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The Swedish Case
Author:
Supported by the legal ideas of Hugo Grotius, the Swedish armies exploited opportunities to seize books as spoils of war from conquered enemies to an unparalleled degree in the seventeenth century. They took books from countries such as today’s Latvia, Poland, Germany, the Czech Republic and Denmark, distributing the goods to recently founded institutions and private manors in their native country. In Looted Libraries, Looted Books – The Swedish Case, Peter Sjökvist gives a summarizing overview of these plunders: from which regions and owners full libraries or selected books were taken during the conflicts, where they subsequently tended to end up when arriving in Sweden, and how they have been received and curated over the years. It is argued that it can be questioned whether large portions of the spoils have served any proper user needs in their new contexts.
The Swedish Case
Author:
Supported by the legal ideas of Hugo Grotius, the Swedish armies exploited opportunities to seize books as spoils of war from conquered enemies to an unparalleled degree in the seventeenth century. They took books from countries such as today’s Latvia, Poland, Germany, the Czech Republic and Denmark, distributing the goods to recently founded institutions and private manors in their native country. In Looted Libraries, Looted Books – The Swedish Case, Peter Sjökvist gives a summarizing overview of these plunders: from which regions and owners full libraries or selected books were taken during the conflicts, where they subsequently tended to end up when arriving in Sweden, and how they have been received and curated over the years. It is argued that it can be questioned whether large portions of the spoils have served any proper user needs in their new contexts.
Ever since the publication of Saxo Grammaticus’ Gesta Danorum at the beginning of the thirteenth century, scholars and laymen have grappled with the complex and marvellous chronicle. As much specialized scholarship has been published in Danish, this companion breaks new ground by giving a comprehensive and up-to-date tour of the work for a global audience. Attention is given to the unity of Saxo’s massive chronicle, whether he is dealing with a legendary pagan past or events from his own time. Saxo’s world and views are explored in ways that shed new light on all of northern Europe.
Contributors are Bjørn Bandlien, Karsten Friis-Jensen, Michael H. Gelting, Thomas K. Heebøll-Holm, Lars Hermanson, Lars Kjær, Torben Kjersgaard Nielsen, Annette Lassen, Anders Leegaard Knudsen, Lars Boje Mortensen, Mia Münster-Swendsen, Erik Niblaeus, Roland Scheel, Karen Skovgaard-Petersen, Kurt Villads Jensen, and Helle Vogt.
Contributors are Bjørn Bandlien, Karsten Friis-Jensen, Michael H. Gelting, Thomas K. Heebøll-Holm, Lars Hermanson, Lars Kjær, Torben Kjersgaard Nielsen, Annette Lassen, Anders Leegaard Knudsen, Lars Boje Mortensen, Mia Münster-Swendsen, Erik Niblaeus, Roland Scheel, Karen Skovgaard-Petersen, Kurt Villads Jensen, and Helle Vogt.
Series:
The Northern World, Volume: 97
Ever since the publication of Saxo Grammaticus’ Gesta Danorum at the beginning of the thirteenth century, scholars and laymen have grappled with the complex and marvellous chronicle. As much specialized scholarship has been published in Danish, this companion breaks new ground by giving a comprehensive and up-to-date tour of the work for a global audience. Attention is given to the unity of Saxo’s massive chronicle, whether he is dealing with a legendary pagan past or events from his own time. Saxo’s world and views are explored in ways that shed new light on all of northern Europe.
Contributors are Bjørn Bandlien, Karsten Friis-Jensen, Michael H. Gelting, Thomas K. Heebøll-Holm, Lars Hermanson, Lars Kjær, Torben Kjersgaard Nielsen, Annette Lassen, Anders Leegaard Knudsen, Lars Boje Mortensen, Mia Münster-Swendsen, Erik Niblaeus, Roland Scheel, Karen Skovgaard-Petersen, Kurt Villads Jensen, and Helle Vogt.
Contributors are Bjørn Bandlien, Karsten Friis-Jensen, Michael H. Gelting, Thomas K. Heebøll-Holm, Lars Hermanson, Lars Kjær, Torben Kjersgaard Nielsen, Annette Lassen, Anders Leegaard Knudsen, Lars Boje Mortensen, Mia Münster-Swendsen, Erik Niblaeus, Roland Scheel, Karen Skovgaard-Petersen, Kurt Villads Jensen, and Helle Vogt.
The monograph series Danish Golden Age Studies is dedicated to advancing international research on the Danish Golden Age, i.e., the period from 1800 to around 1850 when writers and thinkers such as Hans Christian Andersen and Søren Kierkegaard were active.
