Ideology in Postcolonial Texts and Contexts reflects that critiques of ideological formations occur within intersecting social, political, and cultural configurations where each position is in itself ‘ideological’ – and subject to asymmetrical power relations. Postcolonialism has become an object of critique as ideology, but postcolonial studies’ highly diversified engagement with ideology remains a strong focus that exceeds Ideologiekritik. Fourteen contributors from North America, Africa, and Europe focus (I) on the complex relation between postcolonialism, postcolonial theory, and conceptualizations of ideology, (II) on ideological formations that manifest themselves in very specific postcolonial contexts, highlighting the potential continuities between colonial and postcolonial ideology, and (III) on further expanding and complicating the nexus of postcolonial ideology, from veiling as both ideological practice and individual resistance to home as ideological construct; from palimpsestic readings of colonial photography to aesthetics as ideology.
Dans Témoignage et littérature d’après Auschwitz, Fransiska Louwagie offre des études critiques provenant de deux centres de gravité de la littérature de la Shoah et des camps nazis : les œuvres des témoins-survivants et celles des générations suivantes. Le livre explore les œuvres d’écrivains majeurs et parfois moins connus, comme celles de Robert Antelme, André Schwarz-Bart, Piotr Rawicz, Jorge Semprun et Imre Kertész, d’une part, et celles de Georges Perec, Raymond Federman, Gérard Wajcman, Henri Raczymow et Michel Kichka, de l’autre. En consacrant à chaque auteur une étude critique approfondie, Fransiska Louwagie fait pleinement droit à l’individualité des œuvres, tout en dégageant des perspectives transversales sur les questions éthiques et esthétiques qui sous-tendent le témoignage et la littérature d’après Auschwitz.

In Témoignage et littérature d’après Auschwitz, Fransiska Louwagie brings together two key areas of Holocaust literature, offering a rich analysis of both testimony and second generation writing. The book explores the works of major and sometimes lesser-known writers such as Robert Antelme, André Schwarz-Bart, Piotr Rawicz, Jorge Semprun, Imre Kertész, Georges Perec, Raymond Federman, Gérard Wajcman, Henri Raczymow and Michel Kichka. By devoting an in-depth critical study to each of these writers, the book draws out the individual specificity of their works, while also developing broader insights into the ethical and aesthetic questions that underlie acts of witnessing and writing ‘after Auschwitz’.
The Dispute over Israel's Holiest Jewish Site, 1967–2000
The Western Wall—Judaism’s holiest site—occupies a prominent position in contemporary Jewish and Israeli discourse, current events, and local politics. In The Western Wall: The Dispute over Israel's Holiest Jewish Site, 1967–2000, Kobi Cohen-Hattab and Doron Bar offer a detailed exploration of the Western Wall plaza’s evolution in the late twentieth century. The examination covers the role of archaeology in defining the space, the Western Wall’s transformation as an Israeli and Jewish symbol, and the movement to open it to a variety of Jewish denominations. The book studies the central processes and shifts that took place at the Western Wall during the three decades that followed the Six-Day War—a relatively short yet crucial chapter in Jerusalem's extensive history.
Literary Constructions of Inclusion, Exclusion, and Self-Definition (1756–1871)
Long before it took political shape in the proclamation of the German Empire of 1871, a German nation-state had taken shape in the cultural imagination. Covering the period from the Seven Years’ War to the Reichsgründung of 1871, Nationalism before the Nation State: Literary Constructions of Inclusion, Exclusion, and Self-Definition (1756–1871) explores how the nation was imagined by different groups, at different times, and in connection with other ideologies. Between them the eight chapters in this volume explore the connections between religion, nationalism and patriotism, and individual chapters show how marginalised voices such as women and Jews contributed to discourses on national identity. Finally, the chapters also consider the role of memory in constructing ideas of nationhood.

Contributors are: Johannes Birgfeld, Anita Bunyan, Dirk Göttsche, Caroline Mannweiler, Alex Marshall, Dagmar Paulus, Ellen Pilsworth, and Ernest Schonfield.
Author: Cornelia Ruhe
La littérature française contemporaine porte un vif intérêt au déchiffrement de la guerre sous la paix, à l’histoire des conflits sanglants du XXe siècle et de leurs séquelles pour la vie civile. Elle dépasse la vue partielle de l’histoire nationale et rétablit le lien rompu avec celle de la période coloniale. Les protagonistes des textes de Maurice Attia, de Mathias Énard, de Jérôme Ferrari, de Laurent Gaudé, d’Alexis Jenni, de Laurent Mauvignier et de Wajdi Mouawad sont bien souvent des vétérans, des revenants qui tardent à vraiment ‘revenir’ de la guerre. La monographie cherche à explorer les modalités narratives qui permettent aux auteurs d’adresser les traumatismes et d’entamer le travail de mémoire.

