Browse results
This is part I of a two-part set.
This is part I of a two-part set.
203 Palmyrene-Aramaic votive inscriptions from the period between the 2nd and 3rd centuries CE contain three intriguing designations of the gods: “Blessed (be) his name forever”, “Master of the Universe” and “the Merciful”. Previous studies have claimed that the god to whom these inscriptions are addressed is anonymous. Not satisfied with this explanation, Des dédicaces sans théonyme de Palmyre: Béni (soit) son nom pour l’éternité addresses the phenomenon through the lens of thanksgiving and praise, revealing the existence of a contemporary ritual hymn, the origin of the Palmyrene formula “Blessed his name forever”. Who, then, were these gods, the recipients of the dedications? Can we find a match between the formulae and a proper name? This book provides answers to these fascinating questions.
203 Palmyrene-Aramaic votive inscriptions from the period between the 2nd and 3rd centuries CE contain three intriguing designations of the gods: “Blessed (be) his name forever”, “Master of the Universe” and “the Merciful”. Previous studies have claimed that the god to whom these inscriptions are addressed is anonymous. Not satisfied with this explanation, Des dédicaces sans théonyme de Palmyre: Béni (soit) son nom pour l’éternité addresses the phenomenon through the lens of thanksgiving and praise, revealing the existence of a contemporary ritual hymn, the origin of the Palmyrene formula “Blessed his name forever”. Who, then, were these gods, the recipients of the dedications? Can we find a match between the formulae and a proper name? This book provides answers to these fascinating questions.
The present collection brings together papers from an international group of researchers all inspired by ‘the sensory turn’. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience.
Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion.
Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clément; Rocío Gordillo Hervás; Rebeca Rubio; Elena Muñiz Grijalvo; David Espinosa-Espinosa; A. César González-García, Marco V. García-Quintela; Jörg Rüpke; Rosa Sierra del Molino; Israel Campos Méndez; Valentino Gasparini; Nicole Belayche; Antón Alvar Nuño; Jaime Alvar Ezquerra; Clelia Martínez Maza.
The present collection brings together papers from an international group of researchers all inspired by ‘the sensory turn’. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience.
Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion.
Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clément; Rocío Gordillo Hervás; Rebeca Rubio; Elena Muñiz Grijalvo; David Espinosa-Espinosa; A. César González-García, Marco V. García-Quintela; Jörg Rüpke; Rosa Sierra del Molino; Israel Campos Méndez; Valentino Gasparini; Nicole Belayche; Antón Alvar Nuño; Jaime Alvar Ezquerra; Clelia Martínez Maza.