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Volume Editor:
Early modern culture was multilingual, and so were many of the works produced across Europe and beyond its borders. The contributors to this volume draw new interrelations between different humanistic traditions and multilingual and translational writing practices using a wide range of primary sources—documents produced in Norwich, scientific treatises by Galileo and Stevin, travel accounts and dictionaries by James Howell, translations an retranslations of Antoine de Nervèze’s moral letters, Aljamiado documents and short comic plays in Spain, Jesuit pedagogical theater in New France, grammars, dictionaries and historiographical accounts in missionary contexts, and a mining law code in South Central Europe—that highlight the significance of polyglossia in early modern cultural production and transmission. Covering a wide range of languages, including Latin, Nahuatl and Turkish, their analysis invites comparison with today’s polyglot practices in a globalized world, as we also adapt to new technologies and ever-changing realities.
Volume Editor:
Early modern culture was multilingual, and so were many of the works produced across Europe and beyond its borders. The contributors to this volume draw new interrelations between different humanistic traditions and multilingual and translational writing practices using a wide range of primary sources—documents produced in Norwich, scientific treatises by Galileo and Stevin, travel accounts and dictionaries by James Howell, translations an retranslations of Antoine de Nervèze’s moral letters, Aljamiado documents and short comic plays in Spain, Jesuit pedagogical theater in New France, grammars, dictionaries and historiographical accounts in missionary contexts, and a mining law code in South Central Europe—that highlight the significance of polyglossia in early modern cultural production and transmission. Covering a wide range of languages, including Latin, Nahuatl and Turkish, their analysis invites comparison with today’s polyglot practices in a globalized world, as we also adapt to new technologies and ever-changing realities.
Logic and Epistemology
This is the second in a series of sourcebooks charting the reception of Avicenna (Ibn Sīnā, d.1037) in the Islamic East (from Syria to central Asia) in the 12th-13th centuries CE. Moving on from the metaphysical and theological concerns covered in the first book, this volume looks at issues in logic and epistemology in the reception of Avicenna’s thought. Across dozens of authors and hundreds of passages, the translated material covers a wide range of topics including the subject matter of logic, the nature of knowledge and self-knowledge, questions in philosophy of language and syllogistic theory, and paradoxes.
Logic and Epistemology
This is the second in a series of sourcebooks charting the reception of Avicenna (Ibn Sīnā, d.1037) in the Islamic East (from Syria to central Asia) in the 12th-13th centuries CE. Moving on from the metaphysical and theological concerns covered in the first book, this volume looks at issues in logic and epistemology in the reception of Avicenna’s thought. Across dozens of authors and hundreds of passages, the translated material covers a wide range of topics including the subject matter of logic, the nature of knowledge and self-knowledge, questions in philosophy of language and syllogistic theory, and paradoxes.
Maltreating the Living, Abusing the Dead in Greek Antiquity
This is the first collection of essays approaching aspects of Greek antiquity and its reception through ‘necropolitics’. It discovers traces of necropolitics in the unburied and maltreated corpses of the Homeric epics; it follows the manifestations of necropower in Greek tragedy, historiography, and biography; and it delves into torture, capital punishment, and non-normative burials in the ancient Greek world. It contributes to the debate - much of which is only available in modern Greek - on recent archaeological evidence, notably the iron-bound individuals discovered in the Athenian suburb of Phaleron, and includes a captivating exploration of necropolitics in Yorgos Lanthimos’s Greek-tragedy-inspired cinema.
Maltreating the Living, Abusing the Dead in Greek Antiquity
This is the first collection of essays approaching aspects of Greek antiquity and its reception through ‘necropolitics’. It discovers traces of necropolitics in the unburied and maltreated corpses of the Homeric epics; it follows the manifestations of necropower in Greek tragedy, historiography, and biography; and it delves into torture, capital punishment, and non-normative burials in the ancient Greek world. It contributes to the debate - much of which is only available in modern Greek - on recent archaeological evidence, notably the iron-bound individuals discovered in the Athenian suburb of Phaleron, and includes a captivating exploration of necropolitics in Yorgos Lanthimos’s Greek-tragedy-inspired cinema.
