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In
Craftsmen and Jewelers in the Middle and Lower Danube Region (6th to 7th Centuries) Daniela Tănase examines the practice of metalworking with the aim of comparing the archaeological evidence of different peoples in the Middle and Lower Danube in the Early Middle Ages, with a particular focus on blacksmithing, goldsmithing and burial customs. Evidence suggests that the distinction between these specialties was quite fluid, so blacksmiths could craft jewelery, while jewelers were able to create tools and weapons. The study also reveals how the production process and the main techniques employed by craftsmen for the ornamentation of dress and accessories were subject to multiple influences, from Byzantium, the eastern steppe, and the Merovingian kingdoms.
In
Craftsmen and Jewelers in the Middle and Lower Danube Region (6th to 7th Centuries) Daniela Tănase examines the practice of metalworking with the aim of comparing the archaeological evidence of different peoples in the Middle and Lower Danube in the Early Middle Ages, with a particular focus on blacksmithing, goldsmithing and burial customs. Evidence suggests that the distinction between these specialties was quite fluid, so blacksmiths could craft jewelery, while jewelers were able to create tools and weapons. The study also reveals how the production process and the main techniques employed by craftsmen for the ornamentation of dress and accessories were subject to multiple influences, from Byzantium, the eastern steppe, and the Merovingian kingdoms.
Series:
Studia Imagologica, Volume: 28
In
Images of China in Polish and Serbian Travel Writings (1720-1949), Tomasz Ewertowski examines how Polish and Serbian travelers described China, surveys various factors which influenced their style of writing, and illustrates the social, political and intellectual context that determined their different representations of the Middle Kingdom. The corpus includes a vast array of texts written by more than 80 authors who traveled to China from the 18th to the mid-20th century, including sources that have not been published. Besides making new facts and sources accessible, the research presented in this book introduces a comparative perspective and provides a thorough literary and cultural analysis of the aforesaid travelogues.
Series:
Studia Imagologica, Volume: 28
In
Images of China in Polish and Serbian Travel Writings (1720-1949), Tomasz Ewertowski examines how Polish and Serbian travelers described China, surveys various factors which influenced their style of writing, and illustrates the social, political and intellectual context that determined their different representations of the Middle Kingdom. The corpus includes a vast array of texts written by more than 80 authors who traveled to China from the 18th to the mid-20th century, including sources that have not been published. Besides making new facts and sources accessible, the research presented in this book introduces a comparative perspective and provides a thorough literary and cultural analysis of the aforesaid travelogues.
Established in 2010 to meet a growing international interest in Balkan studies, the
Balkan Studies Library series publishes high-quality disciplinary and interdisciplinary research on all aspects of the Balkans with a focus on history, politics and culture. The region is defined here as comprising Greece, Albania, Bulgaria, Romania, Turkey and the countries of former Yugoslavia, including their imperial Ottoman and Habsburg heritage.
The series publishes monographs, collective volumes, and editions of source materials. Disciplines covered include history, anthropology, archaeology, political science, sociology, legal studies, economy, religion, literary studies, cultural studies, gender studies, film, theatre and media studies, art history, language and linguistics. The editors especially welcome comparative studies, be they comparisons between individual Balkan countries, or of (parts of) the region with other countries and regions. All submissions are subject to anonymous peer review by leading specialists.
Until Volume 27, the series was published by Brill, click here.
The series does not publish conference proceedings.
The series publishes monographs, collective volumes, and editions of source materials. Disciplines covered include history, anthropology, archaeology, political science, sociology, legal studies, economy, religion, literary studies, cultural studies, gender studies, film, theatre and media studies, art history, language and linguistics. The editors especially welcome comparative studies, be they comparisons between individual Balkan countries, or of (parts of) the region with other countries and regions. All submissions are subject to anonymous peer review by leading specialists.
Until Volume 27, the series was published by Brill, click here.
The series does not publish conference proceedings.
Georgian Astrological Texts of the 17th, 18th and 19th Centuries
In
Christ Came Forth From India, Timothy Paul Grove offers a survey and contextualization of early modern Georgian writings on astrology, astronomy, and cosmology.