Volumes 1-12 have been published by Museum Tusculanum Press, Copenhagen, and can be found here: Danish Golden Age Studies.
See also our parallel translation series, Texts from Golden Age Denmark.
Volumes 1-12 have been published by Museum Tusculanum Press, Copenhagen, and can be found here: Danish Golden Age Studies.
See also our parallel translation series, Texts from Golden Age Denmark.
A Pioneer of Comparative Literature and a Global Public Intellectual
Georg Brandes (1842-1927) was one of the leading literary critics in Europe of his time. His Main Currents of Nineteenth Century Literature (1872-1890) was a foundational text to the field of comparative literature and extolled by Thomas Mann as the “Bible of the young intellectual Europe at the turn of the century.” Georg Brandes eventually developed into a truly global public intellectual, living by his pen and public lectures. On the eve of World War I, he was one of the most sought-after commentators, vigorously opposing all conflicting factions. This book seeks to understand Brandes’ trajectory, to evaluate Brandes’ significance for current discussions of literary criticism and public engagement, and to introduce Brandes to an international audience. It consists of 15 original chapters commissioned from experts in the field.
A Pioneer of Comparative Literature and a Global Public Intellectual
Georg Brandes (1842-1927) was one of the leading literary critics in Europe of his time. His Main Currents of Nineteenth Century Literature (1872-1890) was a foundational text to the field of comparative literature and extolled by Thomas Mann as the “Bible of the young intellectual Europe at the turn of the century.” Georg Brandes eventually developed into a truly global public intellectual, living by his pen and public lectures. On the eve of World War I, he was one of the most sought-after commentators, vigorously opposing all conflicting factions. This book seeks to understand Brandes’ trajectory, to evaluate Brandes’ significance for current discussions of literary criticism and public engagement, and to introduce Brandes to an international audience. It consists of 15 original chapters commissioned from experts in the field.
Author:
Winner of the 2023 Early Slavic Studies Book Prize from the Early Slavic Studies Association (ESSA) (Best book)
Medieval Moldavia – which was located within present-day northeastern Romania and the Republic of Moldova – developed a bold and eclectic visual culture beginning in the 15th century. Within this networked Carpathian Mountain region, art and architecture reflect the creativity and diversity of the cultural landscapes of Eastern Europe.
Moldavian objects and monuments – ranging from fortified monasteries and churches enveloped in fresco cycles to silk embroideries, delicately carved woodwork and metalwork, as well as manuscripts gifted to Mount Athos and other Christian centers – negotiate the complex issues of patronage and community in the region. The works attest to processes of cultural contact and translation, revealing how Western medieval, Byzantine, and Slavic traditions were mediated in Moldavian contexts in the post-Byzantine period.
Winner of the 2023 Early Slavic Studies Book Prize, awarded by the Early Slavic Studies Association (ESSA) for the best book published between Sept 1, 2021 and August 31, 2023 in the field of Early Slavic Studies (pre-1800). The awarding committee praised the volume as ‘the first English monograph to provide a comprehensive overview of Moldavia's artistic and architectural landscape during the 15th and 16th centuries, locating the region as a significant facet in the global map of art history.’
Official ESSA announcement.
Medieval Moldavia – which was located within present-day northeastern Romania and the Republic of Moldova – developed a bold and eclectic visual culture beginning in the 15th century. Within this networked Carpathian Mountain region, art and architecture reflect the creativity and diversity of the cultural landscapes of Eastern Europe.
Moldavian objects and monuments – ranging from fortified monasteries and churches enveloped in fresco cycles to silk embroideries, delicately carved woodwork and metalwork, as well as manuscripts gifted to Mount Athos and other Christian centers – negotiate the complex issues of patronage and community in the region. The works attest to processes of cultural contact and translation, revealing how Western medieval, Byzantine, and Slavic traditions were mediated in Moldavian contexts in the post-Byzantine period.
Winner of the 2023 Early Slavic Studies Book Prize, awarded by the Early Slavic Studies Association (ESSA) for the best book published between Sept 1, 2021 and August 31, 2023 in the field of Early Slavic Studies (pre-1800). The awarding committee praised the volume as ‘the first English monograph to provide a comprehensive overview of Moldavia's artistic and architectural landscape during the 15th and 16th centuries, locating the region as a significant facet in the global map of art history.’
Official ESSA announcement.