Introduction, Translation, and Commentary
Author:
In the treatise On the Change of Names (part of his magnum opus, the Allegorical Commentary), Philo of Alexandria brings his figurative exegesis of the Abraham cycle to its fruition. Taking a cue from Platonist interpreters of Homer’s Odyssey, Philo reads Moses’s story of Abraham as an account of the soul’s progress and perfection. Responding to contemporary critics, who mocked Genesis 17 as uninspired, Philo finds instead a hidden philosophical reflection on the ineffability of the transcendent God, the transformation of souls which recognize their mortal nothingness, the possibility of human faith enabled by peerless faithfulness of God, and the fruit of moral perfection: joy divine, prefigured in the birth of Isaac.
Introduction, Translation, and Commentary
Author:
In the treatise On the Change of Names (part of his magnum opus, the Allegorical Commentary), Philo of Alexandria brings his figurative exegesis of the Abraham cycle to its fruition. Taking a cue from Platonist interpreters of Homer’s Odyssey, Philo reads Moses’s story of Abraham as an account of the soul’s progress and perfection. Responding to contemporary critics, who mocked Genesis 17 as uninspired, Philo finds instead a hidden philosophical reflection on the ineffability of the transcendent God, the transformation of souls which recognize their mortal nothingness, the possibility of human faith enabled by peerless faithfulness of God, and the fruit of moral perfection: joy divine, prefigured in the birth of Isaac.
This book represents the first monograph (miscellany) entirely devoted to Crantor of Soli (app. 335–275 BCE), an outstanding figure of the Old Academy. He was in particular famous for his On Grief, an exemplary work of consolation literature, and for his being the first commentator of Plato’s Timaeus. Unlike his darling Arcesilaus of Pitane, who initiated the Sceptical turn, Crantor seems to have stuck firm to the Academic teachings of Polemon and Plato. The contributions collected in this book aim to convey a complete picture of Crantor by discussing various aspects of his philosophy and biography.
This book represents the first monograph (miscellany) entirely devoted to Crantor of Soli (app. 335–275 BCE), an outstanding figure of the Old Academy. He was in particular famous for his On Grief, an exemplary work of consolation literature, and for his being the first commentator of Plato’s Timaeus. Unlike his darling Arcesilaus of Pitane, who initiated the Sceptical turn, Crantor seems to have stuck firm to the Academic teachings of Polemon and Plato. The contributions collected in this book aim to convey a complete picture of Crantor by discussing various aspects of his philosophy and biography.
A wealth of political literature has survived from Greek antiquity, from political theory by Plato and Aristotle to the variety of prose and verse texts that more broadly demonstrate political thinking. However, despite the extent of this legacy, it can be surprisingly hard to say how ancient Greek political thought makes its influence felt, or whether this influence has been sustained across the centuries. This volume includes a range of disciplinary responses to issues surrounding the legacy of Greek political thought, exploring the ways in which political thinking has evolved from antiquity to the present day.
A wealth of political literature has survived from Greek antiquity, from political theory by Plato and Aristotle to the variety of prose and verse texts that more broadly demonstrate political thinking. However, despite the extent of this legacy, it can be surprisingly hard to say how ancient Greek political thought makes its influence felt, or whether this influence has been sustained across the centuries. This volume includes a range of disciplinary responses to issues surrounding the legacy of Greek political thought, exploring the ways in which political thinking has evolved from antiquity to the present day.
Poetry and Genre, with a Critical Text and Translation
Author:
The Orphic Hymns, a collection of invocations to the complete Greek pantheon, have reached us without explicit information about the contexts of their composition and performance. Combining a new critical edition and translation of the hymns with an in-depth study of the poetic strategies they employ and the forms of Greek poetry they draw upon, this book explores what the hymns can tell us about themselves. Through the use of allusion and figures that look to the earliest Greek poetry, the hymns present themselves as a text to be heard and meditated upon in performance, and as Orpheus’ summative revelation on the nature and unity of the divine realm.
Poetry and Genre, with a Critical Text and Translation
Author:
The Orphic Hymns, a collection of invocations to the complete Greek pantheon, have reached us without explicit information about the contexts of their composition and performance. Combining a new critical edition and translation of the hymns with an in-depth study of the poetic strategies they employ and the forms of Greek poetry they draw upon, this book explores what the hymns can tell us about themselves. Through the use of allusion and figures that look to the earliest Greek poetry, the hymns present themselves as a text to be heard and meditated upon in performance, and as Orpheus’ summative revelation on the nature and unity of the divine realm.