These texts include the widely distributed translations of the Almanacco Perpetuo of Ottavio Beltrano (1653), a text brought to the Caucasus by Roman Catholic missionaries, several texts attributed to king Vakht’ang VI of Kartli (1675-1737), and two 19th century manuscripts which incorporate much older material. The numerous Georgian texts are described and examined in terms of their chronology and interrelated content, their literary relationship to texts from outside the Caucasus, and their context within the astrological literature of Europe, the Near East, and the Far East.
These texts include the widely distributed translations of the Almanacco Perpetuo of Ottavio Beltrano (1653), a text brought to the Caucasus by Roman Catholic missionaries, several texts attributed to king Vakht’ang VI of Kartli (1675-1737), and two 19th century manuscripts which incorporate much older material. The numerous Georgian texts are described and examined in terms of their chronology and interrelated content, their literary relationship to texts from outside the Caucasus, and their context within the astrological literature of Europe, the Near East, and the Far East.
Georgian Astrological Texts of the 17th, 18th and 19th Centuries
In
Christ Came Forth From India, Timothy Paul Grove offers a survey and contextualization of early modern Georgian writings on astrology, astronomy, and cosmology.
These texts include the widely distributed translations of the Almanacco Perpetuo of Ottavio Beltrano (1653), a text brought to the Caucasus by Roman Catholic missionaries, several texts attributed to king Vakht’ang VI of Kartli (1675-1737), and two 19th century manuscripts which incorporate much older material. The numerous Georgian texts are described and examined in terms of their chronology and interrelated content, their literary relationship to texts from outside the Caucasus, and their context within the astrological literature of Europe, the Near East, and the Far East.
These texts include the widely distributed translations of the Almanacco Perpetuo of Ottavio Beltrano (1653), a text brought to the Caucasus by Roman Catholic missionaries, several texts attributed to king Vakht’ang VI of Kartli (1675-1737), and two 19th century manuscripts which incorporate much older material. The numerous Georgian texts are described and examined in terms of their chronology and interrelated content, their literary relationship to texts from outside the Caucasus, and their context within the astrological literature of Europe, the Near East, and the Far East.
History, Societies & Cultures in Eurasia
Historical, socio-cultural, and political studies stretching from Eastern Europe to East Asia with the emphasis on cross-cultural encounter, empires and colonialism, gender and nationalities issues, various forms of Christianity, Islam, Buddhism, and other religions from the Middle Ages to the end of the Soviet Union.
Until Volume 14, the series was published by Brill, click here.
The series published an average of one volume per year over the last 5 years.
Until Volume 14, the series was published by Brill, click here.
The series published an average of one volume per year over the last 5 years.
Networks and Laboratories of Knowledge
In
Inventing the Social in Romania, 1848–1914, Călin Cotoi brings to life several ‘obscure’ anarchists, physicians, public hygienists and reformers roaming the borderlands of Europe and Russia.
The book follows individuals, texts, projects, sometimes even bacteria, traveling, meeting, colliding, writing and talking to each other in surprising places, and on changing topics. All of them navigated the land, sometimes finding unexpected loopholes and shortcuts in it, and emerged in different and unexpected parts of the social, political or geographical space.
Using materials ranging from anarchists’ letters, to social-theoretical debates and medical treatises, Călin Cotoi points to the larger theoretical and historical issues involved in the local creation of the social, its historicity, and its representability.
The book follows individuals, texts, projects, sometimes even bacteria, traveling, meeting, colliding, writing and talking to each other in surprising places, and on changing topics. All of them navigated the land, sometimes finding unexpected loopholes and shortcuts in it, and emerged in different and unexpected parts of the social, political or geographical space.
Using materials ranging from anarchists’ letters, to social-theoretical debates and medical treatises, Călin Cotoi points to the larger theoretical and historical issues involved in the local creation of the social, its historicity, and its representability.
Networks and Laboratories of Knowledge
In
Inventing the Social in Romania, 1848–1914, Călin Cotoi brings to life several ‘obscure’ anarchists, physicians, public hygienists and reformers roaming the borderlands of Europe and Russia.
The book follows individuals, texts, projects, sometimes even bacteria, traveling, meeting, colliding, writing and talking to each other in surprising places, and on changing topics. All of them navigated the land, sometimes finding unexpected loopholes and shortcuts in it, and emerged in different and unexpected parts of the social, political or geographical space.
Using materials ranging from anarchists’ letters, to social-theoretical debates and medical treatises, Călin Cotoi points to the larger theoretical and historical issues involved in the local creation of the social, its historicity, and its representability.
