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Biblical Exegesis without Authorial Intention?

Interdisciplinary Approaches to Authorship and Meaning

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Edited by Clarissa Breu

In Biblical Exegesis without Authorial Intention? Interdisciplinary Approaches to Authorship and Meaning, Clarissa Breu offers interdisciplinary contributions to the question of the author in biblical interpretation with a focus on “death of the author” theory. The wide range of approaches represented in the volume comprises mostly postmodern theory (e. g. Jacques Derrida, Michel Foucault, Paul de Man, Julia Kristeva and Gilles Deleuze), but also the implied author and intentio operis. Furthermore, psychology, choreography, reader-response theories and anthropological studies are reflected. Inasmuch as the contributions demonstrate that biblical studies could utilize significantly more differentiated views on the author than are predominantly presumed within the discipline, it is an invitation to question the importance and place attributed to the author.
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Alice Richir

Qui se cache derrière le « Je » et ses mensonges ? Écriture du fantasme plonge au cœur de la littérature contemporaine de langue française pour désigner comme fantasmes, au sens psychanalytique, les projections imaginaires qui peuplent les romans de Jean-Philippe Toussaint et Tanguy Viel. Prenant appui sur la définition du fantasme de Sigmund Freud et sur l’identification de sa logique par Jacques Lacan, la fiction fantasmatique est envisagée comme un moyen pour un narrateur à l’identité diffractée de faire récit. Cette nouvelle logique narrative est étudiée à la lumière des dispositifs modernes de l’image – photographie et cinéma, essentiellement –, dont Toussaint et Viel s’inspirent pour déconstruire les cadres représentatifs traditionnels et interroger le rapport entre identification et récit aujourd’hui.

Who lies behind the "I" and its deceitful nature? Écriture du fantasme delves into the heart of contemporary French-language literature to psychoanalytically designate as fantasies the imaginary projections which populate the novels of Jean-Philippe Toussaint and Tanguy Viel. Fantasized fiction is regarded as a means for a narrator with a diffracted identity to exist through the narration, based on how Sigmund Freud defined fantasy and on how Jacques Lacan deciphers its logic. This new sense of narration is studied through modern imagery devices – essentially photography and cinema. Toussaint and Viel use these as inspiration to deconstruct the traditional representative frameworks and question the current correlation between identification and narrative.
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Patrick McCabe’s Ireland

The Butcher Boy, Breakfast on Pluto and Winterwood

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Edited by Jennifer Keating

Few contemporary Irish writers have been more attuned to the historical influence of partition on Ireland’s culture and literary representation than Patrick McCabe. In the recent context of Brexit, his work produced in the late nineteen nineties and early two-thousands carries considerable poignancy, especially in relation to the Catholic Church, gender roles and persistence of a history of violence in Ireland. This volume attends to three novels, The Butcher Boy, Breakfast on Pluto and Winterwood as an emblematic representation of Ireland in the late twentieth and early twenty-first centuries. Contributors are: K. Brisley Brennan, Aisling Cormack, Flore Coulouma, Luke Gibbons, Lindsay Haney, Barbara Hoffmann, Jennifer Keating, James F. Knapp, Colin MacCabe, Kristina Varade.
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Dialogue

Critical Works on Literary Texts after 1900

What is dialogue? The question invites a response which in itself produces and enriches dialogue.
Within and beyond our subject areas in Literature, Culture and the Humanities we learn by debating texts, both through the enhanced literacy which this develops and from the expansive conversation that proceeds from that literacy at every stage.
The global dimensions of culture and digital media of communication that reframe our contemporary intellectual environment add to this process.

Brill’s Dialogue series embodies one form of the discussion that remains at the very core of subject areas where critically informed dialogue within and around key texts takes place.
With its primary focus on the discussion of texts in modern cultures the series retains the potential to contribute key moments to this process and to stimulate innovation in a form that is suited both to the needs of scholarship and new generations of students to come.

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.

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The Neo-Victorian Series aims to analyse the complex revival, re-vision and recycling of the long nineteenth century in the cultural imaginary. This contemporary phenomenon will be examined in its diverse British and worldwide, postcolonial and neo-colonial contexts, as well as its manifold forms, including literature, the arts, film, television, and virtual media. To assess such simultaneous artistic regeneration and retrogressive innovation and to tackle the ethical debate and ideological consequences of these re-appropriations will constitute the main challenges of this series.