Author:
Winner of the 2023 Early Slavic Studies Book Prize from the Early Slavic Studies Association (ESSA) (Best book)
Medieval Moldavia – which was located within present-day northeastern Romania and the Republic of Moldova – developed a bold and eclectic visual culture beginning in the 15th century. Within this networked Carpathian Mountain region, art and architecture reflect the creativity and diversity of the cultural landscapes of Eastern Europe.
Moldavian objects and monuments – ranging from fortified monasteries and churches enveloped in fresco cycles to silk embroideries, delicately carved woodwork and metalwork, as well as manuscripts gifted to Mount Athos and other Christian centers – negotiate the complex issues of patronage and community in the region. The works attest to processes of cultural contact and translation, revealing how Western medieval, Byzantine, and Slavic traditions were mediated in Moldavian contexts in the post-Byzantine period.
Winner of the 2023 Early Slavic Studies Book Prize, awarded by the Early Slavic Studies Association (ESSA) for the best book published between Sept 1, 2021 and August 31, 2023 in the field of Early Slavic Studies (pre-1800). The awarding committee praised the volume as ‘the first English monograph to provide a comprehensive overview of Moldavia's artistic and architectural landscape during the 15th and 16th centuries, locating the region as a significant facet in the global map of art history.’
Official ESSA announcement.
Medieval Moldavia – which was located within present-day northeastern Romania and the Republic of Moldova – developed a bold and eclectic visual culture beginning in the 15th century. Within this networked Carpathian Mountain region, art and architecture reflect the creativity and diversity of the cultural landscapes of Eastern Europe.
Moldavian objects and monuments – ranging from fortified monasteries and churches enveloped in fresco cycles to silk embroideries, delicately carved woodwork and metalwork, as well as manuscripts gifted to Mount Athos and other Christian centers – negotiate the complex issues of patronage and community in the region. The works attest to processes of cultural contact and translation, revealing how Western medieval, Byzantine, and Slavic traditions were mediated in Moldavian contexts in the post-Byzantine period.
Winner of the 2023 Early Slavic Studies Book Prize, awarded by the Early Slavic Studies Association (ESSA) for the best book published between Sept 1, 2021 and August 31, 2023 in the field of Early Slavic Studies (pre-1800). The awarding committee praised the volume as ‘the first English monograph to provide a comprehensive overview of Moldavia's artistic and architectural landscape during the 15th and 16th centuries, locating the region as a significant facet in the global map of art history.’
Official ESSA announcement.
A European Perspective, c.1035–1320
Series:
The Northern World, Volume: 94
Author:
In this book, Beñat Elortza Larrea analyses the processes of polity consolidation and military transformation in Scandinavia between the early eleventh and early fourteenth centuries. Based on a plethora of administrative, legal, and narrative sources, this study examines the development of governance and warfare in Denmark, Norway, and Sweden, and evaluates to which degree European ideas and institutions shaped the budding medieval Scandinavian realms.
In other words – did the formation of these kingdoms stem mostly from European influence, were they a by-product of a purely Scandinavian ethos, or did they largely develop due to historical and geographical circumstances unique to each realm
In other words – did the formation of these kingdoms stem mostly from European influence, were they a by-product of a purely Scandinavian ethos, or did they largely develop due to historical and geographical circumstances unique to each realm
A European Perspective, c.1035–1320
Series:
The Northern World, Volume: 94
Author:
In this book, Beñat Elortza Larrea analyses the processes of polity consolidation and military transformation in Scandinavia between the early eleventh and early fourteenth centuries. Based on a plethora of administrative, legal, and narrative sources, this study examines the development of governance and warfare in Denmark, Norway, and Sweden, and evaluates to which degree European ideas and institutions shaped the budding medieval Scandinavian realms.
In other words – did the formation of these kingdoms stem mostly from European influence, were they a by-product of a purely Scandinavian ethos, or did they largely develop due to historical and geographical circumstances unique to each realm
In other words – did the formation of these kingdoms stem mostly from European influence, were they a by-product of a purely Scandinavian ethos, or did they largely develop due to historical and geographical circumstances unique to each realm
The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 is the final volume of the four-volume series of cultural histories of the avant-garde movements in the Nordic countries. This volume carries the avant-garde discussion forward to present-day avant-gardes, challenged by the globalisation of the entertainment industries and new interactive media such as the internet. The avant-garde can now be considered a tradition that has been made more widely available through the opening of archives, electronic documentation and new research, which has spurred both re-enactments, revisions and continuations of historical avant-garde practices, while new cultural contexts, political, technological and ecological conditions have called for new strategies.
