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Media as Infrastructures and Cultural Practices
Traffic: Media as Infrastructures and Cultural Practices presents a collection of texts by distinguished international media and cultural scholars that addresses fundamental relationships between the logistic, symbolic, and infrastructural dimensions of media. The volume discusses the role of traffic and infrastructures within the history of media theory as well as in a broader cultural context: Traffic is shown to constitute an important epistemological and technical principle, a paradigm for exchanges and circulations between discoursive and non-discoursive cultural practices. This opens an encompassing perspective of media ecology, and at the same time illuminates the formative power of traffic as structuring time and space: material and informational traffic creates, maintains, and undermines power, configures meaning, and facilitates appropriation and resistance.
The series Nature, Culture and Literature is dedicated to publications approaching literature and other forms of text-based communication from an ecological standpoint. It provides a platform for the practice of ecocriticism in the broadest sense, understood as an issue-driven field of cultural enquiry comprising critical textual analysis and theorising on human/nature relations.
The series publishes single-author monographs and thematically focused collections of essays, on literature across languages, cultures and periods, and on other forms of writing. It is open to scholars working in green media studies, environmental history, philosophy, social and cultural theory, and linguistics, as well as national literatures and comparative literature.
Nature, Culture and Literature embraces a range of different approaches, and explores phenomena observable in Europe, America and beyond in their international extension as well as in their national and regional peculiarities.
Individual volumes focus on a specific area of research. They may examine the work of a single author or the characteristics of the environmental imagination in a particular culture; they may map one of the themes central to popular understandings of nature and explore their creative reconfiguration (e.g. nature and national/regional identity, human/ animal relations, or climate change); or they may develop and illustrate a particular theoretical approach (for instance in ecolinguistics, energy humanities, or econarratology / ecopoetics).

The series aims to publish an average two volumes per year. All volumes are peer reviewed.