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The Song Dynasty Making of China’s Greatest Poet
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Irreducible to conventional labels usually applied to him, the Tang poet Du Fu (712–770) both defined and was defined by the literary, intellectual, and socio-political cultures of the Song dynasty (960–1279).
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
Texts, Traditions and Practices, 10th-21st Centuries
Memory and Commemoration across Central Asia: Texts, Traditions and Practices, 10th-21st Centuries is a collection of fourteen studies by a group of scholars active in the field of Central Asian Studies, presenting new research into various aspects of the rich cultural heritage of Central Asia (including Afghanistan). By mapping and exploring the interaction between political, ideological, literary and artistic production in Central Asia, the contributors offer a wide range of perspectives on the practice and usage of historical and religious commemoration in different contexts and timeframes. Making use of different approaches – historical, literary, anthropological, or critical heritage studies, the contributors show how memory functions as a fundamental constituent of identity formation in both past and present, and how this has informed perceptions in and outside Central Asia today.
Mantras, Initiation and Preparing for Worship (Chapters 1–5). Critical Edition and Annotated Translation
Editor:
Sanātana Gosvāmin’s Haribhaktivilāsa (ca. 1540) describes the normative ritual life of a Vaiṣṇava devotee. As it is one of the first Sanskrit texts of Gauḍīya Vaiṣṇava tradition begun by Śrī Kṛṣṇa Caitanya (1486–1533) it presents a fascinating meeting between this ecstatic new religious movement and older, Brahminical tradition.
On the basis of eleven manuscripts, this important text has now been for the first time been critically edited. In his extensive introduction, Måns Broo engages with many of the questions that have vexed earlier scholars of this text (such as who really was the author?) by exploring its extensive intertextualities.
Science and Society in the Sanskrit World contains seventeen essays that cover a kaleidoscopic array of classical Sanskrit scientific disciplines, such as grammar, jurisprudence, theology, and hermeneutics. The volume foregrounds a unifying theme to Christopher Z. Minkowski’s intellectual oeuvre: that scholars’ scientific endeavors are inseparable from the social worlds that shaped those scholars’ lives.
Contributors are: Anne Blackburn, Johannes Bronkhorst, Jonathan Duquette, Robert Goldman, Setsuro Ikeyama, Stephanie Jamison, Takanori Kusuba, John Lowe, Clemency Montelle, Valters Negribs, Rosalind O'Hanlon, Patrick Olivelle, Deven Patel, Kim Plofker, Frederick Smith, Barbora Sojkova, Thomas Trautmann, Elizabeth Tucker, Anand Venkatkrishnan, and Dominik Wujastyk.
Volume Editor:
Sheldon Pollock’s work on the history of literary cultures in the ‘Sanskrit Cosmopolis’ broke new ground in the theorization of historical processes of vernacularization and served as a wake-up call for comparative approaches to such processes in other translocal cultural formations. But are his characterizations of vernacularization in the Sinographic Sphere accurate, and do his ideas and framework allow us to speak of a ‘Sinographic Cosmopolis’? How do the special typology of sinographic writing and associated technologies of vernacular reading complicate comparisons between the Sankrit and Latinate cosmopoleis? Such are the questions tackled in this volume.

Contributors are Daehoe Ahn, Yufen Chang, Wiebke Denecke, Torquil Duthie, Marion Eggert, Greg Evon, Hoduk Hwang, John Jorgensen, Ross King, David Lurie, Alexey Lushchenko, Si Nae Park, John Phan, Mareshi Saito, and S. William Wells.
Sapiential Traditions and Ancient Scholarship in Comparative Perspective
Volume Editors: and
The nine essays in this volume, written by an international interdisciplinary group of younger scholars, explore comparative dimensions of ancient Chinese and Greek literature. They illuminate the development and interrelations of two modes of thought – mythos and logos, or myth and reason – characteristic of certain ancient cultures, including these two, during the second half of the first millennium BCE. They interrogate the meaning and validity of these concepts and of the category of “wisdom literature,” demonstrating that they must be understood critically and that their interrelations are extraordinarily complex and productive. In particular, they explore modes of the rationalizing appropriation of mythic discourses – commentary, edition, philosophy, history – which deconstruct their traditional authority but also secure their survival and continuing significance.

Contributors
Tomás Bartoletti, Gaston J. Basile, Thomas Crone, Andrew Hui, Fabio Pagani, Luke Parker, Leihua Weng, Kenneth W. Yu and Jingyi Jenny Zhao.
Author:
Though references to Greek myths will hardly surprise the reader of western European literature, the reception history of Greek mythology is far richer and includes such lesser known traditions as the Armenian one. Greek myths were known to medieval Armenians through translations of late classical and early Christian writings and through the original works of Armenian authors. However, accessing them in their Armenian incarnations is no easy task. References to them are difficult to find as they are scattered over the vast medieval Armenian written corpus. Furthermore, during the process of translation, transmission, retelling, and copying of Greek mythical stories, Greek names, words, and plot details frequently became corrupted.
In this first-of-its-kind study, Gohar Muradyan brings together all the known references to ancient Greek myths (154 episodes) in medieval Armenian literature. Alongside the original Armenian passages and, when extant, their Greek originals, she provides annotated English translations. She opens the book with an informative introduction and concludes with useful appendices listing the occurrences of Greek gods, their Armenian equivalents, images, altars, temples, and rites, as well as Aesop’s fables and the Trojan War.