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Basing themselves on the most recent research on Sufi institutions, the contributors to this volume substantially expand our understanding of the vicissitudes of Sufism by paying special attention to its organizational and economic dimensions, as well as complex and often ambivalent relations between Sufis and the societies in which they played a wide variety of important and sometimes critical roles.
Contributors are Mehran Afshari, Ismail Fajrie Alatas, Semih Ceyhan, Rachida Chih, Nathalie Clayer, David Cook, Stéphane A. Dudoignon, Daphna Ephrat, Peyvand Firouzeh, Nathan Hofer, Hussain Ahmad Khan, Catherine Mayeur-Jaouen, Richard McGregor, Ahmet Yaşar Ocak, Alexandre Papas, Luca Patrizi, Paulo G. Pinto, Adam Sabra, Mark Sedgwick, Jean-Jacques Thibon, Knut S. Vikør and Neguin Yavari
Basing themselves on the most recent research on Sufi institutions, the contributors to this volume substantially expand our understanding of the vicissitudes of Sufism by paying special attention to its organizational and economic dimensions, as well as complex and often ambivalent relations between Sufis and the societies in which they played a wide variety of important and sometimes critical roles.
Contributors are Mehran Afshari, Ismail Fajrie Alatas, Semih Ceyhan, Rachida Chih, Nathalie Clayer, David Cook, Stéphane A. Dudoignon, Daphna Ephrat, Peyvand Firouzeh, Nathan Hofer, Hussain Ahmad Khan, Catherine Mayeur-Jaouen, Richard McGregor, Ahmet Yaşar Ocak, Alexandre Papas, Luca Patrizi, Paulo G. Pinto, Adam Sabra, Mark Sedgwick, Jean-Jacques Thibon, Knut S. Vikør and Neguin Yavari
The practice of giving and receiving Zakāt in northern Nigeria often leads to the establishment of social relations between the rich and needy. Dauda Abubakar provides details of the social relationship in the people’s interpersonal dealings with one another that often lead to power relations, high table relations etc. The needy reciprocate the Zakāt they collect in many ways, respecting and given high positions to the rich in society.
The practice of giving and receiving Zakāt in northern Nigeria often leads to the establishment of social relations between the rich and needy. Dauda Abubakar provides details of the social relationship in the people’s interpersonal dealings with one another that often lead to power relations, high table relations etc. The needy reciprocate the Zakāt they collect in many ways, respecting and given high positions to the rich in society.
Contributors include: Edmund Arens, Gregory Baum, Francis Brassard, Dustin J. Byrd, Denis R. Janz, Gottfried Küenzlen, Mislav Kukoč, Michael, R. Ott, Rudolf J. Siebert, Hans K. Weitensteiner, and Brian C. Wilson.
Contributors include: Edmund Arens, Gregory Baum, Francis Brassard, Dustin J. Byrd, Denis R. Janz, Gottfried Küenzlen, Mislav Kukoč, Michael, R. Ott, Rudolf J. Siebert, Hans K. Weitensteiner, and Brian C. Wilson.
Funkes Argument fußt auf Interviews und intensiver Feldforschung und umfasst ein breites Themenfeld von Farben über Banknoten bis hin zu städtischer Raumordnung. Funke bietet einen neuen Ansatz zur Theorie und Methodologie von Religionsästhetik und wirft ein neues Licht auf die › Grüne Bewegung‹ , indem er die islamischen Ressourcen freilegt, mittels derer sich ihr Protest artikulierte.
In Aesthetics, Politics, and Shiʿi Representation in Contemporary Iran Christian Funke explores the entangled relationship between politics, protest and Shiʿi materiality in the Islamic Republic. He shows how the post-election protests of 2009 and the ‘Green Movement’ were part of larger discourses on democracy, identity, the present and the past, and religion and politics.
Funke’s argument is based on extensive fieldwork and interviews. He covers a broad array of topics, ranging from the interpretation of colours to the use of banknotes to the emergence of an urban spatial order. Funke offers a novel approach to the methodology and theory of material religion and by revealing the Islamic undercurrents in the ‘Green Movement’, his book provides a new and more appropriate picture of protest and religion in Iran.
Funkes Argument fußt auf Interviews und intensiver Feldforschung und umfasst ein breites Themenfeld von Farben über Banknoten bis hin zu städtischer Raumordnung. Funke bietet einen neuen Ansatz zur Theorie und Methodologie von Religionsästhetik und wirft ein neues Licht auf die › Grüne Bewegung‹ , indem er die islamischen Ressourcen freilegt, mittels derer sich ihr Protest artikulierte.
In Aesthetics, Politics, and Shiʿi Representation in Contemporary Iran Christian Funke explores the entangled relationship between politics, protest and Shiʿi materiality in the Islamic Republic. He shows how the post-election protests of 2009 and the ‘Green Movement’ were part of larger discourses on democracy, identity, the present and the past, and religion and politics.
Funke’s argument is based on extensive fieldwork and interviews. He covers a broad array of topics, ranging from the interpretation of colours to the use of banknotes to the emergence of an urban spatial order. Funke offers a novel approach to the methodology and theory of material religion and by revealing the Islamic undercurrents in the ‘Green Movement’, his book provides a new and more appropriate picture of protest and religion in Iran.