The book follows individuals, texts, projects, sometimes even bacteria, traveling, meeting, colliding, writing and talking to each other in surprising places, and on changing topics. All of them navigated the land, sometimes finding unexpected loopholes and shortcuts in it, and emerged in different and unexpected parts of the social, political or geographical space.
Using materials ranging from anarchists’ letters, to social-theoretical debates and medical treatises, Călin Cotoi points to the larger theoretical and historical issues involved in the local creation of the social, its historicity, and its representability.
The book explores the nexus of media and memory practices in the age of mediatised societies in Slovenia, part of former Yugoslavia. Steeped into recurrent interpretations of past realities, the post-socialist present is impregnated with historical revisionism and various nostalgic framings of the past and recast as an aberration of history and memory.
The authors, discussing examples from twentieth-century Slovenia, engage with dynamic uses of media today and aims at understanding media culture as an archive, re-interpreter of the past, and repository of memory.
In this volume, Luthar and Pušnik have collected a wide range of case studies analysing past events represented and reinterpreted in newspapers, theatre, music, museums, digital media, and documentaries. The collection thus presents insights into the intricacies of mediatisation of memory in contemporary Slovenian society.
The authors, discussing examples from twentieth-century Slovenia, engage with dynamic uses of media today and aims at understanding media culture as an archive, re-interpreter of the past, and repository of memory.
In this volume, Luthar and Pušnik have collected a wide range of case studies analysing past events represented and reinterpreted in newspapers, theatre, music, museums, digital media, and documentaries. The collection thus presents insights into the intricacies of mediatisation of memory in contemporary Slovenian society.
The book explores the nexus of media and memory practices in the age of mediatised societies in Slovenia, part of former Yugoslavia. Steeped into recurrent interpretations of past realities, the post-socialist present is impregnated with historical revisionism and various nostalgic framings of the past and recast as an aberration of history and memory.
The authors, discussing examples from twentieth-century Slovenia, engage with dynamic uses of media today and aims at understanding media culture as an archive, re-interpreter of the past, and repository of memory.
In this volume, Luthar and Pušnik have collected a wide range of case studies analysing past events represented and reinterpreted in newspapers, theatre, music, museums, digital media, and documentaries. The collection thus presents insights into the intricacies of mediatisation of memory in contemporary Slovenian society.
The authors, discussing examples from twentieth-century Slovenia, engage with dynamic uses of media today and aims at understanding media culture as an archive, re-interpreter of the past, and repository of memory.
In this volume, Luthar and Pušnik have collected a wide range of case studies analysing past events represented and reinterpreted in newspapers, theatre, music, museums, digital media, and documentaries. The collection thus presents insights into the intricacies of mediatisation of memory in contemporary Slovenian society.
An Anthology
Russian Philosophy in the Twenty-First Century: An Anthology provides the English-speaking world with access to post-Soviet philosophic thought in Russia for the first time. The Anthology presents the fundamental range of contemporary philosophical problems in the works of prominent Russian thinkers. In contrast to the “single-mindedness” of Soviet-era philosophers and the bias toward Orthodox Christianity of émigré philosophers, it offers to its readers the authors’ plurality of different positions in widely diverse texts. Here one finds strictly academic philosophical works and those in an applied, pragmatic format—secular and religious—that are dedicated to complex social and political matters, to pressing cultural topics or insights into international terrorism, as well as to contemporary science and global challenges.
An Anthology
Russian Philosophy in the Twenty-First Century: An Anthology provides the English-speaking world with access to post-Soviet philosophic thought in Russia for the first time. The Anthology presents the fundamental range of contemporary philosophical problems in the works of prominent Russian thinkers. In contrast to the “single-mindedness” of Soviet-era philosophers and the bias toward Orthodox Christianity of émigré philosophers, it offers to its readers the authors’ plurality of different positions in widely diverse texts. Here one finds strictly academic philosophical works and those in an applied, pragmatic format—secular and religious—that are dedicated to complex social and political matters, to pressing cultural topics or insights into international terrorism, as well as to contemporary science and global challenges.
