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Der Einheitsbegriff als Kohärenzprinzip bei Maximus Confessor

Eine Studie zu Ps-Dionysius-Rezeption, triplex via und analogem Weltbild bei Maximus Confessor

Jonathan Bieler

In The Concept of Unity as the Principle of Coherence in Maximus Confessor Jonathan Bieler lays out the importance of the concepts of transcendent divine unity, goodness and truth for understanding the coherence of the whole of Maximus’ thought, which brings together theology, anthropology and Christology into a unified vision that is based on an analogy between creator and creation. Interpreting the concepts of Maximus’ thought remains a contentious subject in Maximian scholarship. By evaluating the interior coherence and historical situation of Maximus’ thought in general and by studying the influence of Ps-Dionysius the Areopagite’s methodology on Maximus’ Christology in particular the author shows the context in which Maximus’ well-known conceptual distinctions can be understood in a helpful way. Jonathan Bieler erläutert in Der Einheitsbegriff als Kohärenzprinzip bei Maximus Confessor die zentrale Rolle der Begriffe der göttlichen Einheit, Güte und Wahrheit für ein Verständnis der Kohärenz von Maximus’ Denken, das Gotteslehre, Anthropologie und Christologie zu einer einheitlichen Sicht versammelt, beruhend auf einer Analogie zwischen Schöpfer und Geschöpf. Die Interpretation von Maximus’ Konzepten ist ein umstrittenes Gebiet in der Forschung. Durch eine Auswertung der inneren Kohärenz und der historischen Situation des Maximus und durch eine Untersuchung des Einflusses, den Ps-Dionysius Areopagitas Methodik auf die Christologie des Maximus ausgeübt hat, zeigt der Autor den Kontext auf, in dem Maximus’ begriffliche Unterscheidungen auf eine hilfreiche Weise verstanden werden können.
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Edited by Adrian Guiu and Stephen Lahey

John Scottus Eriugena (d. ca. 877) is regarded as the most important philosopher and theologian in the Latin West from the death of Boethius until the thirteenth century. He incorporated his understanding of Latin sources, Ambrose, Augustine, Boethius and Greek sources, including the Cappadocian Fathers, Pseudo-Dionysius, and Maximus Confessor, into a complex metaphysics, from which he developed Christian Neoplatonist theology that continues to stimulate 21st century theologians. This collection of essays provides an overview of the latest scholarship on various aspects of Eriugena's thought and writings, including his Irish background, his use of Greek theologians, his Scripture hermeneutics, his understanding of Aristotelian logic, Christology, and the impact he had on contemporary and later theological traditions.

Contributors include: David Albertson, Joel Barstad, John Contreni, Christophe Erismann, John Gavin, Adrian Guiu, Michael Harrington, Catherine Kavanagh, A. Kijewska, Stephen Lahey, Bernard McGinn, Ernesto Sergio Mainoldi, Dermot Moran, Giulio D’Onofrio, Willemien Otten, Elena Lloyd-Sidle, and Alfred Siewers.
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Laela Zwollo

In Augustine and Plotinus: the Human Mind as Image of the Divine Laela Zwollo provides an inside view of two of the most influential thinkers of late antiquity: the Christian Augustine and the Neo-Platonist Plotinus. By exploring the finer points and paradoxes of their doctrines of the image of God (the human soul/intellect), the illustrious church father’s complex interaction with his most important non-biblical source comes into focus. In order to fathom Augustine, we should first grasp the beauty in Plotinus’ philosophy and its attractiveness to Christians. This monograph will contribute to a better understanding of the formative years of Christianity as well as later ancient philosophy. It can serve as a handbook for becoming acquainted with the two thinkers, as well as for delving into the profundity of their thought.
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Gregory of Nyssa: In Canticum Canticorum

Analytical and Supporting Studies. Proceedings of the 13th International Colloquium on Gregory of Nyssa (Rome, 17-20 September 2014)

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Edited by Giulio Maspero, Miguel Brugarolas and Ilaria Vigorelli

Taken together, Gregory of Nyssa’s XV Homilies In Canticum Canticorum are at the same time – as if in unison – a work of spiritual, exegetical, and theological doctrine. The wide spectrum of the themes present in them have prompted a great interest in this work, not only among scholars of patristics or theology, but also among those interested in biblical interpretation, ancient rhetoric or Christian mystical doctrine. These Proceedings present the results of the 13th International Colloquium on Gregory of Nyssa (Rome, 17-20 September 2014): a systematic commentary of Gregory’s In Canticum from a broad perspective in the form of sixteen papers and a selection of fourteen short essays devoted to various issues that represent a valuable set of supporting studies.
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Gregory of Nyssa: Contra Eunomium I

