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Traditional narratives hold that the art and architecture of the Iberian Peninsula in the late 15th century were transformed by the arrival of artists, objects, and ideas from northern Europe. The year 1492 has been interpreted as a radical rupture, marking the end of the Islamic presence on the peninsula, the beginning of global encounters, and the intensification of exchange between Iberia and Renaissance Italy.
This volume aims to nuance and challenge this narrative, considering the Spanish and Portuguese worlds in conjunction, and emphasising the multi-directional migrations of both objects and people to and from the peninsula. This long-marginalised region is recast as a ‘diffuse artistic centre’ in close contact with Europe and the wider world. The chapters interweave several media, geographies, and approaches to create a rich tapestry held together by itinerant artworks, artists and ideas.
Contributors are Luís Urbano Afonso, Sylvia Alvares-Correa, Vanessa Henriques Antunes, Piers Baker-Bates, Costanza Beltrami, António Candeias, Ana Cardoso, Maria L. Carvalho, Maria José Francisco, Bart Fransen, Alexandra Lauw, Marta Manso, Eva March, Encarna Montero Tortajada, Elena Paulino, Fernando António Baptista Pereira, Joana Balsa de Pinho, María Sanz Julián, Steven Saverwyns, Marco Silvestri, Maria Vittoria Spissu, Sara Valadas, Céline Ventura Teixeira, Nelleke de Vries, and Armelle Weitz.
Literary, Historical, Sociolinguistic and Anthropological Approaches
Global Portuguese results from conferences convened at the University of London School of Advanced Study to highlight legacies of Portuguese empire in postcolonial societies. Its chapters trace Portuguese legacies from the early modern to contemporary period through language, literature, linguistics, and cuisine. There are sections devoted to sociolinguistic and anthropological method, and studies on Thailand, Sri Lanka, Goa, Macau, Brazil, and Angola.

Contributors are: Matthias Rõhrig Assunção, Dorothée Boulanger, Silvia Figueiredo Brandão, David Brookshaw, Paul Melo e Castro, Augusto Soares da Silva, Shihan de Silva Jayasuriya, Stefan Halikowski Smith, Annabel Jackson, Ivana Stolze Lima, Selina Patel Nascimento, Malyn Newitt, Gerhard Seibert, Andrzej Stuart-Thompson, Raan-Hann Tan, and Silvia Rodrigues Vieira.
Children and Cultural Capital in the Americas
A class of child artists in Mexico, a ship full of child refugees from Spain, classrooms of child pageant actors, and a pair of boy ambassadors revealed facets of hemispheric politics in the Good Neighbor era. Culture-makers in the Americas tuned into to children as producers of cultural capital to advance their transnational projects. In many instances, prevailing conceptions of children as innocent, primitive, dependent, and underdeveloped informed perceptions of Latin America as an infantilized region, a lesser "Other Americas" on the continent. In other cases, children's interventions in the cultural politics, economic projects, and diplomatic endeavors of the interwar period revealed that Latin American children saw themselves as modern, professional, participants in forging inter-American relationships.
In Toledo in 1529, a converso named Pedro de Cazalla declared that the connection between man and God was but a thread and that it should not be mediated by the Church. Hardly an isolated phenomenon, Cazalla’s inner spirituality was a widespread response to the increasing repression of religious dissent enacted by the Inquisition.
Forced baptisms of Jews and Muslims had profound effects across Spanish society, leading famous intellectuals as well as ordinary men and women to rethink their sense of belonging to the Christian community and their forms of religiosity. Thus, in this book, early modern Iberia emerges as a laboratory of European-wide transformations.
Volume Editor:
This volume provides a partial mapping of the ambivalent representational forms and cultural politics that have characterized Latinx identity since the 1990s, looking at literary and popular culture texts, as well as new media expressions. The chapters tackle themes related to the diversity of Latinx culture and experience, as represented in different media the borderland context, issues related to gender and sexuality, the US–Mexico borderland context, and the connections between spatiality and Latinx self-representation—sketching the “now” of Latinx representation and considering that “Latinx” is an unstable signifier, and the present, as well as culture and media, are always in motion.
Volume Editors: and
Mester de clerecía is the term traditionally used to designate the first generations of learned poetry in medieval Ibero-Romance dialects (the precursors of modern Castilian and other Romance languages of the Iberian Peninsula). In its time, this poetry was anything but traditional. These long poems of structured verse reappropriate the heroic past through the retelling of legends from Classical Antiquity, saints’ lives, miracle stories, Biblical apocrypha, and other tales. At the same time, the poems recast the place of their authors, and learned characters within their stories, in the shifting dynamics of their thirteenth and fourteenth century present.
Contributors are Pablo Ancos, Maria Cristina Balestrini, Fernando Baños Vallejo, Andrew M. Beresford, Olivier Biaggini, Martha M. Daas, Emily C. Francomano, Ryan Giles, Michelle M. Hamilton, Anthony John Lappin, Clara Pascual-Argente, Connie L. Scarborough, Donald W. Wood, and Carina Zubillaga.
The electronic version of the Foro Hispánico series.

Foro Hispánico is a peer-reviewed book series devoted to the study of Spanish and Spanish-American culture(s) in the global world. The series offers a forum for internationally focused research that analyses how cultural and literary practices both shape, and themselves are shaped by, global challenges in the Spanish speaking world.

Foro Hispánico es una colección académica revisada por pares de monografías centradas en el estudio de las culturas españolas e hispanoamericanas dentro del contexto del mundo globalizado. La colección ofrece un foro para investigaciones desarrolladas en el ámbito internacional que se centren sobre cómo las prácticas culturales y literarias dan y toman forma a los desafíos globales que acontecen en el mundo de lengua Española.
The Iberian Religious World is a peer-reviewed series which publishes academic works that deal with the different types of religiosity found in the Iberian world. The space of the ‘Iberian world’ is one that changes according to time. If until the end of the fourteenth century it was limited to the space of the Iberian Peninsula, the beginning of the maritime discoveries in the fifteenth century gave it an almost world-size dimension, gradually lost from the eighteenth century onwards. The series encompasses works on Judaism, Christianity, Islam, and also African, Asian and American religions and cults met by, among others, Portuguese and Spaniards during their oversea enterprises. Furthermore, volumes in the series deal with forms of religiosity, cultural relationships with religious minorities, and acculturation processes within the space of the Iberian Peninsula from antiquity to our days. Through monographs, edited volumes, and critical editions of primary sources, the series addresses subjects such as history, theology, art history, literature, philology, music, and other academic fields, whenever the main focus of research is on religion.

Authors are cordially invited to submit a book proposal to the series editors at irweditors@gmail.com.