Contemporary French literature is acutely interested in peacetime attempts to make sense of war, in the history of the bloody conflicts of the twentieth century and their repercussions on civilian life. It goes beyond the partial view of national history and restores the broken link to the history of the colonial era. Many of the characters of Maurice Attia, Mathias Énard, Jérôme Ferrari, Laurent Gaudé, Alexis Jenni, Laurent Mauvignier and Wajdi Mouawad are veterans, returnees who have trouble really ‘returning’ from war. This monograph aims to explore the narrative methods that allow the authors to address traumas and begin the work of memory.
In Histories of Independence in Côte d’Ivoire: an Ethnography of the Past, Konstanze N’Guessan deals with memory work in Côte d’Ivoire and bridges an ethnographic approach with the insights of newer theoretical approaches in historiography. Adopting a long-term perspective from the late 1950s to the present, she attempts to disentangle the condensation of meanings of the lieu de mémoire “Ivorian independence” and explores how different practices of recalling the past complement and/or contradict each other. Histories of independence in Côte d’Ivoire looks at national-day celebrations, academic historiography, oral tradition and memory politics in order to understand how (political) actors mobilize the past in order to produce pleasant presents and futures.
Author: Yunshin Hong
Okinawa, the only Japanese prefecture invaded by US forces in 1945, was forced to accommodate 146 “military comfort stations” from 1941–45. How did Okinawans view these intrusive spaces and their impact on regional society? Interviews, survivor testimonies, and archival documents show that the Japanese army manipulated comfort stations to isolate local communities, facilitate “spy hunts,” and foster a fear of rape by Americans that induced many Okinawans to choose death over survival. The politics of sex pursued by the US occupation (1945–72) perpetuated that fear of rape into the postwar era. This study of war, sexual violence, and postcolonial memory sees the comfort stations as discursive spaces of remembrance where differing war experiences can be articulated, exchanged, and mutually reassessed.

Winner of the 2017 Best Publication Award of the Year by the Okinawa Times.
Depuis plus de dix ans, les romans de Mathias Énard connaissent un succès qui ne se dément pas. La Perfection du tir en 2003, mais aussi Zone en 2008, Parle-leur de batailles, de rois et d’éléphants en 2010 et Rue des voleurs en 2012 ont remporté des prix littéraires de grand renom. Enfin, le jury du prix Goncourt a opté en 2015 avec Boussole pour un roman dans lequel « l’imagination » romanesque a pour support une époustouflante érudition portant sur l’Orient. Ce volume cherche à éclairer les modalités narratives qui permettent à l’auteur de transformer l’érudition en roman, mais aussi à situer son œuvre dans le contexte littéraire actuel.

Over the past ten years the novels of Mathias Énard have enjoyed both widespread critical acclaim and commercial success. In 2015 Énard was awarded the Prix Goncourt, France’s most prestigious literary prize, for Compass, a work which explores the fraught and often fruitful relationship between Europe and the Orient through the musings of an Austrian musicologist. Yet in spite of these successes, and Mathias Énard’s penchant for filling his novels with historical fact, little has been written about his work in academic circles. This volume seeks to fill that gap and shed light on the narrative modalities that allow the author to transform erudition into narration. It also seeks to situate his work in the current literary context, which is being shaped ever more by historical narratives.
Narrative Cultures and the Aesthetics of Religion presents the aesthetics of narrativity in religious contexts by approaching narrative acts as situated modes of engaging with reality, equally shaped by the immersive character of the stories told and the sensory qualities of their performances. Introducing narrative cultures as an integrative framework of analysis, the volume builds a bridge between classical content-based approaches to narrative sources and the aesthetic study of religions as constituted by sensory and mediated practices. Studying stories in conjunction with the role that performative acts of storytelling play in the cultivation of the senses, the contributors explore the efficacy of storytelling formats in narrative cultures from ancient times until today, in regions and cultures across the globe.
Una topología cultural del exilio
Author: Mónica Jato
El éxodo español de 1939: Una topología cultural del exilio explores the cultural strategies employed by Spanish Republican refugees in adapting to radical changes in their environment and transforming the new spaces into habitable places. Thus the monograph highlights the centrality of the concept of place in the reconstruction of the lost home by analysing the various stages of the relocation of culture in exile: from French internment camps, on board ships, and finally to residence in Mexico.
Adopting an interdisciplinary approach, Jato contends that the experience of space in exile is relational, and that the staging posts described in each chapter have no meaning unless they are interconnected as integral parts of a cultural topology.



En El éxodo español de 1939: Una topología cultural del exilio Mónica Jato da cuenta de las variadas estrategias culturales empleadas por los refugiados republicanos españoles para adaptarse a las condiciones de sus nuevos entornos con el fin de transformarlos en lugares habitables. El libro indaga así la centralidad del concepto de lugar en la reconstrucción del hogar perdido y lo hace a través de sus diferentes etapas: en los campos de internamiento franceses, en los barcos rumbo a América y durante el asentamiento en tierras mexicanas.
La experiencia del exilio es abordada aquí desde una perspectiva interdisciplinaria que pone de manifiesto el aspecto relacional de estas pausas espaciales cuya interconexión define esta particular topología cultural.