The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 is the final volume of the four-volume series of cultural histories of the avant-garde movements in the Nordic countries. This volume carries the avant-garde discussion forward to present-day avant-gardes, challenged by the globalisation of the entertainment industries and new interactive media such as the internet. The avant-garde can now be considered a tradition that has been made more widely available through the opening of archives, electronic documentation and new research, which has spurred both re-enactments, revisions and continuations of historical avant-garde practices, while new cultural contexts, political, technological and ecological conditions have called for new strategies.
A classicist, philosopher, and poet, Poul Martin Møller was an important figure in the Danish Golden Age. The traumatic event of the death of his wife led him to think more profoundly about the question of the immortality of the soul. In 1837 he published his most important philosophical treatise, “Thoughts on the Possibility of Proofs of Human Immortality,” presented here in English for the first time. It was read and commented upon by the leading figures of the Golden Age, such as Søren Kierkegaard. It proved to be the last important work that Møller wrote before his death in March of 1838 at the age of 43.
A classicist, philosopher, and poet, Poul Martin Møller was an important figure in the Danish Golden Age. The traumatic event of the death of his wife led him to think more profoundly about the question of the immortality of the soul. In 1837 he published his most important philosophical treatise, “Thoughts on the Possibility of Proofs of Human Immortality,” presented here in English for the first time. It was read and commented upon by the leading figures of the Golden Age, such as Søren Kierkegaard. It proved to be the last important work that Møller wrote before his death in March of 1838 at the age of 43.
Due to numerous translations, Søren Kierkegaard and Hans Christian Andersen have long been familiar names in the anglophone world. However, as is well known inside Denmark, Kierkegaard and Andersen were not isolated figures in the Danish intellectual and artistic scene of the day; rather, they were merely the best-known representatives of an extremely rich period in Danish cultural life that began at the start of the nineteenth century and continued for some fifty or sixty years. This period, which has been designated "the Golden Age of Denmark," is only now coming to be appreciated for its full significance. The main goal of this interdisciplinary series is to make available for the first time in English some of the most important texts from the leading writers and intellectual figures of this period.
Volumes 1-7 have been published by Museum Tusculanum Press, Copenhagen, and can be found here: Texts from Golden Age Denmark.
See also our parallel monograph series, Danish Golden Age Studies.
Volumes 1-7 have been published by Museum Tusculanum Press, Copenhagen, and can be found here: Texts from Golden Age Denmark.
See also our parallel monograph series, Danish Golden Age Studies.
Volume Editor:
This book sheds new light on the central role of the Grimms’ all too often neglected Deutsche Sagen (German Legends), published in 1816-1818 as a follow up to their famous collection of fairy tales. As the chapters in this book demonstrate, Deutsche Sagen, with its firmly nationalistic title, set in motion a cultural tsunami of folklore collection throughout Northern Europe from Ireland and Estonia, which focused initially on the collection of folk legends rather than fairy tales.
Grimm Ripples focuses on the initial northward wave of collection between 1816 and 1870, and the letters, introductions and reviews associated with these collections which effectively demonstrate how those involved understood what was being collected. This approach offers important new insights into the key role played by Folkloristics in the Romantic Nationalistic movement of the early nineteenth century.
Contributors are: Terry Gunnell, Joep Leerssen, Holger Ehrhardt, Timothy R. Tangherlini, Herleik Baklid, Ane Ohrvik, Line Esborg, Fredrik Skott, John Lindow, Éilís Ní Dhiubhne Almqvist, John Shaw, Jonathan Roper, Kim Simonsen, Rósa Þorsteinsdóttir, Liina Lukas, Pertti Anttonen, Ulrika Wolf-Knuts, and Susanne Österlund-Pötzsch.
Grimm Ripples focuses on the initial northward wave of collection between 1816 and 1870, and the letters, introductions and reviews associated with these collections which effectively demonstrate how those involved understood what was being collected. This approach offers important new insights into the key role played by Folkloristics in the Romantic Nationalistic movement of the early nineteenth century.
Contributors are: Terry Gunnell, Joep Leerssen, Holger Ehrhardt, Timothy R. Tangherlini, Herleik Baklid, Ane Ohrvik, Line Esborg, Fredrik Skott, John Lindow, Éilís Ní Dhiubhne Almqvist, John Shaw, Jonathan Roper, Kim Simonsen, Rósa Þorsteinsdóttir, Liina Lukas, Pertti Anttonen, Ulrika Wolf-Knuts, and Susanne Österlund-Pötzsch.