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.

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The Neo-Victorian Series aims to analyse the complex revival, re-vision and recycling of the long nineteenth century in the cultural imaginary. This contemporary phenomenon will be examined in its diverse British and worldwide, postcolonial and neo-colonial contexts, as well as its manifold forms, including literature, the arts, film, television, and virtual media. To assess such simultaneous artistic regeneration and retrogressive innovation and to tackle the ethical debate and ideological consequences of these re-appropriations will constitute the main challenges of this series.

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.

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Postmodern Studies deals with (any aspect of) postmodernism, or of postmodernity and the postmodern in relation to literature.

Publications in this series can be either of a theoretical or a more practical/analytic nature. They may refer to any one, or to several, literary works, genres, or literatures. They may also refer to the other arts, provided the main focus remain literary. In evaluating contributions, the editors of Postmodern Studies will follow no particular methodological or ideological bias.

All manuscripts accepted in the series first undergo a process of peer review.

Due to rapid developments in literary studies we close the series for new publications.
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Samuel Beckett Today / Aujourd'hui

An Annual Bilingual Review / Revue Annuelle Bilingue

A refereed bilingual journal, Samuel Beckett Today / Aujourd’hui has established itself as one of the leading international journals in the dynamic field of Beckett studies. A guiding principle of the journal is its openness to diverse disciplinary domains, theoretical perspectives, and discourse styles of scholars writing on Beckett. Bilingual since its inception, it aims to foster dialogue across languages, cultures, and disciplines. The journal welcomes submissions in English and French from all parts of the world provided they contribute a new understanding to the extensive literature on Beckett and meet the tests of readability and scholarship.

Samuel Beckett Today / Aujourd’hui will be published as journal as of 2016. All back volumes are still available in print.

La revue bilingue Samuel Beckett Today / Aujourd’hui a su se faire reconnaître comme une des revues internationales de pointe dans le domaine très dynamique des études beckettiennes. L’un des principes directeurs de cette revue est son ouverture à la diversité des champs d’étude, des perspectives théoriques et des approches stylistiques des chercheurs travaillant sur Beckett. Bilingue depuis sa fondation, la revue cherche à encourager le dialogue entre les langues, les cultures et les disciplines différentes. La revue accueille des propositions en anglais et en français provenant de tous les coins du monde, pourvu que celles-ci, en s’inscrivant dans la liste déjà longue des études sur Beckett, contribuent à apporter une compréhension nouvelle de cette œuvre, tout en répondant aux critères requis de lisibilité et de sérieux scientifique. Les propositions sont soumises au contrôle évaluatif par les pairs.

A partir de 2016, Samuel Beckett Today / Aujourd’hui paraître comme une revuel . Les livres parus resteront disponibles sous version imprimée.
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Daniel Varisco

Varisco’s Culture Still Matters: Notes from the Field is on the relationship between ethnographic fieldwork and the culture concept in the ongoing debate over the future of anthropology, drawing on the history of both concepts. Despite being the major social science that offers a methodology and tools to understand diverse cultures worldwide, scholars within and outside anthropology have attacked this field for all manner of sins, including fostering colonialism and essentializing others. This book revitalizes constructive debate of this vibrant field’s history, methods and contributions, drawing on the author’s ethnographic experience in Yemen. It covers complicated theoretical concepts about culture and their critiques in readable prose, accessible to students and interested social scientists in other fields.

With forewords from Bryan S. Turner and Anouar Majid.
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Lacan and Cassirer

An Essay on Symbolisation 

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Antoine Mooij

The Neo-Kantian philosopher Cassirer and the psychoanalyst Lacan are two key figures in the so-called medial turn in philosophy: the notion that any form of access to reality is mediated by symbols (images, words, signifiers). This explains why the theories of both philosophers merit a description in their own unique idioms, as well as having their respective basic tenets compared. It will be argued that, rather surprisingly, these tenets turn out be complementary - actually correcting each other – based on their shared notion of man as an animal symbolicum. Its fruitfulness will be substantiated for a limited number of topics within the humanities: perception, language, politics and ethics, and mental disorder, all to be considered from this perspective.