An English Translation with Supporting Studies

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Edited by Miguel Brugarolas

The Contra Eunomium is probably Gregory of Nyssa’s most challenging work with regards to his theological and philosophical thought, and one that continues to draw the deeper attention of contemporary scholars.
This volume devoted to Contra Eunomium I constitutes, in a certain way, a new version of the Proceedings of the 6th International Colloquium on Gregory of Nyssa (1988). It offers a revised English translation of Contra Eunomium I by S. G. Hall, accompanied by twenty-two supporting studies from a broad range of philological, philosophical, and theological perspectives. These studies include a selection of the most relevant papers of the 1988 Proceedings, supplemented with new contributions that explore relevant issues developed by contemporary research.

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Piero di Cosimo

Painter of Faith and Fable

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Edited by Dennis Geronimus and Michael Kwakkelstein

The study of Piero di Cosimo belongs no less to the history of the imagination than to the history of art. As was true for Giorgio Vasari five centuries ago, Piero’s intensely personal visual language remains a moving target for modern scholars. Yet, as surprising and strange as his pictorial solutions appear, we have never known as much about Piero as we do today. Freed from the powerful spell of Vasari’s biography-cum-cautionary tale, the Piero that emerges is not solely a conjurer of the uncanny, but a sensitive observer of the emotions, the natural and manmade worlds, humans and beasts, surfaces and coloristic effects, phenomena material and ephemeral.

The conference from which the thirteen essays in this volume spring provided a forum for international scholars to continue the ongoing conversation and to ask new questions. The latter address Piero’s relationship to his artistic contemporaries, north and south of the Alps; the master’s Marian imagery; his intellectual engagement with classical traditions; the dual themes of naturalism and exoticism; and the latest technical findings. Topics of investigation thus range as broadly as Piero’s own versatile production, uniting diverse fields and methods, traversing regional boundaries, and often venturing far beyond Florence’s city walls, into the wild.

Contributors are Ianthi Assimakopoulou, Marina Belozerskaya, Jean Cadogan, Elena Capretti, Alessandra Galizzi Kroegel, Dennis Geronimus, Guy Hedreen, Sarah Blake McHam, Anna Teresa Monti, Paula Nuttall, Roberta J.M. Olson, Lesley Stevenson, Lisa Venerosi Pesciolini, and Elizabeth Walmsley.
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Frederick E. Brenk on Plutarch, Religious Thinker and Biographer

“The Religious Spirit of Plutarch of Chaironeia” and “The Life of Mark Antony”

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Frederick E Brenk

Edited by Lautaro Roig Lanzillotta

The present book Frederick E. Brenk: Plutarch, Religious Thinker and Biographer, “The Religious Spirit of Plutarch of Chaironeia” and “The Life of Mark Antony” includes the updated and revised version of two seminal articles on Plutarch by F. E. Brenk published thirty years ago in ANRW. Edited by Lautaro Roig Lanzillotta, both articles cover the two sides of Plutarch’s corpus, the Lives and Moralia.
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Essays in Renaissance Thought and Letters

In Honor of John Monfasani

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Edited by Alison Frazier and Patrick Nold

Essays in Renaissance Thought and Letters is a volume dedicated to John Monfasani, renowned scholar of Latin and Greek rhetoric and philosophy. These essays range from Antiquity to the Enlightenment, in genre from learned notes to editiones principes, and in discipline from intellectual to socio-economic history. An introduction to Monfasani’s life and works, and a list of his opera open the volume.

Contributors include Michael J.B. Allen, Sándor Bene, Concetta Bianca, Robert Black, Christopher Celenza, Brian Copenhaver, John Demetracopoulos, James Hankins, Martin Hinterberger, Thomas Izbicki, David Jacoby, Peter Mack, Lodi Nauta, David Rundle, David Rutherford, Chris Schabel, April Shelford, and Thomas M. Ward.
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Edited by Rudolph Berlinger, Wiebke Schrader and Alexander Böhlig

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Schöpfung und Geist

Studien zum Zeitverständnis Augustins im XI. Buch der Confessiones

Dorothea Günther