it with a much needed platform as well as giving it greater visibility in the academic marketplace.

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.

Volumes 2, 4, and 5 were published by van Gorcum (Assen, The Netherlands), but orders should be directed to Rodopi.

The series published an average of two volumes per year over the last 5 years.
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Australian Playwrights

And Australian Drama, Theatre and Performance

The aims of the series are i) to contribute to the interpretation, critical analysis, promotion, and wider understanding of Australian drama, theatre and performance in Australia and overseas; ii) to pursue a scholarly investigation through monographs which could include either an overview of a particular playwright, director or company and a critical analysis of his/her/its plays or performances or a study of a grouping in drama and theatre including writers for performance and theatre makers within a unifying framework; iii) to enliven, enrich and illustrate the study of drama, theatre and performance within Australia and overseas, especially for scholars, artists and students.
Each monograph provides an in-depth study aimed at furthering knowledge of Australian drama, theatre and performance and therefore Australian culture with reference to primary and secondary sources.

The series published two volumes over the last 5 years.
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Chloe

Beihefte zum Daphnis

Die Beihefte-Reihe zum Daphnis bringt Beiträge zu Rahmenthemen unter der Verantwortung dazu eingeladener Herausgeber.
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Chloe

Beihefte zum Daphnis

Die Beihefte-Reihe zum Daphnis bringt Beiträge zu Rahmenthemen unter der Verantwortung dazu eingeladener Herausgeber.

The series published three volumes over the last 5 years.
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DQR Studies in Literature is a book series which first began in 1986 as an offshoot of the journal, Dutch Quarterly Review of Anglo-American Letters that flourished from 1971 until 1992. Like the journal, DQR Studies in Literature publishes collections of original articles by a variety of authors. Each volume focuses on a particular topic or theme, or body of literary work in the English language. Frequently but not invariably such a gathering of articles derives from a conference or is linked to an approaching anniversary associated with individual writers, movements or events, or one recently commemorated.

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.


The series published an average of three volumes per year over the last 5 years.