Byzantium in Eastern European Visual Culture in the Late Middle Ages, edited by Maria Alessia Rossi and Alice Isabella Sullivan, engages with issues of cultural contact and patronage, as well as the transformation and appropriation of Byzantine artistic, theological, and political models, alongside local traditions, across Eastern Europe. The regions of the Balkan Peninsula, the Carpathian Mountains, and early modern Russia have been treated in scholarship within limited frameworks or excluded altogether from art historical conversations. This volume encourages different readings of the artistic landscapes of Eastern Europe during the late medieval period, highlighting the cultural and artistic productions of individual centers. These ought to be considered individually and as part of larger networks, thus revealing their shared heritage and indebtedness to artistic and cultural models adopted from elsewhere, and especially from Byzantium.
Byzantium in Eastern European Visual Culture in the Late Middle Ages, edited by Maria Alessia Rossi and Alice Isabella Sullivan, engages with issues of cultural contact and patronage, as well as the transformation and appropriation of Byzantine artistic, theological, and political models, alongside local traditions, across Eastern Europe. The regions of the Balkan Peninsula, the Carpathian Mountains, and early modern Russia have been treated in scholarship within limited frameworks or excluded altogether from art historical conversations. This volume encourages different readings of the artistic landscapes of Eastern Europe during the late medieval period, highlighting the cultural and artistic productions of individual centers. These ought to be considered individually and as part of larger networks, thus revealing their shared heritage and indebtedness to artistic and cultural models adopted from elsewhere, and especially from Byzantium.
Editor:
Gábor Kármán
Tributaries and Peripheries of the Ottoman Empire offers twelve studies on the relationship between Ottoman tributaries with each other in the imperial framework, as well as with neighboring border provinces of the empire’s core territories from the fifteenth to the eighteenth centuries. A variety of surveys related to the Cossack Ukraine, the Crimean Khanate, Dagestan, Moldavia, Ragusa, Transylvania, Upper Hungary and Wallachia allow the reader to see hitherto less known subtleties of the Ottoman administration’s hierarchic structures and the liberties and restrictions of the office-holders’ power. They also shed light upon the strategies of coalition-building among the elites of the tributaries as well as the core provinces of the border zones, which determined their cooperation, but also the competition between them.
Contributors include: János B. Szabó, Ovidiu Cristea, Tetiana Grygorieva, Klára Jakó, Gábor Kármán, Dariusz Kołodziejczyk, Natalia Królikowska-Jedlińska, Erica Mezzoli, Viorel Panaite, Radu G. Păun, Ruža Radoš Ćurić, Balázs Sudár, Michał Wasiucionek.
Contributors include: János B. Szabó, Ovidiu Cristea, Tetiana Grygorieva, Klára Jakó, Gábor Kármán, Dariusz Kołodziejczyk, Natalia Królikowska-Jedlińska, Erica Mezzoli, Viorel Panaite, Radu G. Păun, Ruža Radoš Ćurić, Balázs Sudár, Michał Wasiucionek.
Editor:
Gábor Kármán
Tributaries and Peripheries of the Ottoman Empire offers twelve studies on the relationship between Ottoman tributaries with each other in the imperial framework, as well as with neighboring border provinces of the empire’s core territories from the fifteenth to the eighteenth centuries. A variety of surveys related to the Cossack Ukraine, the Crimean Khanate, Dagestan, Moldavia, Ragusa, Transylvania, Upper Hungary and Wallachia allow the reader to see hitherto less known subtleties of the Ottoman administration’s hierarchic structures and the liberties and restrictions of the office-holders’ power. They also shed light upon the strategies of coalition-building among the elites of the tributaries as well as the core provinces of the border zones, which determined their cooperation, but also the competition between them.
Contributors include: János B. Szabó, Ovidiu Cristea, Tetiana Grygorieva, Klára Jakó, Gábor Kármán, Dariusz Kołodziejczyk, Natalia Królikowska-Jedlińska, Erica Mezzoli, Viorel Panaite, Radu G. Păun, Ruža Radoš Ćurić, Balázs Sudár, Michał Wasiucionek.
Contributors include: János B. Szabó, Ovidiu Cristea, Tetiana Grygorieva, Klára Jakó, Gábor Kármán, Dariusz Kołodziejczyk, Natalia Królikowska-Jedlińska, Erica Mezzoli, Viorel Panaite, Radu G. Păun, Ruža Radoš Ćurić, Balázs Sudár, Michał Wasiucionek.