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The Textual History of the Bible (THB) brings together for the first time all available information regarding the manuscripts, textual history and character of each book of the Hebrew Bible and its translations as well as the deuterocanonical scriptures. In addition, THB covers the history of research, the editorial history of the Hebrew Bible, as well as other aspects of text-critical research and its subsidiary fields, such as papyrology, codicology, and the related discipline of linguistics. The THB will consist of 4 volumes.

Volume 2: Deuterocanonical Scriptures. Editors Matthias Henze and Frank Feder
Vol. 2A: overview articles
Vol. 2B: to Ezra
Vol. 2C: Jubilees to 16 Appendix
In this volume, the relationship between Jews and media is not only vividly illustrated, but it is consciously drawn into the formation of modern Jewish history and modern media. Maya Balakirsky Katz addresses key Jewish-media intersections in which Jews and mass media implicated (or were implicated by) one another. In this study, Katz discusses the relationship that Jews have had with mass media forms of print, film, photography, advertising, and postcards within the periods that these media have gained cultural ascendancy. These historical moments are tethered to a broader conversation addressing the major theoretical issues at the center of the discourse on Jews and media. Bearing this mutually constructive relationship in mind, Intersections between Jews and Media offers both a tangible demographic portrait of the real Jews who entered mass media and lays a theoretical and methodological framework for more qualitative analyses.
Andalusi, Judaeo-Arabic, and Other Near Eastern Studies in Honor of Ross Brann
'His Pen and Ink are a Powerful Mirror' is a volume of collected essays in honor of Ross Brann, written by his students and friends on the occasion of his 70th birthday. The essays engage with a diverse range of Andalusi and Mediterranean literature, art, and history. Each essay begins from the organic hybridity of Andalusi literary and cultural history as its point of departure, introduce new texts, ideas, and objects into the disciplinary conversation or radically reassesses well-known ones, and represent the theoretical, methodological, and material impacts Brann has had and continues to have on the study of the literature and culture of Jews, Christians, and Muslims in al-Andalus.

Contributors include: Ali Humayn Akhtar, Esperanza Alfonso, Peter Cole, Jonathan Decter, Elisabeth Hollender, Uriah Kfir, S.J. Pearce, F.E. Peters, Arturo Prats, Cynthia Robinson, Tova Rosen, Aurora Salvatierra, Raymond P. Scheindlin, Jessica Streit, David Torollo.
The Textual History of the Bible (THB) brings together for the first time all available information regarding the manuscripts, textual history and character of each book of the Hebrew Bible and its translations as well as the deuterocanonical scriptures. In addition, THB covers the history of research, the editorial history of the Hebrew Bible, as well as other aspects of text-critical research and its subsidiary fields, such as papyrology, codicology, and the related discipline of linguistics. The THB will consist of 4 volumes.

Volume 2: Deuterocanonical Scriptures. Editors Matthias Henze and Frank Feder
Vol. 2A: overview articles
Vol. 2B: to Ezra
Vol. 2C: Jubilees to Appendix
The Textual History of the Bible (THB) brings together for the first time all available information regarding the manuscripts, textual history and character of each book of the Hebrew Bible and its translations as well as the deuterocanonical scriptures. In addition, THB covers the history of research, the editorial history of the Hebrew Bible, as well as other aspects of text-critical research and its subsidiary fields, such as papyrology, codicology, and the related discipline of linguistics. The THB will consist of 4 volumes.

Volume 2: Deuterocanonical Scriptures. Editors Matthias Henze and Frank Feder
Vol. 2A: overview articles
Vol. 2B: to Ezra
Vol. 2C: Jubilees to 16 Appendix
Between Bible and Liturgy
Ritual Dynamics in Jewish and Christian Contexts investigates questions that arise in modern ritual studies concerning Jewish and Christian religious communities: How did their religious rituals develop? Where did different ritual communities and their ritual texts interact? How did religious communities and their authoritative texts respond to change, and how did change influence religious rituals? The volume is a product of the interdisciplinary and international research efforts taken by the Research Centre “Dynamics of Jewish Ritual Practices in Pluralistic Contexts from Antiquity to the Present” at the Universität Erfurt (Germany) and unites the voices of important senior and emerging scholars in the field. It focuses on antiquity and the medieval period but also considers examples from the early modern and modern period in Europe
The seventeen studies in Golden Calf Traditions in Early Judaism, Christianity, and Islam explore the biblical origins of the golden calf story in Exodus, Deuteronomy, and 1 Kings, as well as its reception in a variety of sources: Hebrew Scriptures (Hosea, Jeremiah, Psalms, Nehemiah), Second Temple Judaism (Animal Apocalypse, Pseudo-Philo, Philo, Josephus), rabbinic Judaism, the New Testament (Acts, Paul, Hebrews, Revelation) and early Christianity (among Greek, Latin, and Syriac writers), as well as the Qur’an and Islamic literature. Expert contributors explore how each ancient author engaged with the calf traditions—whether explicitly, implicitly, or by clearly and consciously avoiding them—and elucidate how the story was used both negatively and positively for didactic, allegorical, polemical, and even apologetic purposes.
Composition, Reception, and Interpretation
Written by leading experts in the field, The Book of Jeremiah: Composition, Reception, and Interpretation offers a wide-ranging treatment of the main aspects of Jeremiah. Its twenty-four essays fall under four main sections. The first section contains studies of a more general nature, and helps situate Jeremiah in the scribal culture of the ancient world, as well as in relation to the Torah and the Hebrew Prophets. The second section contains commentary on and interpretation of specific passages (or sections) of Jeremiah, as well as essays on its genres and themes. The third section contains essays on the textual history and reception of Jeremiah in Judaism and Christianity. The final section explores various theological aspects of the book of Jeremiah.
Royal, Prophetic, and Divine Messiahs
The essays in Reading the Gospel of John’s Christology as Jewish Messianism: Royal, Prophetic, and Divine Messiahs seek to interpret John’s Jesus as part of Second Temple Jewish messianic expectations. The Fourth Gospel is rarely considered part of the world of early Judaism. While many have noted John’s Jewishness, most have not understood John’s Messiah as a Jewish messiah.
The Johannine Jesus, who descends from heaven, is declared the Word made flesh, and claims oneness with the Father, is no less Jewish than other messiahs depicted in early Judaism. John’s Jesus is at home on the spectrum of early Judaism’s royal, prophetic, and divine messiahs
Definitions, Problems, and Opportunities
In Modern Jewish Art: Definitions, Problems, and Opportunities, Ori Z. Soltes considers both the emerging and evolving discussion on, and the expanding array of practitioners of ‘Jewish art’ in the past two hundred years. He notes the developing problem of how to define ‘Judaism’ in the 19th century—as a religion, a culture, a race, a nation, a people—and thus the complications for placing ‘Jewish art’ under the extended umbrella of ‘religion and the arts.’ The fluidity with which one must engage the subject is reflected in the broadening conceptual and visual vocabulary, the extended range of subject foci and media, and the increasingly rich analytical approaches to the subject that have surfaced particularly in the past fifty years. Well-known and little-known artists are included in a far-ranging discussion of painting, sculpture, photography, video, installations, ceremonial objects, and works that blur the boundaries between categories.